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She was in an airline seat, belted in place, and when she turned her head to the left, she saw Jim Ironheart seated beside her. "This old mill won't make it to Chicago," he said solemnly. And it seemed quite logical that they were flying in that stone structure, lifted by its four giant woodslat sails the way an airliner was kept aloft by its jets or propellers. "We'll survive, though-won't we?" she asked. Before her eyes, Jim faded and was replaced by a ten-year-old boy. She marveled at this magic. Then she decided that the boy's thick brown hair and electric-blue eyes meant he was Jim from another time.

According to the liberal rules of dreams, that made his transformation less magical and, in fact, altogether logical. The boy said, "We'll survive if it doesn't come." And she said, "What is it?" And he said, "The Enemy." Around them the mill seemed to respond to his last two words, flexing and contracting, pulsing like flesh, just as her motel-room wall in Laguna Hills had bulged with malevolent life last night. She thought she glimpsed a monstrous face and form taking its substance from the very limestone. "We'll die here," the boy said, "we'll all die here," and he seemed almost to welcome the creature that was trying to come out of the wall. WHOOSH! Holly came awake with a start, as she had at some point during each of the past three nights. But this time no element of the dream followed her into the real world, and she was not terrified as she had been before.

Afraid, yes. But it was a low-grade fear, more akin to disquiet than to hysteria.

More important, she rose from the dream with a buoyant sense of liberation. Instantly awake, she sat up in bed, leaned back against the headboard, and folded her arms across her bare breasts. She was shivering neither with fear nor because of a chill, but with excitement.

Earlier in the night, tongue lubricated by beer, she had spoken a truth as she had slipped off the precipice of sleep: "Snuggle down in my cocoon, be a butterfly soon." Now she knew what she had meant, and she understood the changes that she had been going through ever since she had stumbled onto Ironheart's secret, changes that she had only begun to realize were under way when she had been in the VIP lounge at the airport after the crash.

She was never going back to the Portland Press She was never going to work on a newspaper again.

She was finished as a reporter.

That was why she had overreacted to Anlock, the CNN reporter at the airport. Loathing him, she was nevertheless eaten by guilt on a subconscious level because he was chasing a major story that she was ignoring even though she was a part of it. If she was a reporter, she should have been interviewing her fellow survivors and rushing to write it up for the Press. No such desire touched her, however, not even for a fleeting moment, so she took the raw cloth of her subconscious self disgust and tailored a suit of rage with enormous shoulders and wide, wide lapels; then she dressed herself in it and strutted and seethed for the CNN camera, all in a frantic attempt to deny that she didn't care about journalism any more and that she was going to walk away from a career and a commitment that she had once thought would last all her life.

Now she got out of bed and paced, too excited to sit still.

She was finished as a reporter.

Finished.

She was free. As a working-class kid from a powerless family, she had been obsessed by a lifelong need to feel important, included, a real insider.

As a bright child who grew into a brighter woman, she had been puzzled by the apparent disorderliness of life, and she had been compelled to explain it as best she could with the inadequate tools of journalism.

Ironically, the dual quest for acceptance and explanations-which had driven her to work and study seventy- and eighty-hour weeks for as long as she could remember-had left her rootless, with no significant lover, no children, no real friends, and no more answers to the difficult questions of life than those with which she had started. Now she was suddenly free of those needs and obsessions, no longer concerned about belonging to any elite club or explaining human behavior.

She had thought she hated journalism. She didn't.

What she hated was her failure at it; and she had failed because journalism had never been the right thing for her.

To understand herself and break the bonds of habit, all she had needed was to meet a man who could work miracles, and survive a devastating airline tragedy.

"Such a flexible woman, Thorne," she said aloud, mocking herself.

"So insightful.”

Why, good heavens, if meeting Jim Ironheart and walking away from a plane crash hadn't made her see the light, then surely she'd have figured it out just as soon as Jiminy Cricket rang her doorbell and sang a cleverly rhymed lesson-teaching song about the differences between wise and stupid choices in life.

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