The narrator, “in quest of certain genealogical data,” is traveling by bicycle throughout New England. One day a heavy downpour forces him to take shelter at a decrepit farmhouse in the “Miskatonic Valley.” When his knocks fail to summon an occupant, he believes the house to be uninhabited and enters; but shortly the occupant, who had been asleep upstairs, makes an appearance. The man seems very old, but also quite ruddy of face and muscular of build. His clothes are slovenly, and he seems to have just awoken from a nap. The old man, seemingly a harmless backwoods farmer speaking in “an extreme form of Yankee dialect I had thought long extinct” (“‘Ketched in the rain, be ye?’”), notes that his visitor had been examining a very old book on a bookcase, Pigafetta’s
The tale contains the first mention of the term “Miskatonic” and the fictional city of Arkham. The location of Arkham has been the source of considerable debate. Will Murray conjectured that the Arkham of “The Picture in the House” was situated in central Massachusetts, but Robert D.Marten concludes that HPL had always conceived of Arkham (as he did explicitly in later tales) to be an approximate analogue of Salem, hence on the eastern coast of Massachusetts. The name Arkham may (as Marten speculates) have been coined from Arkwright, a former village (now incorporated into the town of Fiskville) in Rhode Island. “Miskatonic” (which Murray, studying its Algonguin roots, translates approximately to “red-mountain-place”) appears to be derived by analogy from Housatonic, a well-known river running from central Massachusetts through Connecticut. HPL makes numerous errors in his description of Pigafetta’s
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clares the dialect to be long extinct in New England; its use by HPL thereby enhances the suggestion of the old man’s preternatural age.
HPL’s brooding opening reflections on the unnatural repressiveness of early New England life and the neuroses it produced are echoed in his analysis of Nathaniel Hawthorne in “Supernatural Horror in Literature” (see also