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“You write good stuff, young man,” Kemper said. “That’s why I came to you first. I’ve been reading everything you’ve written about the old scouts you’ve found on your own. You can be proud your copy’s been picked up by the Tribune and the Herald.

“I am—but I want to know why you want me to talk with this particular fella. Why don’t you?”

“Don’t get me wrong—I’ve talked with the man many a time,” Kemper said, without the least bit of defensiveness.

“Surely you could write this story yourself. Why don’t you?”

Kemper once more leaned in close to the young reporter.

“Because you write as well as I did when I was your goddamned age, Deidecker.” Slowly he creaked back in the chair. “I don’t write that well now. Don’t do anything that well now.”

Deidecker pushed his cup and saucer aside, glad to be through with it. Itching to get on with the long ride south out of Sheridan. “He knows I’m coming?”

“Like I said, when you told me you’d be here—I went down there to tell Jonah.”

“No problems?”

Kemper shook his head. “No problems. Just take it slow. Don’t rush things.”

Deidecker had patted his coat pocket, knowing he would be shedding the wool suit coat as soon as he stepped outside to the carriage. From inside the pocket came the reassuring sound of the folded map Will Kemper had drawn him of the route to the cabin where the Omaha newsman would find this reclusive Jonah Hook.

“I best be going.”

Kemper looked out the window. “Yes. It’s a long ride.”

Deidecker held his hand down to the Sheridan newsman, who did not rise from his chair, as if he were comfortable right as he was and was not about to be disturbed from his perch by the formalities of another man’s leave-taking. Kemper took Nate’s hand. They shook, then the older man held Deidecker’s for a moment longer, looking directly into his eyes.

“Find out about the woman—his wife,” Kemper whispered. “No man’s ever found out about her.”

Nate remembered how at that very moment the cold splash of something had run down the length of his spinal cord. “Is she—was she killed somehow?”

Kemper removed his hand from Deidecker’s sweating palms. “Not exactly. No. You’ll see her … meet her.”

“She’s there? With the old man.”

“He loves her deeply. And she’s all he has now. Except the stories.”

“The stories.”

“Best you go now.”

“Yes, Mr. Kemper. I’ll come round when I get back to town.”

Kemper was gazing back out the window at the bright splash of liquid sunshine spraying the hot, dusty street.

“Like I said, Mr. Deidecker. Take your time asking—and you will be richly rewarded.”

Funny how things had turned out on that long ride south from Sheridan, Wyoming, crossing the Tongue River and heading toward the country where Colonel Henry B. Carrington had decided to raise the pine stockade for his Fort Phil Kearny in the middle of Red Cloud’s hunting ground some forty-two years gone. Not that long, Nate had thought at first. Many a man that old or older.

But as the horse hit its comfortable stride and the wheels of the jitney clattered and rumbled along the jarring ruts of the old wagon road that led him south toward the foothills of the Big Horn Mountains, Nathan Deidecker himself slowed down.

His heart found a new pace. What’s more, his own youthful and impetuous hurry to get on with things was seeping out of him with every drop of sweat pulled from him by this high, arid land. What was normally the aggravation of summer’s heat now became something to be savored as richly as the smell of green-backed and white sage, stunted cedar and juniper.

He turned again now to look at the woman in her old rocking chair, remembering Kemper’s cryptic admonition.

Find out about the woman.

Deidecker watched as the thin old man descended the five creaking steps from the porch into the grassy, dusty yard in front of the old cabin nestled here in the foothills, beneath the shadow of Cloud Peak.

Jonah Hook went about pulling firewood from the cords of it he had stacked against the north and west sides of the cabin. A few pieces he selected for kindling and split them agilely. One final thin sliver of kindling the old man furred into curls that he laid atop a generous pile of ashes filling an old fire pit. Dragging a wooden lucifer across one of the flat stones ringing the fire pit, Hook started his supper fire as the sun sank closer and closer to Cloud Peak.

Swallowing hard, just as he had when preparing to commit one of the deadly sins of a schoolboy in class with the teacher’s back turned, Deidecker glanced again at the old woman. For the first time all afternoon, finding himself amazed that she continued to rock in that dark, cherry-wood, ladder-back rocker with its old arms rubbed down to the color of yellow pine.

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Все книги серии Jonas Hook

Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

Терри Конрад Джонстон

Вестерн, про индейцев

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