Dead Souls

The voice in which he uttered it contained in itself something so stupendous that it made them all cry out simultaneously:

"Who?"

"He, gentlemen, my dear sir, is none other than Captain Kopeikin!"[47]

And when straightaway they all asked with one voice: "Who is this Captain Kopeikin?" the postmaster said:

"So you don't know who Captain Kopeikin is?"

They all replied that they had no knowledge of who Captain Kopeikin was.

"Captain Kopeikin," the postmaster said, opening his snuffbox only halfway for fear one of his neighbors might get into it with his fingers, in the cleanness of which he had little faith and even had the custom of muttering: "We know, my dear, you may go visiting God knows what parts with your fingers, and snuff is a thing requiring cleanliness"—"Captain Kopeikin," the postmaster said, after taking a pinch, "no, but as a matter of fact, if someone was to tell it, it would, in a certain way, make a whole poem, quite amusing for some writer."

All those present expressed a desire to know this story, or, as the postmaster put it, in a certain way, whole poem, quite amusing for some writer, and he began thus:

THE TALE OF CAPTAIN KOPEIKIN

"After the campaign of the year 'twelve, my good sir," thus the postmaster began, though sitting in the room were not one sir but a whole six, "after the campaign of the year 'twelve, Captain Kopeikin was sent back along with the other wounded. It was either at Krasny or else at Leipzig, but anyway, if you can imagine, he had an arm and a leg blown off. Well, they hadn't yet made any of those, you know, arrangements for the wounded; this invalid fund or whatever, if you can picture it, was, in a certain way, introduced much later. Captain Kopeikin sees he ought to work, only, you understand, all he's got is his left hand. He tried going home to his father; the father says, 'I've got nothing to feed you with'—if you can picture it—'I barely have bread for myself So my Captain Kopeikin decided to set out for Petersburg, my good sir, to petition the sovereign and see if he could obtain some imperial charity, 'because look, thus and so, in a certain way, so to speak, I sacrificed my life, spilled my blood . . . ' Well, anyway, you know, with some government transport or wagon train— in short, my good sir, he somehow dragged himself to Petersburg. Well, if you can picture it, this some such one—Captain Kopeikin, that is—suddenly found himself in a capital the likes of which, so to speak, doesn't exist on earth! Suddenly there's a world before him, so to speak, a sort of field of life, a fairytale Scheherazade. Suddenly, if you can picture it, there's some such Nevsky Prospect, or, you understand, some Gorokhovy Street, devil take it! or some such Liteiny Street; there's some such spire sticking up in the air; the bridges there hang like the devil, if you can picture it, that is, not touching anywhere—in short, it's Semiramis, sir,[48] that's the whole of it! He knocked about trying to rent a place, only it all put too much of a pinch on him—all those curtains, shades, devilish stuff, you understand, rugs—a whole Persia; trampling on capitals with your feet, so to speak.