Billy believes him, but he wanted to hear him say it, and watch his face as he did. It doesn’t matter, anyway. He’s downriver from all that. ‘Who was the client?’
‘Are you going to kill me?’
I should, Billy thinks. You richly deserve it.
‘Who was the client?’
Nick raises a hand to his face and brings it down slowly, wiping away sweat from his brow and more spit from his lips. His eyes say he has given up hope, and he never had much to begin with. ‘If I tell you, will you at least let me pray before you do it? Or is killing me not enough, do you want me in hell for eternity, too?’ Now there are more tears.
‘You can pray. Client’s name first.’
‘Roger Klerke.’
At first Billy thinks he’s saying Clerk, like the guy who takes your money in a convenience store, but then Nick spells it. The name has a slightly familiar ring, but it’s not one he associates with Nick’s world. Or Bucky Hanson’s, for that matter. More like a name Billy has seen in the newspapers or blogs or heard on a podcast. Maybe on TV. Politics? Business? Billy has little interest in either.
‘World Wide Entertainment,’ Nick says. ‘It’s okay if you don’t recognize it, WWE’s only one of the four biggest media conglomerates in the world.’
Nick tries to smile – a man on his deathbed telling a feeble joke – but Billy hardly notices. He’s rewinding, almost all the way to the beginning. To his first meeting with Ken Hoff, who is certainly not looking forward to retirement in South America.
‘Tell me.’
Nick does, and Billy is so totally amazed by what he hears – and horrified, that too – that he loses track of time. He doesn’t remember that not everyone at Promontory Point has been neutralized until he hears a desolate howl from upstairs. It is the sound only a mother can make when she discovers her son stretched out unconscious and maybe dying. Maybe already dead.
‘Do you want to live, Nick?’ A rhetorical question.
‘Yes.
Billy’s not interested in Nick’s promises, solemn or otherwise. He points to the unadorned steel door to the safe room. Upstairs there’s another howl, then words: ‘
‘Are there guns in there?’
Nick is no longer the guy in charge, no longer the host with the most who welcomed Billy with outstretched arms five months ago, no longer the drinker of Champagne who just wanted to help Billy with his getaway. He has been broken down to his basic humanity, which is a desire to continue drawing breath, and so Billy accepts his look of surprise as genuine. ‘In the safe room? Why would I have guns in there?’
‘Go in. Close the door. Look at your watch. Wait an hour. If you come out before then, I might be gone or I might still be here.’ As if, Billy thinks. ‘If I’m here, I’ll kill you.’
‘I won’t. I won’t! And the money—’
‘I’ll be in touch about that.’
Maybe, Billy thinks. Or maybe I no longer want any of it, considering what I did and who I did it for. Not knowing at the time may be an excuse, but not a good one.
‘Call off the bounty hunters. Tell them I came here, there was a shootout, and I got killed. If there’s still guys on the prod for me, you better hope they kill me because if they don’t, I’ll come back here and kill you. Tell Klerke the same thing. I’ll ask him, and if he says anything different, I’ll come back and kill you. Got it?’
‘Yes. Yes!’
Billy gestures toward the TV part of the man-cave. ‘And clean up this mess. Make it go away. Do you understand?’
‘
‘Do you understand?’
‘Yes. What are you planning to—’
‘Get in there.’
Nick has no trouble with the combo this time. The door must be sealed as tight as the airlock of a spaceship, because there’s a faint
‘For once in your life be honorable,’ Billy says.
Nick closes the door and there’s a thud as it re-locks. Billy sees a cheesecloth bag full of billiard balls hanging from a hook beside the chairs. He takes it and spills the balls onto the green felt of the table. He gets Edison’s Glock from the bathroom and Nick’s hideout gun from where it lies next to Reggie’s dead hand. He puts both guns in the bag. Then he searches Reggie’s pants pockets, an unpleasant task that has to be done because he has no intention of driving out of here in the old pickup with its unreliable starter. He finds the key to Reggie’s vehicle.