“Why do you think I want this?” he asks, bemused.
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“Don’t you?” I ask, refusing to acknowledge my subconscious who is questioning why anyone would want erotic photographs of me. Christian swallows and runs a hand through his hair, and he looks so lost, so confused. He takes a deep breath.
“For me, photos like those have usually been an insurance policy, Ana. I know I’ve objectified women for so long,” he says and pauses awkwardly.
“And you think taking pictures of me is . . . um, objectifying me?” All the air leaves my body, and the blood drains from my face.
He scrunches up his eyes. “I am so confused,” he whispers. When he opens his eyes again, they are wide and wary, full of some raw emotion.
“Why do you say that?” I whisper, panic rising in my throat. I thought he was happy. I thought we were happy. I thought I made him happy. I don’t want to
He shrugs and once more his eyes move down to my wrist where the bangle he bought me this afternoon used to be.
“Christian, these don’t matter.” I hold up my wrist, revealing the fading welt.
“You gave me a safe word. Shit—yesterday was
He gazes at me intently, and I have no idea what he’s thinking. Maybe he’s measuring my words. I stumble on.
“Is this about the fire? Do you think it’s connected somehow to Charlie Tango? Is this why you’re worried? Talk to me, Christian—please.” He stares at me, saying nothing and the silence expands between us again as it did this afternoon.
“Don’t overthink this Christian,” I scold quietly, and the words echo, disturbing a memory from the recent past—his words to me about his stupid contract. I 73/551
reach over, take the box from his lap, and open it. He watches me passively as if I’m a fascinating alien creature. Knowing that the camera is prepped by the overly helpful salesman in the store, and ready to go, I fish it out of the box and remove the lens cap. I point the camera at him so his beautiful anxious face fills the frame.
I press the button and keep it pressed, and ten pictures of Christian’s alarmed expression are captured digitally for posterity.
“I’ll objectify you then,” I murmur, pressing the shutter again. On the final still his lips twitch almost imperceptibly. I press again, and this time he smiles . . .
a small smile, but a smile nevertheless. I hold down the button once more and see him physically relax in front of me and pout—a full-on, posed, ridiculous, “Blue Steel” pout, and it makes me giggle.
“I thought it was
“Well, it was supposed to be fun, but apparently it’s a symbol of women’s oppression.” I snap away, taking more pictures of him, and watch the amusement grow on his face in super close-up. Then his eyes darken, and his expression changes to predatory.
“You want to be oppressed?” he murmurs silkily.
“Not oppressed. No,” I murmur back, snapping again.
“I could oppress you big time, Mrs. Grey,” he threatens, his voice husky.
“I know you can, Mr. Grey. And you do, frequently.” His face falls.
“What’s wrong, Christian?” My voice oozes frustration.
He says nothing.
“Tell me,” I insist.
“Nothing,” he says and abruptly disappears from the viewfinder. In one swift, smooth move, he sweeps the camera box onto the cabin floor, grabs me and pushes me down onto the bed. He sits astride me.
“Hey!” I exclaim and take more photographs of him, smiling down at me with dark intent. He grabs the camera by the lens, and the photographer becomes the subject as he points the Nikon at me and presses the shutter down.