"Just an expression, fellow mammal. Bury the hatchet. Damn the torpedoes. Soothe the serpent."
"I guess you're busy," he said, "I'll—"
"Look, you want to get together? In airspace? I haven't been to QuBit's in a while."
"Love to, Pod. Unfortunately I'm in Mankoya. Splice'n'dice workshop."
"What, you mean
"Cutting-edge research. Old-school habits."
"Too bad."
"Anyway, I'll let you go. Just wanted, you know—"
"Thanks," I said again.
"So, you know. Bye," Robert Paglino told me. Which was, when you got down to it, the reason he'd called.
He wasn't expecting another chance.
Pag blamed me for the way it had ended with Chelsea. Fair enough. I blamed him for the way it began.
He'd gone into neuroeconomics at least partly because his childhood buddy had turned into a pod person before his eyes. I'd ended up in Synthesis for roughly the same reason. Our paths had diverged, and we didn't see each other in the flesh all that often; but two decades after I'd brutalized a handful of children on his behalf, Robert Paglino was still my best and only friend.
"You need to seriously thaw out," he told me, "And I know just the lady to handle the oven mitts."
"That is perhaps the worst use of metaphor in the history of human language," I said.
"Seriously, Pod. She'll be good for you. A, a
"No, Pag, I don't. What is she, another neuroeconomist?"
"Neuroaestheticist," he said.
"There's still a market for those?" I couldn't imagine how; why pay to tweak your compatibility with some significant other, when significant others themselves were so out of fashion?
"Not much of one," Pag admitted. "Fact is, she's pretty much retired. But she's still got the tools, my man. Very thigmotactic. Likes all her relationships face-to-face and in the flesh."
"I dunno, Pag. Sounds like work."
"Not like
"If I wanted therapy I'd see a therapist."
"She does a bit of that too, actually."
"Yeah?" And then, despite myself, "Any good?"
He looked me up and down. "No one's
"
"I was being euphemistic. I meant your aversion to general Human contact."
"Making it euphemistic to call you Human?"
He grinned. "Different deal. We got history."
"No thanks."
"Too late. She's already en route to the appointed place."
"Appoin—you're an asshole, Pag."
"The tightest."
Which was how I found myself intrusively face-to-face in an airspace lounge south of Beth and Bear. The lighting was low and indirect, creeping from under seats and the edges of tables; the chromatics, this afternoon at least, were defiantly longwave. It was a place where baselines could pretend to see in infrared.
So I pretended for a moment, assessing the woman in the corner booth: gangly and glorious, half-a-dozen ethnicities coexisting peacefully with no single voice dominant. Something glowed on her cheek, a faint emerald staccato against the ambient red shift. Her hair floated in a diffuse ebony cloud about her head; as I neared I caught occasional glints of metal within that nimbus, the threads of a static generator purveying the illusion of weightlessness. In normal light her blood-red skin would doubtless shift down to the fashionable butterscotch of the unrepentant mongrel.
She
"Chelsea," she said. Her little finger rested on one of the table's inset trickle-chargers. "Former neuroaestheticist, presently a parasite on the Body Economic thanks to genes and machines on the cutting edge."
The glow on her cheek flapped bright lazy wings: a tattoo, a bioluminescent butterfly.
"Siri," I said. "Freelance synthesist, indentured servant to the genes and machines that turned you into a parasite."