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Ehrlich, Paul. «Eco-Catastrophe!» Ramparts, September, 1968.

___. The Population Bomb. New York: Ballantine, 1970.

Giedion, Siegfried. Mechanization Takes Command. New York: Oxford University Press, 1948.

___. Space, Time and Architecture. Cambridge, Massachusetts: Harvard University Press, 1949.

___. The Beginnings of Architecture. Vol. 2. Princeton, New Jersey: Bollingen Series, Princeton University Press, 1964.

___. The Eternal Present: The Beginnings of Art. Vol. 1. Princeton, New Jersey: Bollingen Series, Princeton University Press, 1962.

Johnson, Warren. Muddling Tdward Frugality. San Francisco: Sierra Club Books, 1978.

Kaprow, Allan. Assemblage, Environments and Happenings. New York: Abrams, 1966.

Kouwenhoen, John A. The Beer Can by the Highway. New York: Doubleday, 1961.

___. Haifa Truth is Better than None.

___. Chicago: University of Chicago Press, 1982.

___. Made in America. New York: Doubleday, 1948.

Kuhns, William. Environmental Man. New York: Harper & Row, 1969.

Linton, Ron. Terracide: America's Destruction of Her Living Environment. Boston: Little, Brown, 1970.

Lippard, Lucy R. Overlay: Contemporary Art and the Art of Pre-History. New York: Pantheon, 1983.

Lovelock, J. E. Gaia: A New Look at Life on Earth. New York: Oxford University Press, 1979.

Lynes, Russell. The Tastemakers. New York: Harper, 1954.

___. Confessions of a Dilettante. New York: Harper & Row, 1967.

___. 'The Domesticated Americans. New York: Harper & Row, 1963.

McHarg, Ian L. Design with Nature. New York: Natural History Press, 1969.

Marine, Gene. America the Raped: The Engineering Mentality and the Devastation of a Continent. New York: Simon & Schuster, 1969.

Marx, Wesley. The Frail Ocean. New York: Ballantine, 1970.

Mitchell, John G. (ed.).Ecotactics. New York: Pocketbooks, 1970.

Mollison, Bill. Perma-Culture One. Melbourne: Transworld, 1978.

___. Perma-Culture Two. Stanley, Tazmania: Tagari Books, 1979.

Mumford, Lewis. Technics and Civilization. New York: Harcourt, Brace, 1934.

___. The Brown Decades. New York: Dover, 1955.

___. The City in History. Middlesex: Penguin, 1966.

___. The Condition of Man. New. York: Harcourt, Brace, 1944.

___. The Conduct of Life. New York: Harcourt, Brace, 1951.

___. The Culture of Cities. New York: Harcourt, Brace, 1938.

___. From the Ground Up. New York: Harcourt, Brace, 1956.

___. Sticks and Stones. New York: Dover, 1955.

Paddock, William, and Paddock, Paul. Famine 1975! Boston: Little, Brown, 1967.

Palmstierna, Hans. Plundring, Svalt, Forgiftning. Orebro, Sweden: Raben & Sjogren, 1969.

Ramo, Simon. Cure for Chaos. New York: David McKay, 1969.

Rienow, Robert, and Train, Leona. Moment in the Sun. New York: Ballantine, 1970.

Shepard, Paul. Man in the Landscape. New York: Knopf, 1967.

Shepard, Paul, and McKinley, Daniel. The Subversive Science: Essays Toward an Ecology of Man. Boston: Houghton Mifflin, 1969.

Shurcliff, William A. S/S/T and Sonic Boom Handbook. New York: Ballantine, 1970.

Smithsonian Institution. The Fitness of Man's Environment. Washington, D.C.: Smithsonian Press, 1967.

Sommer, Robert. Big Art. Philadelphia: Running Press, 1977.

___. Design Awareness. San Francisco: Rinehart Press, 1972.

___. Personal Space: The Behavioral Basis of Design. Englewood Cliffs, New Jersey: Prentice-Hall, 1969.

___. Street Art. New York: Links Books, 1975.

___. Tight Spaces. Englewood Cliffs, New Jersey: Prentice-Hall, 1974.

Sotamaa, Yrjo (ed.). Teollisuus, Ymparisto, Tuotesuunnittelu [Industry design, environment] (4 vols., trilingual). Helsinki, Finland, 1969.

Still, Henry. The Dirty Animal. New York: Hawthorn, 1967.

Taylor, Gordon Rattray. The Biological Time Bomb. London: Panther, 1969.

Todd, John, and Todd, Nancy. Tomorrow is our Permanent Address. New York: Harper & Row, 1979.