Peter Ivánovich, like everyone else on such occasions, entered feeling uncertain what he would have to do. All he knew was that at such times it is always safe to cross oneself. But he was not quite sure whether one should make obeisances while doing so. He therefore adopted a middle course. On entering the room he began crossing himself and made a slight movement resembling a bow. At the same time, as far as the motion of his head and arm allowed, he surveyed the room. Two young men – apparently nephews, one of whom was a high-school pupil – were leaving the room, crossing themselves as they did so. An old woman was standing motionless, and a lady with strangely arched eyebrows was saying something to her in a whisper. A vigorous, resolute Church Reader, in a frock-coat, was reading something in a loud voice with an expression that precluded any contradiction. The butler’s assistant, Gerásim, stepping lightly in front of Peter Ivánovich, was strewing something on the floor. Noticing this, Peter Ivánovich was immediately aware of a faint odour of a decomposing body.
The last time he had called on Iván Ilých, Peter Ivánovich had seen Gerásim in the study. Iván Ilých had been particularly fond of him and he was performing the duty of a sick-nurse.
Peter Ivánovich continued to make the sign of the cross slightly inclining his head in an intermediate direction between the coffin, the Reader, and the icons on the table in a corner of the room. Afterwards, when it seemed to him that this movement of his arm in crossing himself had gone on too long, he stopped and began to look at the corpse.
The dead man lay, as dead men always lie, in a specially heavy way, his rigid limbs sunk in the soft cushions of the coffin, with the head forever bowed on the pillow. His yellow waxen brow with bald patches over his sunken temples was thrust up in the way peculiar to the dead, the protruding nose seeming to press on the upper lip. He was much changed and had grown even thinner since Peter Ivánovich had last seen him, but, as is always the case with the dead, his face was handsomer and above all more dignified than when he was alive. The expression on the face said that what was necessary had been accomplished, and accomplished rightly. Besides this there was in that expression a reproach and a warning to the living. This warning seemed to Peter Ivánovich out of place, or at least not applicable to him. He felt a certain discomfort and so he hurriedly crossed himself once more and turned and went out of the door – too hurriedly and too regardless of propriety, as he himself was aware.
Schwartz was waiting for him in the adjoining room with legs spread wide apart and both hands toying with his top-hat behind his back. The mere sight of that playful, well-groomed, and elegant figure refreshed Peter Ivánovich. He felt that Schwartz was above all these happenings and would not surrender to any depressing influences. His very look said that this incident of a church service for Iván Ilých could not be a sufficient reason for infringing the order of the session – in other words, that it would certainly not prevent his unwrapping a new pack of cards and shuffling them that evening while a footman placed four fresh candles on the table: in fact, that there was no reason for supposing that this incident would hinder their spending the evening agreeably. Indeed he said this in a whisper as Peter Ivánovich passed him, proposing that they should meet for a game at Fëdor Vasílievich’s. But apparently Peter Ivánovich was not destined to play bridge that evening. Praskóvya Fëdorovna (a short, fat woman who despite all efforts to the contrary had continued to broaden steadily from her shoulders downwards and who had the same extraordinarily arched eyebrows as the lady who had been standing by the coffin), dressed all in black, her head covered with lace, came out of her own room with some other ladies, conducted them to the room where the dead body lay, and said: ‘The service will begin immediately. Please go in.’
Schwartz, making an indefinite bow, stood still, evidently neither accepting nor declining this invitation. Praskóvya Fëdorovna recognizing Peter Ivánovich, sighed, went close up to him, took his hand, and said: ‘I know you were a true friend to Iván Ilých …’ and looked at him awaiting some suitable response. And Peter Ivánovich knew that, just as it had been the right thing to cross himself in that room, so what he had to do here was to press her hand, sigh, and say, ‘Believe me …’. So he did all this and as he did it felt that the desired result had been achieved: that both he and she were touched.
‘Come with me. I want to speak to you before it begins,’ said the widow. ‘Give me your arm.’
Peter Ivánovich gave her his arm and they went to the inner rooms, passing Schwartz who winked at Peter Ivánovich compassionately.