There was always an element of peril in the way that Celia and I thrust ourselves into the world. We made ourselves available for anything that might happen, so anything
You see, it was like this: Celia’s effect on men was to make them so obedient and subservient to her—until the instant they were no longer obedient and subservient. She would have them all lined up before us, ready to take our orders and serve our every wish. They were such good boys, and sometimes they stayed good boys—but sometimes, quite suddenly, those boys were not so good anymore. Some line of male desire or anger would be crossed, and then there was no coming back from it. After that line had been crossed, Celia’s effect on men was to make them into savages. There would be a moment when everyone was having fun and flirting and playing taunting games and laughing, but then suddenly the energy of the room would shift, and now there was a threat of not only sex, but violence.
Once that shift came, there was no stopping it.
After that, it was all smash and grab.
The first time this happened, Celia saw it coming moments before it occurred, and she sent me out of the room. We were in the Presidential Suite of the Biltmore Hotel, being entertained by three men whom we’d met earlier in the ballroom of the Waldorf. These men had a great deal of loose cash, and they were clearly in a dubious line of work. (If I had to guess, I would wager that their line of employment was: racketeers.) At first they were all in service to Celia—so deferential, so grateful for her attentions, sweating with nervousness about making the beautiful girl and her friend happy.
I was still new at this game, and I found it amusing that these thugs were so servile to us. Cowed by our powers, and all that. It made me want to laugh at them, in all their weakness:
But then—not long into our visit to the Presidential Suite—the shift came, and Celia was suddenly crammed between two of those men on the couch, and they were no longer looking servile or weak. It wasn’t anything they were doing per se; it was just a change of tone, and it frightened me. Something had shifted in their faces, and I didn’t like it. The third man was now eyeing me, and he didn’t appear as though he were interested in joking around anymore, either. The only way I can describe the change in the room was: You’re having a delightful picnic, and then suddenly there’s a tornado. The barometric pressure drops. The sky goes black. The birds go silent. This thing is coming straight for you.
“Vivvie,” said Celia in that exact moment, “run downstairs and buy me cigarettes.”
“Right now?” I asked.
“
I made for the door, just before the third man reached me—and to my shame, I closed the door on my friend and left her in there. I left her because she’d told me to, but still—it felt rotten. Whatever those men were about to do in there, Celia was on her own. She’d sent me from the room either because she didn’t want me seeing what was about to be done to her, or she didn’t want it done to me, too. Either way, I felt like a child, being banished like that. I also felt afraid of those men, and afraid for Celia,
Celia eventually came down by herself—unescorted by any of the men who had so solicitously led us to the elevator earlier that evening.
She spotted me in the lobby, walked over, and said, “Well, I call
“Are you all right?” I asked.
“Yeah, I’m terrific,” she said. She tugged at her dress. “Do I look all right?”
She looked just as beautiful as ever—except for the shiner over her left eye.
“Like love’s young dream itself,” I said.
She saw me looking at her swollen eye, and said, “Don’t squawk about this, Vivvie. Gladys’ll fix it. She’s the best at covering up black eyes. Is there a cab? If a cab would be kind enough to appear, I’ll take it.”
I found her a cab, and we made our way home without another word.
—
Did the events of that evening leave Celia traumatized?
You would think so, wouldn’t you?