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She hadn’t spoken to him all afternoon. Looking at him only once with those cloudy blue eyes of hers when the old man first brought the newsman up onto the porch when Deidecker arrived. Here out of the sun at that moment, she had seemed to study something in his eyes only, and only for a moment—not really looking at the newspaperman, rather looking through him, somewhere—then went back to staring up at the green hills gone summer brown and gold, beyond them the blue and purple and lavender of the high places tucked beneath the clouds of this high land.

Never a word. Not a sound from her except for the incessant creaking of the rocker’s bows on the plank porch.

“I built this place for us, you know.”

Deidecker started at the old man’s voice. He found Hook standing in the yard, halfway between the porch and his fire. Hands stuffed in the pockets of his canvas britches.

Nate felt nervous again. “I—ah—”

“She don’t talk much, Mr. Deidecker.” Hook came up the steps. “I’m the only one.”

“She talks to you?”

He settled on the top step, next to the reporter. “And you’re the first I’ve talked to in a long while, son.”

“You’ve decided?”

“You can stay till you got all your questions answered. Gritta don’t mind.”

He looked at the woman, then caught himself and turned back to Hook. “You—you asked her?”

Hook tossed a stick toward the fire. “Don’t have to. Sometimes—a man and woman been together for a long time, they can just tell. It’s all right with Gritta if I talk to you. Just like, well—just like it’s all right with me if Gritta don’t talk to no one else no more.”

“How long you been married?”

The old man smiled, his bony face creasing all the more. Deidecker was amazed that many hard miles could show on a man’s face when he smiled or frowned. A face that nonetheless did not look to have seventy-one years of war and trails and tragedy indelibly scarred into it.

Hook gazed up at the peaks. To Deidecker, the old man might very well be looking at that same place the woman was staring. Far away. But somewhat nearer just by the mention of it aloud.

“Eighteen and fifty-four.” Hook tossed another twig at the nearby fire. “We’ll put meat on as soon as we get some good coals.”

“I can wait.”

Hook patted the newsman’s knee. “I wasn’t always as patient as you when I was younger. Didn’t get this way overnight neither.”

“I want to know everything.” And he couldn’t help it, but found himself flicking his eyes at the woman slowly rocking, rocking, forever rocking as if she were truly a part of the chair.

“I know you do, Nate. And if you’re patient—that’s just what you’ll find out.”

“You and … and Gritta were married in 1854?”

“I was seventeen. She just turned fifteen. Had eyes on her for some time, I had too. We were living in a valley between the Rappahannock and Shenandoah rivers.”

“Virginia?”

“You know it?”

“Only from schooling. The great war and all.”

Hook looked down at the palms of both his old hands. “Yes. The great war.”

“So I figure you fought for the Army of Virginia? Robert E. Lee, eh?”

“No. We left Virginia two years after we was married. Gritta and me decided we wanted to spread our wings. Find our own place in this big country. Hattie had come to us by that time.”

“Hattie?”

He sighed, rubbing his big hands across the shiny thighs of his threadbare canvas britches. “Daughter. Our firstborn. Come to us in the spring of fifty-five. Next year we was gone from that valley below Big Cobbler Mountain. Where Gritta’s folks had farmed for generations.”

“Gritta … is German?”

“Her folks was about as German as folks could get, that many generations out of the old country.”

“And you?” Deidecker asked.

“German too. There was some little Irish blood a ways back, my mother told me of a time. On her side. Scotch too, as I remember. But my father was firstborn to folks who came over from the north of Germany. Named Hecht.”

“Hecht? How—”

“Somehow got changed on some paper. Wrote down as Hook, so Hook it was from then on.” The old scout got up without explanation and stepped to the far edge of the porch. The old dog dozing alongside Gritta’s rocker raised its head and watched its master pee off the porch into the yard.

Self-conscious, Deidecker looked away to watch the sun settle on Cloud Peak, impaled with a rosy summer light that gave a rich, rose luster of alpenglow to these foothills. Leaves in the nearby trees rustled with the cool breeze that seemed to immediately sweep down out of those high places, down from those never-summer ice fields as soon as the sun began settling for the coming of twilight.

Hook came back to the steps and strode down off the porch, across the wide, dusty yard toward the smokehouse, a last, unshakable remnant of his southern heritage. The old dog raised its snout, then slowly rose with a shake of its rear quarters, a languorous stretch, and loped off the porch as well.

“Only damned thing that ranger will get up for.” Hook strode away, finding the dog at his leg. “If it ain’t a bitch in heat nearby … it’s meat.”

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Все книги серии Jonas Hook

Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

Терри Конрад Джонстон

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