He goes to the local newspaper. The headline is big – COURTHOUSE ASSASSINATION! – but it probably looks bigger and better in print than it does on his iPhone screen. The story tells him nothing he doesn’t already know, but the lead photo makes it clear why Sheriff Vickery wasn’t in attendance at Chief Conlee’s press conference. The pic shows that absurd Stetson hat lying on the steps, with no county sheriff to hold it up. Sheriff Vickery beat feet. Sheriff Vickery skedaddled. This picture is worth a thousand words. For him it wouldn’t have been a press conference, it would have been a walk of shame.
Good luck getting re-elected with that photo to explain, Billy thinks.
2
He goes upstairs to tend Daphne and Walter, then stops with the spray bottle in his hand, wondering if he’s crazy. He’s supposed to water them, not drown them. He checks the Jensens’ fridge and sees nothing he wants but there’s a package of English muffins on the counter with one left and he toasts it up, telling himself that if he doesn’t use it, it will just get moldy. There are regular windows up here and he sits in a bar of sun, munching his muffin and thinking about what he’s avoiding. Which is Benjy’s story, of course. It’s the only job he has to do now that he’s finished the one that brought him here. But it means writing about the Marines, and there’s so much, starting with the bus to Parris Island, basic … just so much.
Billy rinses off the plate he’s used, dries it, puts it back in the cupboard, and goes downstairs. He looks out the periscope window and sees the usual not much. The pants he wore yesterday are on the bedroom floor. He picks them up and feels in the pockets, almost hoping he’s lost the flash drive somewhere along the way, but it’s there with his keys, one of them to Dalton Smith’s leased Ford Fusion in the parking garage on the other side of town. Waiting until he feels it’s safe to leave.
The flash drive feels like it’s gained weight. Looking at it, a marvelous storage device that would have seemed like science fiction only thirty years ago, there are two things he can’t believe. One is how many words he’s already put on it. The other is that there can possibly be any more. Twice as many. Four times as many. Ten, twenty.
He opens the laptop he thought he’d lost, a more expensive lucky charm than a battered baby shoe all grimy with dirt but otherwise about the same deal, and powers it up. He types in the password, plugs in the flash drive, and drags the single stored document to the laptop’s screen. He looks at the first line – The man my ma lived with came home with a broke arm – and feels a kind of despair. This is good work, he feels sure of it, but what felt light when he started now feels heavy, because he has a responsibility to make the rest just as good, and he’s not sure he can do it.
He goes to the periscope window and looks out at more nothing, wondering if he’s just discovered why so many would-be writers are unable to finish what they have started. He thinks of
All over the world there are half-finished books – memoirs, poetry, novels, surefire plans for getting thin or getting rich – in desk drawers, because the work got too heavy for the people trying to carry it and they put it down.
Some other time, they think. Maybe when the kids are a little older. Or when I retire.
Is that it? Will it be too heavy if he tries writing about the bus ride and the jarhead haircut and the first time Sergeant Uppington asked him
Ask?
Oh no, he didn’t ask, Billy thinks, unless it was what you call a rhetorical question. He shouted in my face, his nose just an inch from mine, his spittle warm on my lips, and I said
How it all comes back, and can he write it all, even as Benjy Compson?