And I had so much to learn! I wanted Celia to teach me everything she knew—about men, about sex, about New York, about
The two of us went digging for trouble with a shovel and a pickax that summer, and we never had the slightest trouble finding it. If you are a pretty young woman looking for trouble in a big city, it’s not difficult to find. But if you are
Sometimes the other dancers or showgirls started off the night with us, but they could rarely keep up with me and Celia. If one of us lagged, the other would pick up the pace. Sometimes I got the feeling we were watching each other to see what we would do next, because we usually had no
Essentially, our chosen line of work that summer was
—
When I think about the summer of 1940, Angela, I picture Celia Ray and me as two inky, dark points of lust sailing through the neon and shadows of New York City, in a nonstop search for action. And when I try to recall it in detail now, it all seems to run into one long, hot, sweaty night.
The moment the show was over, Celia and I would change into the thinnest little stalks of evening gowns, and we would absolutely fling ourselves at the city—running full tilt into the impatient streets, already certain that we were missing something vital and lively:
We’d always begin our evening at Toots Shor’s, or El Morocco, or the Stork Club—but there was no telling where we would end up by the wee hours. If midtown got too dull and familiar, Celia and I might head up to Harlem on the A train to hear Count Basie play, or to drink at the Red Rooster. Or we could just as easily find ourselves clowning around with a bunch of Yale boys at the Ritz, or dancing with some socialists downtown at Webster Hall. The rule seemed to be: dance until you collapse, and then keep dancing for a little bit longer after that.
We moved with such speed! Sometimes it felt like I was being dragged behind the city itself—sucked into this wild urban river of music and lights and revelry. Other times, it felt like we were the ones dragging the city behind
Never was it difficult to find men.
It helped that Celia Ray could walk into a joint like nobody I’ve ever seen. She would throw her resplendence into a room ahead of her, the way a soldier might toss a grenade into a machine gunner’s nest, and then she’d follow her beauty right on in and assess the carnage. All she had to do was show up, and every bit of sexual energy in the place would magnetize around her. Then she’d stroll around looking bored as can be—sopping up everyone’s boyfriends and husbands in the process—without exerting the slightest bit of effort in her conquests.
Men looked at Celia Ray like she was a box of Cracker Jack and they couldn’t wait to start digging for the toy.
In return, she looked at them like they were the wooden paneling on the wall.
Which only made them crazier for her.
“Show me you can smile, baby,” a brave man once called out to her across the dance floor.
“Show me you got a yacht,” Celia said under her breath, and turned away to be bored in another direction.
Since I was by her side, and since I looked enough like her now (in low light, anyhow—since I was not only the same height and coloring as Celia, but now wore tight dresses like hers, and styled my hair like hers, and modeled my walk after hers, and padded my bosom to slightly resemble hers), it only doubled the effect.
I don’t like to boast, Angela, but we were a pretty unstoppable duo.