"I don't hate you. You're children, and children don't know any better. If it hadn't been you, something else would have set off my troubles with God." Lucifer shrugged. "Fathers and sons."
"Did you have anything to do with taking my blindfold off?"
"Why would I do that? I don't like many mortals and the few I do care for should be off living their lives, not going mad down here. You were trapped by something else. There's a black cloud around you that I can't see through, which means I can't help you. But you're going to have to deal with it sooner or later."
"Who's the Painted Man?"
Lucifer rolled his eyes. "The boogey man for demons. The Painted Man is the monster in the closet. Dr. Moriarty. Kayser Soze. He's supposedly a creature of pure chaos, neither God nor angel nor demon, who one day will come to destroy us. Why do you ask?"
"No reason. I heard a demon mention him."
"That's all? And you called me the Prince of Lies." Lucifer stretched and stuck out his long legs. "Don't trouble your handsome young head, Spyder Lee, you're not the Painted Man."
"Is Xero?"
"No, but he thinks he is and that makes him dangerous."
"How do you know he's not?"
"If he were I would have smelled him coming. I'd have tasted him. I'd have heard every beat of his heart. If the Painted Man ever sets foot in Hell, I'll know it."
Spyder looked down and saw a half-smoked cigarette lying at his feet. He picked up the butt and smoothed it straight. "Got a light?" he asked. Lucifer handed him a pink fur lighter.
"This is Lulu's," said Spyder.
"She dropped it by the Bone Sea. I was going to return it the next time I saw her."
Spyder lit the butt and dropped the lighter into his jacket pocket. It felt good to pull the smoke into his lungs.
"What's the deal with all the Satanic losers back home? Do you like them? Do they drive you crazy? What about Anton LaVey?"
"I love Anton LaVey. I love all carnies. God can have the meek. I'll take the grifters."
"You've got an answer for everything. I'll give you that, Count."
"We all have to live with ourselves, especially here. I'll tell you something, because I think you'll understand: I know that our Heaven is quite probably a pointless and futile thing, but we'll build it anyway, because it's all the Heaven we're ever likely to have."
Across the plaza, Ashbliss came with Lulu and Shrike. The men rose as they got closer. Both Lulu and Shrike went right to the man they knew as Count Non and hugged him.
Spyder said, "Ladies, let me introduce you to the man in black, his infernal badness, Lucifer."
Shrike and Lulu looked at the fallen angel. Shrike took Spyder's hand. Lulu smiled. "Count Non, you tricky fuck. I knew there was something about you. Not many men can make me question my preferences."
Lucifer looked at Ashbliss. "I'll talk to you later, dung beetle. Vanish." He snapped his fingers and the little demon was gone.
"Here," said Spyder, and handed Lulu back her lighter.
"Where'd you find it?"
"I'll tell you later."
"What happens now?" asked Shrike.
"Under other circumstances I'd probably throw a party. Given the current unpleasantness, I'll just take you to the book."
"Just like that?"
"Unless you'd like to wait around for Xero to attack again." Lucifer nodded to the hills beyond the golden step-pyramid. Men and demons were massing along the ridge.
Lucifer turned to Shrike. "By the way, it's nice to finally see your eyes. They're lovely."
"Thank you. It's good to see you, but a little strange, too."
"I get that a lot."
Lucifer started across the square to his palace as the others followed. Spyder looked over his shoulder and saw Xero's troops starting down the hill for Pandemonium.
Fifty-Two
Waiting for the End of the World
The entrance to Lucifer's palace was covered in flowers.
Bloody roses snaked on unnaturally long stalks around the main entrance, a wide portico that let onto an immense reception hall. Inside, clusters of white lilies and fleshy pink and tiger-striped orchids joined the roses. The white marble floor was covered with a rich, purple carpet, trimmed in gold. On one wall were exquisitely detailed anatomy charts of humans, demons and every kind of animals Spyder had ever seen. On the opposite wall hung a huge tapestry, a rendering of William Blake's Great Red Dragon and the Woman Clothed with the Sun. Along the back wall was what Spyder took to be Lucifer's trophy gallery.