Библейские мотивы. Сюжеты Писания в классической музыке

[177] https://ru.scribd.com/document/133859348/Newman-Ernest-Testament-of-Music-1963.

[178] Newnan E. Testament of Music // Internet Archive. URL: https://goo-gl.me/W1JpI.

[179] https://www.yumpu.com/en/document/read/20749163/neeme-jarvi-eclassical.

[180] https://www.litmir.me/br/?b=56011&p=14.

[181] https://fr.zlibcdn2.com/book/1138323/e321ed.

[182] Бенуа А. Книга о новом театре. – СПб., 1908. С. 10.

[183] http://libretto-oper.ru/strauss/elektra.

[184] Власова Н. «Ариадна на Наксосе» Рихарда Штрауса – Гуго фон Гофмансталя: история в письмах // Научный вестник Московской консерватории. 2015. № 4 (23). С. 140–175. URL: https://nv.mosconsv.ru/sites/default/files/2021-11/Vlasova_2015_4.pdf.

[185] https://www.dissercat.com/content/muzykalnyi-teatr-rikharda-shtrausa-i-novye-formy-gorodskoi-demokraticheskoi-kultury-vtoroi-p.

[186] https://biography.wikireading.ru/h8pAwMWaZG.

[187] Быт. 15:13; Деян. 7:6.

[188] Исх. 12:40–41.

[189] 1 Пар. 6:1–3; Исх. 6:18–20.

[190] Быт. 15:16.

[191] Исх. 3:2.

[192] Исх. 3:8.

[193] Исх. 14:21–25.

[194] Числ. 21:5.

[195] Ин. 3:14–15.

[196] https://ekzeget.ru/bible/cisla/glava-21/stih-8/.

[197] Лк. 23:42–43.

[198] Лк. 23:41.

[199] http://uz.gnesin-academy.ru/wp-content/uploads/archive/2016/release19.pdf.

[200] Гардинер Дж. Э. Музыка в небесном граде. – М.: Rosebud publishing, 2019. С. 761.

[201] Числ. 26:31, 9, 33.

[202] Нав. 10:30, синодальный перевод.

[203] Втор. 20:16.

[204] Быт. 19:23–28.

[205] Нав. 5:14.

[206] Нав. 5:15.

[207] Tallmadge W. Dr. Watts and Mahalia Jackson. The Development, Decline, and Survival of a Folk Style in America, Ethnomusicology, Vol. 5, No. 2 (May, 1961), pp. 95–99. URL: https://www.jstor.org/stable/924323.

[208] Нав. 6:19.

[209] https://bibleonline.ru/bible/nrt/psa-120/.

[210] https://blogs.loc.gov/music/files/2015/05/LOC-1213-Chaya-Czernowin-Slow-Summer-Stay-II – Lakes.pdf.

[211] http://journal.juilliard.edu/journal/1504/george-crumb-at-85.

[212] https://www.vanityfair.com/culture/2016/04/david-bowie-favorite-albums.

[213] https://www.brunswickgroup.com/opus-focus-i2550/.

[214] Flegler J. Fanfare. 1988. T. 12. Issue II. P. 454.

[215] Нав. 24:1.

[216] Нав. 24:13.

[217] https://www.nytimes.com/1996/04/14/arts/recordings-view-pious-whimsy-for-the-keyboard.html.

[218] Суд. 21:25.

[219] 1 Цар. 10:6.

[220] 1 Цар. 13.

[221] 1 Цар. 16:14.

[222] 1 Цар. 15:27.

[223] https://iphras.ru/uplfile/histsc/petroff/2018/Petroff_2018_Kinor_and_Nevel.pdf.

[224] 1 Цар. 17:39–40.

[225] 1 Цар. 17:49.

[226] 3 Цар. 1:4.

[227] 3 Цар. 5–6.

[228] 3 Цар. 4:20–25.

[229] 3 Цар. 4:33.

[230] 3 Цар. 4:32.

[231] Jones J. The "Song of Songs" as a Drama in the Commentators from Origen to the Twelfth Century, Comparative Drama, Vol. 17, No. 1 (Spring 1983), pp. 17–39. https://www.jstor.org/stable/41153051.

[232] Evangelisti S. Wives, Widows, and Brides of Christ: Marriage and the Convent in the Historiography of Early Modern Italy, The Historical Journal, Vol. 43, No. 1 (Mar., 2000), pp. 233–247. https://www.jstor.org/stable/3021020.

[233] 1 Кор. 14:34.

[234] Stras L. Voci Pari Motets and Convent Polyphony in the 1540s: The Materna Lingua Complex. Journal of the American Musicological Society, vol. 70, no. 3, 2017, pp. 617-96. https://www.jstor.org/stable/26417317.

[235] https://eprints.soton.ac.uk/402244/1/cpXVI_EM_complete.pdf.

[236] https://www.cambridge.org/core/books/women-and-music-in-sixteenthcentury-ferrara/9548A80A582795FCBD51F09CB6DDFDCA.

[237] https://www.theguardian.com/music/musicblog/2017/mar/10/radical-motets-from-16th-century-nunnery-musica-secreta-lucrezia-borgia.

[238] Песн. 2:2.