Читаем Diamond Age or a Young Lady's Illustrated Primer полностью

For a moment Nell thought that the mare might actually be a chevaline dressed up in a fake horse skin, but then it ejected a stream of urine the dimensions of a fencepost, glittering like a light saber in the morning sun and clad in a torn cloak of steam, and Nell smelled it and knew the horse was real. The woman did not mount the horse, which she had apparently ridden bareback, but took its reins as gently as if they were cobwebs and led the horse on. Nell and Harv followed, a few paces behind, and the woman walked across the green for some time, apparently organizing things in her mind, before finally tucking her hair behind her ear on one side and turning toward them. "Did Constable Moore talk to you about rules at all?"

"What rules?" Harv blurted before Nell could get into it in a level of detail that might have cast a negative light on them. Nell marveled for the hundredth time at her brother's multifarious trickiness, which would have done Peter himself proud.

"We make things," the woman said, as if this provided a nearly perfect and sufficient explanation of the phyle called Dovetail.

"Brad makes horseshoes. But Brad's the exception because mostly he provides services relating to horses. Doesn't he, Eggshell?" the woman added for the mare's benefit. "That's why he had to live down in the L.T. for a while, because there was disagreement as to whether grooms, butlers, and other service providers fit in with Dovetail's charter. But we had a vote and decided to let them in. This is boring you, isn't it? My name's Rita, and I make paper."

"You mean, in the M.C.?"

This seemed like an obvious question to Nell, but Rita was surprised to hear it and eventually laughed it off. "I'll show you later. But what I was getting at is that, unlike where you've been living, everything here at Dovetail was made by hand. We have a few matter compilers here. But if we want a chair, say, one of our craftsmen will put it together out of wood, just like in ancient times."

"Why don't you just compile it?" Harv said. "The M.C. can make wood."

"It can make fake wood," Rita said, "but some people don't like fake things."

"Why don't you like fake things?" Nell asked.

Rita smiled at her. "It's not just us. It's them," she said, pointing up the mountain toward the belt of high trees that separated Dovetail from New Atlantis territory.

Light dawned on Harv's face. "The Vickys buy stuff from you!" he said.

Rita looked a little surprised, as if she'd never heard them called Vickys before. "Anyway, what was I getting at? Oh, yeah, the point is that everything here is unique, so you have to be careful with it."

Nell had a rough idea of what unique was, but Harv didn't, and so Rita explained it for a while as they walked through Dovetail. At some length it dawned on both Nell and Harv that Rita was actually trying to tell them, in the most bewilderingly circumspect way imaginable, that she didn't want them -to run around and break stuff. This approach to child behavior modification was so at odds with everything they knew that, in spite of Rita's efforts to be pleasant, the conversation was blighted by confusion on the children's part and frustration on hers. From time to time her freckles vanished as her face turned red.

Where Dovetail had streets, they were paved with little blocks of stone laid close together. The vehicles were horses, chevalines, and velocipedes with fat knobby tires. Except for one spot where a number of buildings clustered together around a central green, houses were widely spaced and tended to be very small or very large. All of them seemed to have nice gardens though, and from time to time Nell would dart off the road to smell a flower. At first Rita would watch her nervously, telling her not to pick any of the flowers as they belonged to other people.

At the end of a road was a wooden gate with a laughably primitive latch consisting of a sliding plank, glossy with use. Past the gate, the road became a very rough mosaic of flagstones with grass growing between them. It wound between undulating pastures where horses and the occasional dairy cow grazed and eventually terminated at a great three-story stone building perched on the bank of a river that ran down the mountain from the New Atlantis Clave.

A giant wheel grew out of the side of the building and spun slowly as the river pushed on it. A man stood outside before a large chopping-block, using a hatchet with an exceptionally wide blade to split thin wedges of red wood from a log. These were piled into a wicker basket that was hauled up on a rope by a man who stood on the roof, replacing some of the old gray shingles with these new red ones.

Harv was paralyzed with wonder at this exhibition and stopped walking. Nell had seen much the same sort of process at work in the pages of her Primer. She followed Rita over to a long low building where the horses lived.

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