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So Iván Ilých served for five years and then came a change in his official life. The new and reformed judicial institutions were introduced, and new men were needed. Iván Ilých became such a new man. He was offered the post of examining magistrate, and he accepted it though the post was in another province and obliged him to give up the connexions he had formed and to make new ones. His friends met to give him a send-off; they had a group-photograph taken and presented him with a silver cigarette-case, and he set off to his new post.

As examining magistrate Iván Ilých was just as comme il faut and decorous a man, inspiring general respect and capable of separating his official duties from his private life, as he had been when acting as an official on special service. His duties now as examining magistrate were far more interesting and attractive than before. In his former position it had been pleasant to wear an undress uniform made by Scharmer, and to pass through the crowd of petitioners and officials who were timorously awaiting an audience with the Governor, and who envied him as with free and easy gait he went straight into his chief’s private room to have a cup of tea and a cigarette with him. But not many people had then been directly dependent on him – only police officials and the sectarians when he went on special missions – and he liked to treat them politely, almost as comrades, as if he were letting them feel that he who had the power to crush them was treating them in this simple, friendly way. There were then but few such people. But now, as an examining magistrate, Iván Ilých felt that everyone without exception, even the most important and self-satisfied, was in his power, and that he need only write a few words on a sheet of paper with a certain heading, and this or that important, self-satisfied person would be brought before him in the role of an accused person or a witness, and if he did not choose to allow him to sit down, would have to stand before him and answer his questions. Iván Ilých never abused his power; he tried on the contrary to soften its expression, but the consciousness of it and of the possibility of softening its effect, supplied the chief interest and attraction of his office. In his work itself, especially in his examinations, he very soon acquired a method of eliminating all considerations irrelevant to the legal aspect of the case, and reducing even the most complicated case to a form in which it would be presented on paper only in its externals, completely excluding his personal opinion of the matter, while above all observing every prescribed formality. The work was new and Iván Ilých was one of the first men to apply the new Code of 1864.2

On taking up the post of examining magistrate in a new town, he made new acquaintances and connexions, placed himself on a new footing, and assumed a somewhat different tone. He took up an attitude of rather dignified aloofness towards the provincial authorities, but picked out the best circle of legal gentlemen and wealthy gentry living in the town and assumed a tone of slight dissatisfaction with the government, of moderate liberalism, and of enlightened citizenship. At the same time, without at all altering the elegance of his toilet, he ceased shaving his chin and allowed his beard to grow as it pleased.

Iván Ilých settled down very pleasantly in this new town. The society there, which inclined towards opposition to the Governor, was friendly, his salary was larger, and he began to play vint [a form of bridge], which he found added not a little to the pleasure of life, for he had a capacity for cards, played good-humouredly, and calculated rapidly and astutely, so that he usually won.

After living there for two years he met his future wife, Praskóvya Fëdorovna Míkhel, who was the most attractive, clever, and brilliant girl of the set in which he moved, and among other amusements and relaxations from his labours as examining magistrate, Iván Ilých established light and playful relations with her.

While he had been an official on special service he had been accustomed to dance, but now as an examining magistrate it was exceptional for him to do so. If he danced now, he did it as if to show that though he served under the reformed order of things, and had reached the fifth official rank, yet when it came to dancing he could do it better than most people. So at the end of an evening he sometimes danced with Praskóvya Fëdorovna, and it was chiefly during these dances that he captivated her. She fell in love with him. Iván Ilých had at first no definite intention of marrying, but when the girl fell in love with him he said to himself: ‘Really, why shouldn’t I marry?’

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Иван Павлович Мележ — талантливый белорусский писатель Его книги, в частности роман "Минское направление", неоднократно издавались на русском языке. Писатель ярко отобразил в них подвиги советских людей в годы Великой Отечественной войны и трудовые послевоенные будни.Романы "Люди на болоте" и "Дыхание грозы" посвящены людям белорусской деревни 20 — 30-х годов. Это было время подготовки "великого перелома" решительного перехода трудового крестьянства к строительству новых, социалистических форм жизни Повествуя о судьбах жителей глухой полесской деревни Курени, писатель с большой реалистической силой рисует картины крестьянского труда, острую социальную борьбу того времени.Иван Мележ — художник слова, превосходно знающий жизнь и быт своего народа. Психологически тонко, поэтично, взволнованно, словно заново переживая и осмысливая недавнее прошлое, автор сумел на фоне больших исторических событий передать сложность человеческих отношений, напряженность духовной жизни героев.

Иван Павлович Мележ

Проза / Русская классическая проза / Советская классическая проза