He opened his mouth, then closed it again. His expression shifted rapidly; through the pain there was a sudden flash of pure astonishment, and then an almost amused comprehension of the full strangeness—and maybe even the perverse virtuosity—of the feat to which he'd been subjected. For an instant, he really did look like someone admiring a brilliant, vicious, bloody practical joke at his own expense.
Then he said clearly, between enforced robotic gasps: "I… don't… think… this… is… a… good… id… dea. I… don't… want… to… talk… any… more."
He closed his eyes and sank back onto the table. His vital signs were descending rapidly.
Lukowski turned to the pathologist. He was ashen, but he still gripped the boy's hand. "How could the retinas function? What did you do? You
Lukowski grabbed my elbow, staining me with synthetic blood. He spoke in a stage whisper, as if hoping to keep his words off the soundtrack. "You can film the next one. Okay? This has
The bioethicist ventured mildly, "I think the guidelines from the Taylor committee on optional restraints make it clear—"
The pathologist's assistant turned on her, outraged. "Who asked you for an opinion? Procedure is none of your business, you pathetic—"
An ear-splitting alarm went off, somewhere deep in the electronic guts of the revival apparatus. The pathologist's assistant bent over the equipment, and bashed on the keypad like a frustrated child attacking a broken toy, until the noise went away.
In the silence that followed, I almost closed my eyes, invoked Witness, stopped recording. I'd seen enough.
Then Daniel Cavolini regained consciousness, and began to scream.
I watched as they pumped him full of morphine, and waited for the revival drugs to finish him off.
2
It was just after five as I walked down the hill from Eastwood railway station. The sky was pale and colorless, Venus was fading slowly in the east, but the street itself already looked exactly as it did by daylight. Just inexplicably deserted. My carriage on the train had been empty, too. Last-human-on-Earth time.
Birds were calling—loudly—in the lush bushland which lined the railway corridor, and in the labyrinth of wooded parks woven into the surrounding suburb. Many of the parks resembled pristine forest—but every tree, every shrub was engineered: at the very least drought and fire resistant, shedding no messy, flammable twigs, bark or leaves. Dead plant tissue was resorbed, cannibalized; I'd seen it portrayed in time-lapse (one kind of photography I never carried out myself): an entire brown and wilting branch shrinking back into the living trunk. Most of the trees generated a modest amount of electricity—ultimately from sunlight, although the chemistry was elaborate, and the release of stored energy continued twenty-four hours a day. Specialized roots sought out the underground superconductors snaking through the parks, and fed in their contributions. Two and a quarter volts was about as intrinsically safe as electric power could be—but it required zero resistance for efficient transmission.
Some of the fauna had been modified, too; the magpies were docile even in spring, the mosquitoes shunned mammalian blood, and the most venomous snakes were incapable of harming a human child. Small advantages over their wild cousins, tied to the biochemistry of the engineered vegetation, guaranteed the altered species dominance in this microecology—and small handicaps kept them from flourishing if they ever escaped to one of the truly wild reserves, distant from human habitation.