Читаем Catherine the Great полностью

After four weeks in “quarantine,” Orlov suddenly reappeared in society, behaving as though nothing had happened. He pretended not to notice that Vasilchikov was attending to duties that had been his; he even indulged in his own brand of humor by making friends with the new favorite, praising him loudly and joking about himself. It was Vasilchikov who blushed with embarrassment when, at night in the presence of the entire court, including Orlov, the empress gave him her arm to escort her to her apartment. No one knew how to react. Before long, Orlov realized that the pretty-faced “nonentity” had triumphed. He knew that Catherine was not in love; that she had taken this young man for the same reason he collected mistresses: a need for a companion who would be always available and submissive. Realizing that his own position was becoming ridiculous, he requested permission to travel. Catherine agreed without uttering a word of recrimination. Indeed, before he left, Orlov allowed himself to be awarded a trove of additional rubles and was given the right to use the title of Prince of the Holy Roman Empire.


Gregory Orlov’s departure brought peace to court, but for Catherine it was a peace paid for with boredom. Vasilchikov was handsome, but his intellect and personality were so limited as to make conversation impossible. Catherine, wearied by a day of administering her empire, wanted to be intellectually stimulated, amused, and distracted in her hours of relaxation. Vasilchikov had none of these skills, and she soon realized that she had linked herself to a bore incapable of saying anything interesting or funny. He did his best. He was attentive, dutiful, well meaning, and decorative. Nothing helped; she found him increasingly, and then unendurably, boring. Later favorites, picked out by the empress for their physical appearance, had to be acclaimed for their superior mental qualities—or, at least, for the speed with which they were learning. Vasilchikov possessed neither these aptitudes nor prospects. The twenty-two months of his tenure as favorite witnessed some of the most traumatic, challenging, anxiety-producing events of Catherine’s reign: the partition of Poland, war with Turkey, the Pugachev rebellion. She needed someone to talk to who could offer support and consolation, if not useful political or military advice. That Vasilchikov was unable to provide anything of this kind was obvious to everyone.

Thus Vasilchikov, not Orlov, had turned out to be the primary victim of this boudoir upheaval, and no one knew better than the wretched favorite himself. He was sufficiently sensitive to realize that he bored his mistress and that he was viewed as only a stopgap. His shy, sweet temper, which had been one of his assets, turned peevish and sour. His description of his life with the empress is the wail of an abandoned child:

I was nothing more to her than a kind of male cocotte, and was treated as such. I was not allowed to receive guests or go out. If I made a request for myself or anyone else, she did not reply. When I wished to have the Order of St. Anne, I spoke to the empress about it. The next day I found a thirty thousand ruble banknote in my pocket. In this way, she always stopped my mouth and sent me to my room. She never condescended to discuss with me any matters that lay close to my heart.

Catherine kept him on because, having made the unfortunate choice of this obscure young guardsman, she thought it would be cruel to dismiss him for faults for which he was not responsible. Finally, however, when she could endure him no longer, she wrote to Potemkin, “Tell Panin that he must send Vasilchikov away somewhere for a cure. I feel suffocated by him and he complains of pains in his chest. Later he could be appointed envoy somewhere as ambassador—somewhere where there is not too much work to do. He is a bore. I burned my fingers and I shall never do it again.”

Although Vasilchikov’s performance in the role of favorite was probably the weakest of any of Catherine’s lovers, she accepted most of the blame. He was a sudden replacement, installed when she was angry at the frequently and flagrantly unfaithful Gregory. “It was a random choice,” she admitted later, “made out of desperation. I was more heartbroken at that time than I can say.”

The hapless Vasilchikov departed, generously pensioned for his efforts and good intentions. He retired to a large country estate near Moscow—a gift from the empress. Over the years, he aged into a quiet country gentleman, ignored and mostly forgotten by his sovereign. Once he had gone, she replaced mediocrity with genius and boredom with intellectual fireworks. She sent for Potemkin.


59


Catherine and Potemkin: Passion

Перейти на страницу:

Похожие книги

Отцы-основатели
Отцы-основатели

Третий том приключенческой саги «Прогрессоры». Осень ледникового периода с ее дождями и холодными ветрами предвещает еще более суровую зиму, а племя Огня только-только готовится приступить к строительству основного жилья. Но все с ног на голову переворачивают нежданные гости, объявившиеся прямо на пороге. Сумеют ли вожди племени перевоспитать чужаков, или основанное ими общество падет под натиском мультикультурной какофонии? Но все, что нас не убивает, делает сильнее, вот и племя Огня после каждой стремительной перипетии только увеличивает свои возможности в противостоянии этому жестокому миру…

Айзек Азимов , Александр Борисович Михайловский , Мария Павловна Згурская , Роберт Альберт Блох , Юлия Викторовна Маркова

Фантастика / Биографии и Мемуары / История / Научная Фантастика / Попаданцы / Образование и наука
След в океане
След в океане

Имя Александра Городницкого хорошо известно не только любителям поэзии и авторской песни, но и ученым, связанным с океанологией. В своей новой книге, автор рассказывает о детстве и юности, о том, как рождались песни, о научных экспедициях в Арктику и различные районы Мирового океана, о своих друзьях — писателях, поэтах, геологах, ученых.Это не просто мемуары — скорее, философско-лирический взгляд на мир и эпоху, попытка осмыслить недавнее прошлое, рассказать о людях, с которыми сталкивала судьба. А рассказчик Александр Городницкий великолепный, его неожиданный юмор, легкая ирония, умение подмечать детали, тонкое поэтическое восприятие окружающего делают «маленькое чудо»: мы как бы переносимся то на палубу «Крузенштерна», то на поляну Грушинского фестиваля авторской песни, оказываемся в одной компании с Юрием Визбором или Владимиром Высоцким, Натаном Эйдельманом или Давидом Самойловым.Пересказать книгу нельзя — прочитайте ее сами, и перед вами совершенно по-новому откроется человек, чьи песни знакомы с детства.Книга иллюстрирована фотографиями.

Александр Моисеевич Городницкий

Биографии и Мемуары / Документальное
100 рассказов о стыковке
100 рассказов о стыковке

Книга рассказывает о жизни и деятельности ее автора в космонавтике, о многих событиях, с которыми он, его товарищи и коллеги оказались связанными.В. С. Сыромятников — известный в мире конструктор механизмов и инженерных систем для космических аппаратов. Начал работать в КБ С. П. Королева, основоположника практической космонавтики, за полтора года до запуска первого спутника. Принимал активное участие во многих отечественных и международных проектах. Личный опыт и взаимодействие с главными героями описываемых событий, а также профессиональное знакомство с опубликованными и неопубликованными материалами дали ему возможность на документальной основе и в то же время нестандартно и эмоционально рассказать о развитии отечественной космонавтики и американской астронавтики с первых практических шагов до последнего времени.Часть 1 охватывает два первых десятилетия освоения космоса, от середины 50–х до 1975 года.Книга иллюстрирована фотографиями из коллекции автора и других частных коллекций.Для широких кругов читателей.

Владимир Сергеевич Сыромятников

Биографии и Мемуары