In the folklore mythology of many peoples, birds are messengers. They presage death (cuckoos, owls, crows), misfortune, unhappiness, as well as big disasters such as epidemics and wars, but they also herald the birth of a child or a future wedding. As well as portending weather conditions, the life of a bird also serves as a natural calendar (announcing spring and winter).
In popular creeds, birds possess healing powers. Hens are used as a ‘medicine’ against fever, epilepsy, night-blindness and insomnia: ‘Let the hens take away insomnia and bring back sleep’ (
The link between woman and bird brings us to the Palaeo lithic era. Unusual combinations of female and avian traits appear in Palaeolithic cave drawings (Lascaux, Pech Merle, El Pindal): a beak instead of a mouth, a wing instead of a hand, a bird’s expression on a human face. In the well-known ‘narrative’ drawing of the dying man and a wounded bison, and the bird with a woman’s face watching it all, some see the bird as a symbol of the soul leaving the man. The statuettes of the woman-bird, a woman with a bird’s head, date from the same era. The notion of a half-woman, half-bird (Siren) and a bird-soul belong to humankind’s primal imagery, more ancient than the cosmogonic mythologeme of binary birds and bird-demiurges. In the Neolithic era, according to renowned archaeologist Maria Gimbutas, a figurine of a woman-bird with breasts and bulging rump turns up among different representations of the Great Goddess (statuettes of a naked woman, pregnant or giving birth, symbolising fertility).
Birds – ravens, black hens, crows, magpies, swans, geese, etc. – are linked to witches, female demons and ancient goddesses, Baba Yaga among them. Mythical female creatures often have birds’ features (claws, legs, wings or head), the ability to turn into birds or to fly like them. According to one legend, Ivan the Terrible gathers all Russia’s witches together in Moscow so he can burn them, but they turn into magpies and escape. According to another, Metropolitan Aleksey was so convinced that magpies were witches that he banned them from flying over Moscow (!). Peasants often hang dead magpies from the roof to frighten off witches.
In Bulgarian folklore, an ordinary woman can become a witch if she carries a black hen’s egg in her armpit until a black chick hatches. If she slits its little throat and smears the blood on her joints, that ordinary woman will gain a witch’s power – including the ability to turn herself into a black hen.
Peasant farmers in southern Bulgaria believe that freakish creatures called
In Bulgarian folklore, chickens are ‘unclean’, ‘dark’ animals, related to demons. A chicken is a bird that cannot fly. It pecks the ground with its beak, hence it connects people with chthonic powers. Thus the chicken encompasses contradictions: as a kind of livestock, it belongs to people, but equally it belongs to the heavens (being a bird), and at the same time to the underworld (being unable to fly). Notions of Baba (Yaga) sitting on eggs in a nest made in a treetop, of her hut on hen’s legs, of her ability to give birth to forty-one daughters (a quantity that could only have hatched from eggs!):[50]
these all build up a picture of a black-feathered demon that is linked with all three spheres of the world.Birds have always fascinated the human imagination, because they are connected with people’s deepest dreams of flight. Mere mortals are chained to the earth, whereas wings were the endowment of demons, angels, fairies and other mythical creatures. Birds are the gods’ transport of choice (Garuda carried the Indian god Vishnu, and Brahma flew on a goose).