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“Maybe we should have been nicer to her,” Elody says. She looks down like she’s embarrassed to say it.

“Please.” Lindsay’s voice is loud and hard in comparison. “You can’t be mean to someone forever and then feel bad when she dies.”

Elody lifts her head and stares at Lindsay. “But I do feel bad.” Her voice is getting stronger.

“Then you’re a hypocrite,” Lindsay says. “And that’s worse than anything.”

She gets up and shuts off the light. I hear her climb back on the couch and rustle around in the blankets, settling in.

“If you’ll excuse me,” she says, “I have sleep to catch up on.”

There’s total silence for a while. I’m not sure if Ally’s lying down or not, but as my eyes adjust to the darkness I see that she isn’t: she’s still sitting there with her knees drawn up to her chest, staring straight ahead.

After a minute she says, “I’m going to sleep upstairs.” She gathers up her sheets and blankets, making extra noise, probably to get back at Lindsay.

A moment later Elody says, “I’m going with her. The couch is too lumpy.” She’s obviously upset too. We’ve been sleeping on this couch for years.

After she leaves I sit for a while listening to Lindsay breathe. I wonder if she’s sleeping. I don’t see how she could be. I feel as awake as I’ve ever been. Then again, Lindsay’s always been different from most people, less sensitive, more black-and-white. My team, your team. This side of the line, that side of the line. Fearless, and careless. I’ve always admired her for that—we all have.

I feel restless, like I need to know the answers to questions I’m not sure how to ask. I ease off the couch slowly, trying not to wake Lindsay, but it turns out she’s not sleeping after all. She rolls over, and in the dark I can just make out her pale skin and the deep hollows of her eyes.

“You’re not going upstairs, are you?” she whispers.

“Bathroom,” I whisper back.

I feel my way out into the hallway and pause there. Somewhere a clock is ticking, but other than that it’s totally silent. Everything is dark and the stone floor is cold under my feet. I run one hand along the wall to orient myself. The sound of the rain has stopped. When I look outside I see the rain has turned to snow, thousands of snowflakes melting down the latticed windows and making the moonlight that comes through the panes look watery and full of movement, shadows twisting and blurring on the floor, alive. There’s a bathroom here, but that’s not where I’m headed. I ease open the door that leads to Ally’s basement and grope my way down the stairs, holding on to both banisters.

As soon as my feet hit the carpet at the bottom of the stairs, I fumble on the wall to my left, eventually finding the light switch. The basement is suddenly revealed, big and stark and normal-looking: beige leather couches, an old Ping-Pong table, another flat-screen TV, and a circular area with a treadmill, an elliptical machine, and a three-sided mirror at its center. It’s cooler here and smells like chemicals and new paint.

Just beyond the exercise area is another door, which leads into the room we’ve always referred to as the Altar of Allison Harris. The room is papered with Ally’s old drawings, none of them good, most dating back to elementary school. The bookshelves are crowded with pictures of her: Ally dressed up like an octopus for Halloween in first grade, Ally wearing a green velvet dress and smiling in front of an enormous Christmas tree absolutely collapsing with ornaments, Ally squinting in a bikini, Ally laughing, Ally frowning, Ally looking pensive. And on the lowest shelf, every single one of Ally’s old yearbooks, from kindergarten on. Ally once showed us how Mrs. Harris had gone through all the books, one by one, placing colored sticky tabs on each one of Ally’s friends from year to year. (“So you can remember how popular you always were,” Mrs. Harris had told her.)

I drop to my knees. I’m not sure exactly what I’m looking for, but there’s an idea taking shape in my head, some old memory that disappears whenever I will it to take form, like those Magic Eye games where you can only see the hidden shape when your eyes aren’t in focus.

I start with the first-grade yearbook. I open it directly to Mr. Christensen’s class—just my luck—and there I am, standing a little ways apart from the group. The flash reflected in my glasses makes it impossible to see my eyes. My smile is closer to a wince, as though the effort hurts. I flip past the picture quickly. I hate looking through old yearbooks; they don’t exactly bring back a flood of positive memories. Mine are stashed somewhere in the attic, with all the other crap my mom insists I keep “because you might want it later,” like my old dolls and a ratty stuffed lamb I used to carry with me everywhere.

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