Читаем Английский язык с Крестным Отцом полностью

Michael kissed her. "I want you to go home and think things over in that little hick town of yours," he said. "I don't want you to get mixed up in this business in any way. After the Christmas holidays I'll be back at school and we'll get together up in Hanover. OK?"

"OK," she said. She watched him go out the door, saw him wave before he stepped into the elevator (to wave – помахать /рукой/). She had never felt so close to him, never so much in love and if someone had told her she would not see Michael again until three years passed, she would not have been able to bear the anguish of it (вынести эту тоску, это мучение [‘æŋwı∫]).


When Michael Corleone went into the city that night it was with a depressed spirit. He felt that he was being enmeshed in the Family business against his will and he resented Sonny using him even to answer the phone. He felt uncomfortable being on the inside of the Family councils as if he could be absolutely trusted with such secrets as murder. And now, going to see Kay, he felt guilty about her also. He had never been completely honest with her about his family. He had told her about them but always with little jokes and colorful anecdotes that made them seem more like adventurers in a Technicolor movie than what they really were. And now his father had been shot down in the street and his eldest brother was making plans for murder. That was putting it plainly and simply but that was never how he would tell it to Kay. He had already said his father being shot was more like an "accident" and that all the trouble was over. Hell, it looked like it was just beginning. Sonny and Tom were off-center on this guy Sollozzo, they were still underrating him, even though Sonny was smart enough to see the danger. Michael tried to think what the Turk might have up his sleeve. He was obviously a bold man, a clever man, a man of extraordinary force. You had to figure him to come up with a real surprise. But then Sonny and Tom and Clemenza and Tessio were all agreed that everything was under control and they all had more experience than he did. He was the "civilian" in this war, Michael thought wryly. And they'd have to give him a hell of a lot better medals than he'd gotten in World War II to make him join this one.

Thinking this made him feel guilty about not feeling more sympathy for his father. His own father shot full of holes and yet in a curious way Michael, better than anyone else, understood when Tom had said it was just business, not personal. That his father had paid for the power he had wielded all his life, the respect he had extorted from all those around him.

What Michael wanted was out, out of all this, to lead his own life. But he couldn't cut loose from the family until the crisis was over. He had to help in a civilian capacity. With sudden clarity he realized that he was annoyed with the role assigned to him, that of the privileged noncombatant, the excused conscientious objector. That was why the word "civilian" kept popping into his skull in such an irritating way.

When he got to the hotel, Kay was waiting for him in the lobby. (A couple of Clemenza's people had driven him into town and dropped him off on a nearby corner after making sure they were not followed.)

They had dinner together and some drinks. "What time are you going to visit your father?" Kay asked.

Michael looked at his watch. "Visiting hours end at eight-thirty. I think I'll go after everybody has left. They'll let me up. He has a private room and his own nurses so I can just sit with him for a while. I don't think he can talk yet or even know if I'm there. But I have to show respect."

Kay said quietly, "I feel so sorry for your father, he seemed like such a nice man at the wedding. I can't believe the things the papers are printing about him. I'm sure most of it's not true."

Michael said politely, "I don't think so either." He was surprised to find himself so secretive with Kay. He loved her, he trusted her, but he would never tell her anything about his father or the Family. She was an outsider.

"What about you?" Kay asked. "Are you going to get mixed up in this gang war the papers are talking about so gleefully?"

Michael grinned, unbuttoned his jacket and held it wide open. "Look, no guns," he said. Kay laughed.

It was getting late and they went up to their room. She mixed a drink for both of them and sat on his lap as they drank. Beneath her dress she was all silk until his hand touched the glowing skin of her thigh. They fell back on the bed together and made love with all their clothes on, their mouths glued together. When they were finished they lay very still, feeling the heat of their bodies burning through their garments. Kay murmured, "Is that what you soldiers call a quickie?"

"Yeah," Michael said.

"It's not bad," Kay said in a judicious voice.

Перейти на страницу:

Все книги серии Метод чтения Ильи Франка [Английский язык]

Похожие книги

История русской литературы второй половины XX века. Том II. 1953–1993. В авторской редакции
История русской литературы второй половины XX века. Том II. 1953–1993. В авторской редакции

Во второй половине ХХ века русская литература шла своим драматическим путём, преодолевая жесткий идеологический контроль цензуры и партийных структур. В 1953 году писательские организации начали подготовку ко II съезду Союза писателей СССР, в газетах и журналах публиковались установочные статьи о социалистическом реализме, о положительном герое, о роли писателей в строительстве нового процветающего общества. Накануне съезда М. Шолохов представил 126 страниц романа «Поднятая целина» Д. Шепилову, который счёл, что «главы густо насыщены натуралистическими сценами и даже явно эротическими моментами», и сообщил об этом Хрущёву. Отправив главы на доработку, два партийных чиновника по-своему решили творческий вопрос. II съезд советских писателей (1954) проходил под строгим контролем сотрудников ЦК КПСС, лишь однажды прозвучала яркая речь М.А. Шолохова. По указанию высших ревнителей чистоты идеологии с критикой М. Шолохова выступил Ф. Гладков, вслед за ним – прозападные либералы. В тот период бушевала полемика вокруг романов В. Гроссмана «Жизнь и судьба», Б. Пастернака «Доктор Живаго», В. Дудинцева «Не хлебом единым», произведений А. Солженицына, развернулись дискуссии между журналами «Новый мир» и «Октябрь», а затем между журналами «Молодая гвардия» и «Новый мир». Итогом стала добровольная отставка Л. Соболева, председателя Союза писателей России, написавшего в президиум ЦК КПСС о том, что он не в силах победить антирусскую группу писателей: «Эта возня живо напоминает давние рапповские времена, когда искусство «организовать собрание», «подготовить выборы», «провести резолюцию» было доведено до совершенства, включительно до тщательного распределения ролей: кому, когда, где и о чём именно говорить. Противопоставить современным мастерам закулисной борьбы мы ничего не можем. У нас нет ни опыта, ни испытанных ораторов, и войско наше рассеяно по всему простору России, его не соберешь ни в Переделкине, ни в Малеевке для разработки «сценария» съезда, плановой таблицы и раздачи заданий» (Источник. 1998. № 3. С. 104). А со страниц журналов и книг к читателям приходили прекрасные произведения русских писателей, таких как Михаил Шолохов, Анна Ахматова, Борис Пастернак (сборники стихов), Александр Твардовский, Евгений Носов, Константин Воробьёв, Василий Белов, Виктор Астафьев, Аркадий Савеличев, Владимир Личутин, Николай Рубцов, Николай Тряпкин, Владимир Соколов, Юрий Кузнецов…Издание включает обзоры литературы нескольких десятилетий, литературные портреты.

Виктор Васильевич Петелин

Культурология / История / Языкознание, иностранные языки / Языкознание / Образование и наука