Читаем By Blood We Live полностью

"Alright!" Dr. Sauers said abruptly, impatiently, jerking herself away from the equipment. She glanced at her watch with the large face. "We must begin." She sounded as if there had been a delay that Nita or maybe the grey-haired man was responsible for.

The doctor took a seat to the right of Nita, the man in the well-fitting grey suit took the chair directly in front of her, both of them out of the camera's view. Almost enough for a card game, Nita thought wryly. Her mind flew to the old beat-up decks of cards the men in her village played with as they drank the strong local brandy, and quickly jettisoned those images in favor of larger cards with faded pastel pictures that her grandmother-her

bunic-kept hidden, wrapped in a soiled scrap of green satin, buried in the rich brown earth with a rock over top as if it were a grave hiding a body that refused to stay interred. In her memory Nita envisioned only one card, a black and white and grey picture with a few smudges the color of blood. Bunic patiently explained that this was artwork from five hundred or more years ago. "Danse Macabre," she had called it. A grisly skeleton with tufts of hair adhering to its skull and fragments of meat on its bones, holding the hand of a richly adorned King on one side of his boney body, and clutching about the waist what looked to be a peasant woman in rags on the other, the three drawn so that they appeared to be in motion. Nita thought the King and the woman were trying to get away from the skeleton, but Bunic interpreted it differently: "He leads the dance. We all must dance with him one day."

Nita smiled at the memory, so caught up in her mental picture of the stark yet mesmerizing image and of her

Bunic's rough but soothing tone of voice that she missed the first part of what the man at the table was saying, which apparently had included his name.

"…and I understand you speak English. I'm a behavioral psychologist with the ICSCS, that's the International Centre for Studies of the Criminally-"

"But I'm not a criminal," Nita said flatly.

"You're a patient, convicted of a crime, in an institution for the criminally insane," Dr. Sauers reminded her, as if Nita might have forgotten about the trial, about being in jail, now the hospital, the humiliation, the alienation, about all of it.

She turned away from Sauers and stared at the man's cool ash-colored eyes which reminded her so much of the winter sky above the unforgiving mountains of her village. Mountains strong and permanent formed of orange and red molten rock that had burst forth from below the surface and forced its way upward towards the snowy clouds, piercing the steel-blue sky like stalagmites, until the heavens were dominated by soil and rock and trees that could withstand the fierce climate-survivor of every cataclysm. What had existed before she was born, before her grandmother, and her great great great grandmother-

A buzzer down the hall sounded and Nita jolted. Furtively she glanced around her at the sterile environment, its only richness in the dead gleam of stainless steel, its only life the color corpse-white. No, this was not the mountains. She had little power here; she looked down at her wrists chained together and her pale small hands clasped tightly in her lap as if all they could clutch, all they could hold onto to keep body and soul together was each other.

"We're not here about the legalities," the grey man whose name she had not learned said in a comforting tone accented by a slight smile. But Nita knew that both people in the room with her thought she was not just guilty but also insane. Hopelessly insane. Not much to do about that.

Bunic believed you can't change people's minds with words, just with actions. "Trust only what you taste and touch and smell," she'd said. "What others believe, this cannot matter."

"I see your name is Luminita."

"Everyone calls me Nita."

"Yes, a diminutive. Very nice. What does Luminita mean? Something about light?"

"In Romanian it means 'little light'."

"Meaning a bright personality?"

"Yes. But also someone who lights the way for others."

"A beacon."

Nita remembered her

Bunic with so much longing. The woman after whom she had been named, who had meant the world to her, was gone now, and that thought stabbed Nita's heart like a rusty knife. Bunic, in Nita's youthful view, had always been old, snowy hair like goose down covered by a headscarf the color of the purple loostrife that grew in the wetlands, a face earth-brown and crinkly as Baltic fruit shriveled by a sudden frost. But her smile, that wasn't old at all. Her smile lit wise honey eyes and changed the wrinkles around her mouth until she appeared young to young Nita. As if they were sisters. And sometimes Nita believed that they were sisters, more than sisters, identical. As a child, she had wanted to grow up to be just like Bunic.

"And how do you feel about that?"

Перейти на страницу:

Похожие книги

Исчезновение Стефани Мейлер
Исчезновение Стефани Мейлер

«Исчезновение Стефани Мейлер» — новый роман автора бестселлеров «Правда о деле Гарри Квеберта» и «Книга Балтиморов». Знаменитый молодой швейцарец Жоэль Диккер, лауреат Гран-при Французской академии, Гонкуровской премии лицеистов и Премии женевских писателей, и на этот раз оказался первым в списке лучших. По версии L'Express-RTL /Tite Live его роман с захватывающей детективной интригой занял первое место по читательскому спросу среди всех книг на французском языке, вышедших в 2018 году.В фешенебельном курортном городке Лонг-Айленда бесследно исчезает журналистка, обнаружившая неизвестные подробности жестокого убийства четырех человек, совершенного двадцать лет назад. Двое обаятельных полицейских из уголовного отдела и отчаянная молодая женщина, помощник шефа полиции, пускаются на поиски. Их расследование напоминает безумный квест. У Жоэля Диккера уже шесть миллионов читателей по всему миру. Выход романа «Исчезновение Стефани Мейлер» совпал с выходом телесериала по книге «Правда о деле Гарри Квеберта», снятого Жан-Жаком Анно, создателем фильма «Имя розы».

Жоэль Диккер

Детективы / Триллер / Зарубежные детективы
Ночной Охотник
Ночной Охотник

Летний вечер. Невыносимая жара. Следователя Эрику Фостер вызывают на место преступления. Молодой врач найден задушенным в собственной постели. Его запястья связаны, на голову надет пластиковый пакет, мертвые глаза вытаращены от боли и ужаса.Несколькими днями позже обнаружен еще один труп… Эрика и ее команда приходят к выводу, что за преступлениями стоит педантичный серийный убийца, который долго выслеживает своих жертв, выбирая подходящий момент для нападения. Все убитые – холостые мужчины, которые вели очень замкнутую жизнь. Какие тайны окутывают их прошлое? И что связывает их с убийцей?Эрика готова сделать все что угодно, чтобы остановить Ночного Охотника, прежде чем появятся новые жертвы,□– даже поставить под удар свою карьеру. Но Охотник следит не только за намеченными жертвами… Жизнь Эрики тоже под угрозой.

Роберт Брындза

Триллер