But even perfect indolence was not enough. There was too much activity around him. He soon grew weary of the robots fussing about him, and ordered them to find ways to reduce their level of activity, cutting back on housecleaning, and then finally ceasing it altogether. He ordered them to stop care of the exterior grounds as well, claiming that the mere thought of them scurrying about out there, pruning and cutting and digging, was most upsetting to his calm.
He decided that his parties had become a bore, and a disruption. He gave them up. Besides, they had forced him to waste too much time on grooming. Once the parties were no more, that problem was eliminated.
He ordered his own bathing schedule cut back, and then cut back again and again. He had his beard and scalp permanently depilated, so he need never shave or cut his hair again. He had his finger- and toenails treated to prevent them from growing.
He did not like the robots bringing him meals and then hovering over him, clattering about with the dishes. He ordered his food brought to him in disposable containers and told the robots to leave him the moment he got his food. But there was still the problem of discarding the containers. He could simply drop them on the floor when he was done, but the sight of them bothered him and he would be forced to endure the graver disturbance of a robot coming in to clean them up.
He discovered that if he flung empty food cartons over his shoulder, they would not be in his line of sight, and thus their presence would not disturb him. But still, the
The human nose becomes desensitized to a given odor over a period of time, and Gidi was completely unbothered by the filth, the stench, the squalor.
But even meals themselves became a distraction. Gidi ordered his robots to install drinking and nutrient tubes. Then he had merely to turn his head left or right and suck his food and drink from tubes.
At last, Gidi had achieved as near to his ideal as could be imagined. Nothing need ever disturb him again. He had reached a state of perfect solitude. He ordered his robots out of his room and told them to stay in their niches until and unless he called for them, and such times became increasingly rare.
And then they stopped altogether.
Of course, by the time things reached that state of affairs, Chestrie and the other robots were half -mad, caught in an absolute tangle of First Law conflicts. Gidi, showing a remarkable talent for order-giving, had convinced them that submission to his whims was essential if they were to prevent severe emotional and mental harm to their master. He did it emphatically enough to overcome the robots’ worries over his long-term deterioration.
That-and the absence of a sense of smell in robots-was why he was able to lie dead far more than long enough to rot. At last, Chestrie’s First Law potential forced him to break Gidi’s command to remain still. He checked on his master and found there was nothing he could do but notify the authorities.
Kresh and his partner entered a dank and fetid room, the walls covered with some sort of mold. The heap of discarded food containers at the back of the room was quite literally crawling with scavengers. But it was Gidi-or what was left of him-that Kresh still saw sometimes, deep in troubled sleep. That grinning, fly-covered corpse, that corpse with skin that
The coroner never bothered-or perhaps could not bring himself-to do an autopsy or determine the cause of death. He set it down as
No one, anywhere, ever, wanted to talk about it. Chestrie and the other robots were quietly destroyed, the house tom down, the grounds abandoned and left to their own devices. No one was even willing to go near the spot anymore. No one would so much as mention Gidi’s name.
Artists who had built their careers and reputations based on his praise suddenly found themselves not only without a sponsor but in the uncomfortable situation of having the merits of their work certified by a madman, or worse, having the direction of their work influenced by his opinions. No one was willing to deal with them. Some of them dropped out of the art world, while those with a bit more backbone started their careers all over again from scratch, and set about the task of remaking names for themselves without Gidi ‘ s endorsement and guidance.