Diamond Age or a Young Lady's Illustrated Primer

Kidnapper had a glove compartment of sorts hollowed into the back of its neck. As he was riding across the causeway, Hackworth opened it up because he wanted to see whether it was large enough to contain his bowler without folding, bending, spindling, or mutilating the exquisite hyperboloid of its brim. The answer was that it was just a wee bit too small. But Dr. X had been thoughtful enough to toss in some snacks: a handful of fortune cookies, three of them to be exact. They looked good. Hackworth picked one and snapped it open. The strip of paper bore some kind of gaudily animated geometric pattern, long strands of something tumbling end over end and bouncing against one another. It looked vaguely familiar: These were supposed to be yarrow stalks, which Taoists used for divination. But instead of forming a hexagram of the I Ching, they began falling into place, one after another, in such a way as to form letters in the pseudo-Chinese typeface used in the logos of onestar Chinese restaurants. When the last one had bounced into place, the fortune read:

SEEK THE ALCHEMIST.

"Thanks ever so much, Dr. X," Hackworth snapped. He continued to watch the fortune for a while, hoping that it would turn into something a little more informative, but it was dead, just a piece of litter now and forever.

Kidnapper slowed to a canter and cruised purposefully through the university, then turned north and crossed a bridge into the peninsula that contained most of Vancouver proper. The chevaline did a perfectly good job of not stepping on anyone, and Hackworth soon learned to stop worrying and trust its instincts. This left his eyes free to wander through the sights of Vancouver, which had not been advisable when he'd come this way on the velocipede. He had not noticed, before, the sheer maddening profusion of the place, each person seemingly an ethnic group of one, each with his or her own costume, dialect, sect, and pedigree. It was as if, sooner or later, every part of the world became India and thus ceased to function in any sense meaningful to straight-arrow Cartesian rationalists like John Percival Hackworth, his family and friends.

Shortly after passing the Aerodrome they reached Stanley Park, an unruined peninsula several miles around, which had, thank God, been forked over to Protocol and kept much as it had always been, with the same Douglas firs and mossy red cedars that had been growing there forever. Hackworth had been here a few times and had a vague idea of how it was laid out: restaurants here and there, paths along the beach, a zoo and aquarium, public playing fields.

Kidnapper took him for a nice lope along a pebbly beach and then somewhat abruptly bounded up a slope, for that purpose switching into a gait never used by any real horse. Its legs shortened, and it clawed its way surefootedly up the forty-five-degree surface like a mountain lion. An alarmingly quick zigzag through a stand of firs brought them into an open grassy area. Then Kidnapper slowed to a mere walk, as if it were a real horse that had to be cooled down gradually, and took Hackworth into a semicircle of old totem poles.

A young woman was here, standing before one of the poles with her hands clasped behind her back, which would have given her an endearingly prim appearance if she had not been stark naked and covered with constantly shifting mediatronic tattoos. Even her hair, which fell loosely to her waist, had been infiltrated with some kind of nanosite so that each strand's color fluctuated from place to place according to a scheme not just now apparent to Hackworth. She was looking intently at the carving of a totem pole and apparently not for the first time, for her tattoos were done in much the same style.

The woman was looking at a totem pole dominated by a representation of an orca, head down and tail up, dorsal fin projecting horizontally out of the pole and evidently carved from a separate piece of wood. The orca's blowhole had a human face carved around it. The face's mouth and the orca's blowhole were the same thing. This promiscuous denial of boundaries was everywhere on the totem poles and on the woman's tattoo: The staring eyes of a bear were also the faces of some other sort of creature. The woman's navel was also the mouth of a human face, much like the orca's blowhole, and sometimes that face became the mouth of a larger face whose eyes were her nipples and whose goatee was her pubic hair. But as soon as he'd made out one pattern, it would change into something else, because unlike the totem poles the tattoo was dynamic and played with images in time the same way that the totem poles did in space.

"Hello, John," she said. "It's too bad I loved you because you had to leave."