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He wanted to say it. More than anything, he wanted to say,

Forget tomorrow. Let's leave here, tonight. But he didn't say it, because she was trembling so.

"You English," he said. "You do love your charades."

Moonlight washed the shadows. He caught the wild look in her eye. A twin to the fearful look a colt gets just before it's broken.

He kept his silence. He

was imagining things. He held her. It was the last time he would hold her, alive.

THREE

Quincey pushed through the double-doors of the saloon and was surprised to find it deserted except for a sleepy-eyed man who was polishing the piano.

"You the piano player?" Quincey asked.

"Sure," the fellow said.

Quincey brought out the Peacemaker. "Can you play ' Red River Valley '?"

"S-sure." The man sat down, rolled up his sleeves.

"Not here," Quincey said.

"H-huh?"

"I got a big house on the edge of town."

The man swallowed hard. "You mean Mr. Owens' place?"

"No. I mean my place."

"H-huh?"

"Anyway, you go on up there, and you wait for me." The man rose from the piano stool, both eyes on the Peacemaker, and started toward the double-doors.

"Wait a minute," Quincey said. "You're forgetting something."

"W-what?"

"Well, I don't have a piano up at the house."

"Y-you don't?"

"Nope."

"Well… Hell, mister, what do you want me to do?"

Quincey cocked the Peacemaker. "I guess you'd better start pushing."

"You mean…you want me to take the piano with me?"

Quincey nodded. "Now, I'll be home in a couple hours or so. You put the piano in the parlor, then you help yourself to a glass of whiskey. But don't linger in the parlor, hear?"

The man nodded. He seemed to catch on pretty quick. Had to be that he was a stranger in these parts.

Quincey moved on. He stopped off at Murphy's laundry, asked a few questions about garlic, received a few expansive answers detailing the amazing restorative power of Mrs. Murphy's soap, after which he set a gunnysack on the counter. He set it down real gentle-like, and the rough material settled over something kind of round, and, seeing this, Mr. Murphy excused himself and made a beeline for the saloon.

Next Quincey stopped off at the church with a bottle of whiskey for the preacher. They chatted a bit, and Quincey had a snort before moving on, just to be sociable.

He had just stepped into the home of Mrs. Danvers, the best seamstress in town, when he glanced through the window and spotted Hal Owens coming his way, two men in tow, one of them being the sheriff.


Things were never quite so plain in England. Oh, they were just as dangerous, that was for sure. But, with the exception of lunatics like Arthur Holmwood, the upper-crust of Whitby cloaked their confrontational behavior in a veil of politeness.

Three nights running, Quincey stood alone in the garden, just waiting. Finally, he went to Lucy's mother in the light of day, hat literally in hand. He inquired as to Lucy's health. Mrs. Westenra said that Lucy was convalescing. Three similar visits, and his testiness began to show through.

So did Mrs. Westenra's. She blamed Quincey for her daughter's poor health. He wanted to tell her that the whole thing was melodrama, and for her benefit, too, but he held off.

And that was when the old woman slipped up. Or maybe she didn't, because her voice was as sharp as his bowie, and it was plain that she intended to do damage with it. "Lucy's condition is quite serious," she said. "Her behavior of late, which Dr. Seward has described in no small detail… Well, I mean to tell you that Lucy has shown little consideration for her family or her station, and there is no doubt that she is quite ill. We have placed her in hospital, under the care of Dr. Seward and his associates."

Mrs. Westenra had torn away the veil. He would not keep silent now. He made it as plain as plain could be. "You want to break her. You want to pocket her, heart and soul."

She seemed to consider her answer very carefully. Finally, she said, "We only do what we must."


"Nobody wants you here," Owens said.

Quincey grinned. Funny that Owens should say that. Those were the same words that had spilled from Seward's lips when Quincey confronted him at the asylum.

Of course, that had happened an ocean away, and Dr. Seward hadn't had a gun. But he'd had a needle, and that had done the job for him right proper.

Quincey stared down at Mrs. Danvers' sewing table. There were needles here, too. Sharp ones, little slivers of metal. But these needles weren't attached to syringes. They weren't like Dr. Seward's needles at all.

Something pressed against Quincey's stomach. He blinked several times, but he couldn't decide who was standing in front of him. Owens, or Seward, or…

Someone said, "Get out of town, or I'll make you wish you

was dead." There was a sharp click. The pressure on Quincey's belly increased, and a heavy hand dropped onto his shoulder.

The hand of Count Dracula. A European nobleman and scientist. Stoker had split him into two characters-a kindly doctor and a hellborn monster. But Quincey knew that the truth was somewhere in between.

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