You know that?"
Johnny stood there thinking; so that was it. He knew that when his voice was healthy
Nino simply wasn't in the same league with him, never had been in those years they
had sung together as kids. He saw Nino was waiting for an answer, weaving drunkenly
in the California moonlight. "Fuck you," he said gently, and they both laughed together
like the old days when they had both been equally young.
When Johnny Fontane got word about the shooting of Don Corleone he not only
worried about his Godfather, but also wondered whether the financing for his movie was
still alive. He had wanted to go to New York to pay his respects to his Godfather in the
hospital but he had been told not to get any bad publicity, that was the last thing Don
Corleone would want. So he waited. A week later a messenger came from Tom Hagen.
The financing was still on but for only one picture at a time.
Meanwhile Johnny let Nino go his own way in Hollywood and California, and Nino was
doing all right with the young starlets. Sometimes Johnny called him up for a night out
together but never leaned on him (to lean on – опираться, полагаться; to lean –
наклоняться; прислоняться). When they talked about the Don getting shot, Nino said
to Johnny, "You know, once I asked the Don for a job in his organization and he
wouldn't give it to me. I was tired of driving a truck and I wanted to make a lot of dough.
You know what he told me? He says every man has only one destiny and that my
destiny was to be an artist. Meaning that I couldn't be a racket guy."
Johnny thought that one over. The Godfather must be just about the smartest guy in
the world. He'd known immediately that Nino could never make a racket guy, would only
get himself in trouble or get killed. Get killed with just one of his wisecracks (удачная
31
острота, саркастическое замечание). But how did the Don know that he would be an
artist? Because, goddamn it, he figured that someday I'd help Nino. And how did he
figure that? Because he would drop the word to me and I would try to show my gratitude.
Of course he never asked me to do it. He just let me know it would make him happy if I
did it. Johnny Fontane sighed. Now the Godfather was hurt, in trouble, and he could
kiss the Academy Award good-bye with Woltz working against him and no help on his
side. Only the Don had the personal contacts that could apply pressure and the
Corleone Family had other things to think about. Johnny had offered to help, Hagen had
given him a curt no.
Johnny was busy getting his own picture going. The author of the book he had starred
in had finished his new novel and came west on Johnny's invitation, to talk it over
without agents or studios getting into the act. The second book was perfect for what
Johnny wanted. He wouldn't have to sing, it had a good gutsy (отважный; сочный,
полнокровный, сильный) story with plenty of dames and sex and it had a part that
Johnny instantly recognized as tailor-made for Nino. The character talked like Nino,
acted like him, even looked like him. It was uncanny. All Nino would have to do would
be to get up on the screen and be himself.
Johnny worked fast. He found that he knew a lot more about production than he thought
he did, but he hired an executive producer, a man who knew his stuff but had trouble
finding work because of the blacklist. Johnny didn't take advantage but gave the man a
fair contract. "I expect you to save me more dough this way," he told the man frankly.
So he was surprised when the executive producer came to him and told him the union
rep (= representative – представитель) had to be taken care of to the tune (за сумму;
tune – мелодия) of fifty thousand dollars. There were a lot of problems dealing with
overtime and hiring and the fifty thousand dollars would be well spent. Johnny debated
whether the executive producer was hustling him and then said, "Send the union guy to
me."
The union guy was Billy Goff. Johnny said to him, "I thought the union stuff was fixed
by my friends. I was told not to worry about it. At all."
Goff said, "Who told you that?"
Johnny said, "You know goddamn well who told me. I won't say his name but if he
tells me something that's it."
Goff said, "Things have changed. Your friend is in trouble and his word don't go this
far west anymore."
Johnny shrugged. "See me in a couple of days. OK?"
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Goff smiled. "Sure, Johnny," he said. "But calling in New York ain't going to help you."
But calling New York did help. Johnny spoke to Hagen at his office. Hagen told him
bluntly not to pay. "Your Godfather will be sore as hell if you pay that bastard a dime
(монета в 10 центов)," he told Johnny. "It will make the Don lose respect and right now
he can't afford that."
"Can I talk to the Don?" Johnny asked. "Will you talk to him? I gotta get the picture
rolling."
"Nobody can talk to the Don right now," Hagen said. "He's too sick. I'll talk to Sonny
about fixing things up. But I'll make the decision on this. Don't pay that smart bastard a
dime. If anything changes, I'll let you know."