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Praskóvya Fëdorovna came of a good family, was not bad looking, and had some little property. Iván Ilých might have aspired to a more brilliant match, but even this was good. He had his salary, and she, he hoped, would have an equal income. She was well connected, and was a sweet, pretty, and thoroughly correct young woman. To say that Iván Ilých married because he fell in love with Praskóvya Fëdorovna and found that she sympathized with his views of life would be as incorrect as to say that he married because his social circle approved of the match. He was swayed by both these considerations: the marriage gave him personal satisfaction, and at the same time it was considered the right thing by the most highly placed of his associates.

So Iván Ilých got married.

The preparations for marriage and the beginning of married life, with its conjugal caresses, the new furniture, new crockery, and new linen, were very pleasant until his wife became pregnant – so that Iván Ilých had begun to think that marriage would not impair the easy, agreeable, gay and always decorous character of his life, approved of by society and regarded by himself as natural, but would even improve it. But from the first months of his wife’s pregnancy, something new, unpleasant, depressing, and unseemly, and from which there was no way of escape, unexpectedly showed itself.

His wife, without any reason – de gaieté de cæur

as Iván Ilých expressed it to himself – began to disturb the pleasure and propriety of their life. She began to be jealous without any cause, expected him to devote his whole attention to her, found fault with everything, and made coarse and ill-mannered scenes.

At first Iván Ilých hoped to escape from the unpleasantness of this state of affairs by the same easy and decorous relation to life that had served him heretofore: he tried to ignore his wife’s disagreeable moods, continued to live in his usual easy and pleasant way, invited friends to his house for a game of cards, and also tried going out to his club or spending his evenings with friends. But one day his wife began upbraiding him so vigorously, using such coarse words, and continued to abuse him every time he did not fulfil her demands, so resolutely and with such evident determination not to give way till he submitted – that is, till he stayed at home and was bored just as she was – that he became alarmed. He now realized that matrimony – at any rate with Praskóvya Fëdorovna – was not always conducive to the pleasures and amenities of life, but on the contrary often infringed both comfort and propriety, and that he must therefore entrench himself against such infringement. And Iván Ilých began to seek for means of doing so. His official duties were the one thing that imposed upon Praskóvya Fëdorovna, and by means of his official work and the duties attached to it he began struggling with his wife to secure his own independence.

With the birth of their child, the attempts to feed it and the various failures in doing so, and with the real and imaginary illnesses of mother and child, in which Iván Ilých’s sympathy was demanded but about which he understood nothing, the need of securing for himself an existence outside his family life became still more imperative.

As his wife grew more irritable and exacting and Iván Ilých transferred the centre of gravity of his life more and more to his official work, so did he grow to like his work better and became more ambitious than before.

Very soon, within a year of his wedding, Iván Ilých had realized that marriage, though it may add some comforts to life, is in fact a very intricate and difficult affair towards which in order to perform one’s duty, that is, to lead a decorous life approved of by society, one must adopt a definite attitude just as towards one’s official duties.

And Iván Ilých evolved such an attitude towards married life. He only required of it those conveniences – dinner at home, housewife, and bed – which it could give him, and above all that propriety of external forms required by public opinion. For the rest he looked for light-hearted pleasure and propriety, and was very thankful when he found them, but if he met with antagonism and querulousness he at once retired into his separate fenced-off world of official duties, where he found satisfaction.

Iván Ilých was esteemed a good official, and after three years was made Assistant Public Prosecutor. His new duties, their importance, the possibility of indicting and imprisoning anyone he chose, the publicity his speeches received, and the success he had in all these things, made his work still more attractive.

More children came. His wife became more and more querulous and ill-tempered, but the attitude Iván Ilých had adopted towards his home life rendered him almost impervious to her grumbling.

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Иван Павлович Мележ — талантливый белорусский писатель Его книги, в частности роман "Минское направление", неоднократно издавались на русском языке. Писатель ярко отобразил в них подвиги советских людей в годы Великой Отечественной войны и трудовые послевоенные будни.Романы "Люди на болоте" и "Дыхание грозы" посвящены людям белорусской деревни 20 — 30-х годов. Это было время подготовки "великого перелома" решительного перехода трудового крестьянства к строительству новых, социалистических форм жизни Повествуя о судьбах жителей глухой полесской деревни Курени, писатель с большой реалистической силой рисует картины крестьянского труда, острую социальную борьбу того времени.Иван Мележ — художник слова, превосходно знающий жизнь и быт своего народа. Психологически тонко, поэтично, взволнованно, словно заново переживая и осмысливая недавнее прошлое, автор сумел на фоне больших исторических событий передать сложность человеческих отношений, напряженность духовной жизни героев.

Иван Павлович Мележ

Проза / Русская классическая проза / Советская классическая проза