Дизайн для Реального Мира

___. Architecture, Nature & Magic. New York: George Braziller, 1956.

Lovins, Amory B. Soft Energy Paths. New York: Harper & Row, 1979.

Malevich, Kasimir. The Non-objective World. Chicago: Paul Theobald, 1959.

Mayall, W. A. Principles in Design. New York: Van Nostrand Rein-hold, 1979.

Moholy-Nagy, Laszl6. The New Vision. 4th ed. New York: Witten-born, 1947.

___. Telehor. Bratislava, Czechoslovakia: 1968.

___. Vision in Morion. Chicago: Paul Theobald, 1947.

Moholy-Nagy, Sibyl. Moholy-Nagy: Experiment in Totality.

New York: Harper, 1950.

Mondrian, Piet. Plastic and Pure Plastic Art. New York: Witten-born, 1947.

Mundt, Ernest. Art, Form & Civilization. Berkeley:

University of California Press, 1952.

Nelson, George. How to See. Boston: Little, Brown, 1977.

___. On Design. New York: Watson-Guptill, 1979.

___. Problems of Design. New York: Whitney Publications, 1957.

Newton, Norman T. An Approach to Design.

Boston: Addison-Wes-ley Press, 1951.

Niece, Robert С Art: An Approach.

Dubuque, Iowa: William C, Brown & Co., 1959.

Papanek, Victor. «Big Character» Poster No. 1: Work Chart for Designers,

Charlottenlund, Denmark: Finn Sloth Publications, 1973.

___. Design For Human Scale.

New York: Van Nostrand Rein-hold, 1983.

___. "Die Aussicht von Heute" [The view from today]

in Design ist Unsichtbar (Design is Invisible).

Vienna, Austria: Locker Verlag, 1981.

___. "Kymmenen Ymparistoa" [Environments for discovery].

Ornamo magazine (bilingual). Helsinki, Finland: February, 1970.

___. "Socio-Environmental Consequences of Design"

In Health & Industrial Growth. Holland:

Associated Scientific Publishers, 1975. (CIBA Symposium XXII).

___. "Areas of Attack for Responsible Design"

In Man-made Futures. London: Hutchinson, 1974.

___. "Friendship First, Competition Second"

Casabella (Milan), December 1974.

___. "Project Batta Koya" Industrial Design, July-August 1975.

___. "On Resolving Contradictions Between Theory and Practice"

Mobilia (Denmark), July-August 1974.

Papanek, Victor, and Hennessey, James. How Things Don't Work.

New York: Pantheon Books, 1977.

___. Nomadic Furniture. New York: Pantheon, 1973.

___. Nomadic Furniture 2. New York: Pantheon, 1974.

Pentagram. Living by Design. London: Lund Humphries. 1978.

___. Pentagram. London: Lund Humphries, 1972.

Pile, John F. Design. Amherst: University of Massachusetts Press, 1979.

Potter, Norman. What is a Designer. Things, Places, Messages.

London: Hyphen Press, 1980.

Pye, David. The Nature & Aesthetics of Design.

New York: Van Nostrand Reinhold, 1978.

Rand, Paul. Thoughts on Design. London: Studio Vista, 1970.

Schumacher, E. F. Good Work. New York: Harper & Row, 1979.

Vignelli, Massimo, and Vignelli, Leila. Design: Vignelli.

New York: Rizzoli, 1981.

Промышленный дизайн

Aluminum Company of America. Design Forecast No. 1&.N0. 2.

Pittsburgh: Aluminum Company of America, 1959, 1960.

Beresford, Evans J. Form in Engineering Design.

Oxford: Clarendon Press, 1954.

Black, Misha. Australian Papers. Melbourne: Trevor Wilson, 1970.

Braun-Feldweg, Wilhelm. Industrial Design Heute.

Hamburg, Germany: Rowohlt, 1966.

___. Normen und Formen Industrieller Produktion.

Ravensburg, Germany: Otto Maier, 1954.

Chase, Herbert. Handbook on Designing for Quantity Production.

New York: McGraw-Hill, 1950.

The Design Collection: Selected Objects.

New York: Museum of Modern Art, 1970.

Doblin, Jay. One Hundred Great Product Designs.

New York: Rein-hold, 1969.

Drexler, Arthur. Introduction to Twentieth Century Design.

New York: Museum of Modern Art, 1959.

___. The Package. New York: Museum of Modern Art, 1959.

Dreyfuss, Henry. Designing for People.

New York: Simon & Schus-ter, 1951.

Eksell, Olle. Design = Ekonomi. Stockholm: Bonniers, 1964.

Ekuan, Kenji. Industrial Design Lectures. Melbourne: Trevor Wilson, 1973.

Farr, Michael. Design in British Industry.

Cambridge: Cambridge University Press, 1955.

Friedman, William. Twentieth Century Design: U.S.A.

Buffalo, N.Y.: Albright Art Gallery, 1959.