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Somehow I was in the corridor, staring dumbly at my right hand. It had been split to the heel of the palm, flopped at the end of my wrist in two bloody, bifingered chunks. Blood welled from the torn edges and wouldn't fall. Sarasti advanced through a haze of trauma and confusion. His face swam in and out of focus, rich with his blood or mine. His eyes were bright red mirrors, his eyes were time machines. Darkness roared around them and it was half a million years ago and I was just another piece of meat on the African savannah, a split-second from having its throat torn out.

"Do you see the problem?" Sarasti asked, advancing. A great spider crab hovered at his shoulder. I forced focus through the pain: one of Bates' grunts, taking aim. I kicked blindly, hit the ladder through sheer happenstance, careened backwards down the corridor.

The vampire came after me, his face split into something that would have been a smile on anyone else. "Conscious of pain, you're distracted by pain. You'refixated on it. Obsessed by the one threat, you miss the other."

I flailed. Crimson mist stung my eyes.

"So much more aware, so much less perceptive. An automaton could do better."

He's snapped, I thought. He's insane. And then No, he's a transient.He's always been a transient

"They could do better," he said softly.

— and he's been hiding for days. Deep down. Hiding from the seals.

What elsewould he do?

Sarasti raised his hands, fading in and out of focus. I hit something, kicked without aiming, bounced away through swirling mist and startled voices. Metal cracked the back of my head and spun me around.

A hole, a burrow. A place to hide. I dove through, my torn hand flapping like a dead fish against the edge of the hatch. I cried out and tumbled into the drum, the monster at my heels.

Startled shouts, very close now. "This wasn't the plan, Jukka! This wasn't the goddamned plan!" That was Susan James, full of outrage, while Amanda Bates snarled "Stand down, right fucking now!" and leapt from the deck to do battle. She rose through the air, all overclocked reflexes and carboplatinum augments but Sarasti just batted her aside and kept on coming. His arm shot out like a striking snake. His hand clamped around my throat.

"Is this what you meant?" James cried from some dark irrelevant hiding place. "Is this your preconditioning?"

Sarasti shook me. "Are you in there, Keeton?"

My blood splattered across his face like rain. I babbled and cried.

"Are you listening? Can you see?"

And suddenly I could. Suddenly everything clicked into focus. Sarasti wasn't talking at all. Sarasti didn't even exist anymore. Nobody did. I was alone in a great spinning wheel surrounded by things that were made out of meat, things that moved all by themselves. Some of them were wrapped in pieces of cloth. Strange nonsensical sounds came from holes at their top ends, and there were other things up there, bumps and ridges and something like marbles or black buttons, wet and shiny and embedded in the slabs of meat. They glistened and jiggled and moved as if trying to escape.

I didn't understand the sounds the meat was making, but I heard a voice from somewhere. It was like God talking, and that I couldn't help but understand.

"Get out of your room, Keeton," it hissed. "Stop transposing or interpolating or rotating or whatever it is you do. Just listen. For once in your goddamned life, understand something. Understand that your life depends on it. Are you listening, Keeton?"

And I cannot tell you what it said. I can only tell you what I heard.

* * *

You invest so much in it, don't you? It's what elevates you above the beasts of the field, it's what makes you special. Homo sapiens, you call yourself. Wise Man. Do you even know what it is, this consciousness you cite in your own exaltation? Do you even know what it's for?

Maybe you think it gives you free will. Maybe you've forgotten that sleepwalkers converse, drive vehicles, commit crimes and clean up afterwards, unconscious the whole time. Maybe nobody's told you that even waking souls are only slaves in denial.

Make a conscious choice. Decide to move your index finger. Too late! The electricity's already halfway down your arm. Your body began to act a full half-second before your conscious self 'chose' to, for the self chose nothing; something else set your body in motion, sent an executive summary—almost an afterthought— to the homunculus behind your eyes. That little man, that arrogant subroutine that thinks of itself as the person, mistakes correlation for causality: it reads the summary and it sees the hand move, and it thinks that one drove the other.

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