Дизайн для реального мира

Roediger, Virginia More. Ceremonial Costumes of the Pueblo Indians. Berkeley: University of California Press, 1961.

Rudofsky, Bernard. Architecture without Architects. New York: Museum of Modern Art, 1964.

___. Are Our Clothes Modern? Chicago: Paul Theobald, 1949.

___. Behind the Picture Window. New York: Oxford University Press 10

___. The Kimono Mind. London: Gollancz, 1965.

___. The Prodigious Builders. New York: Harcourt Brace Jovanovich 197

___. Streets for People. New York: Doubleday, 1969.

___. The Unfashionable Human Body. New York: Doubleday, 1971.

Saunders, E. Dale. Mudra: A Study of Symbolic Gestures in Japanese Buddhist Sculpture. London: Routledge & Kegan Paul, 1960.

Schafer, Edward H. The Golden Peaches of Samarkand: Study of Tang Exotics. Berkeley: University of California Press, 1963.

___. Tu Wan's Stone Catalogue of Cloudy Forest. Berkeley: University of California Press, 1961.

Scully, Vincent. Pueblo: Mountain, Village, Dance. New York: Viking Press, 1975.

Sesoko, Tsune. The I-Ro-Ha of Japan. Tokyo: Cosmo Corporation, 1979.

Spencer, Robert F. The North Alaskan Eskimo: A Study in Ecology and Society. Washington, D.C.: Smithsonian Institution Press, 1969.

Spies, Walter, and de Zote, Beryl. Dance and Drama in Bali. London: Faber, 1938.

Suzuki, Daisetz T. Zen and Japanese Culture. London: Routledge & Kegan Paul, 1959.

Sze, Mai-Mai. The Too of Painting. 2 vols. London: Routledge & Kegan Paul, 1957.

Tange, Kenzo, and Gropius, Walter. Katsura: Tradition and Creation in Japanese Architecture. New Haven, Connecticut: Yale University Press, 1960.

Tange, Kenzo, and Kawazoe, Noboru. Ise: Prototype of Japanese Architecture. Cambridge, Massachusetts: M.I.T. Press, 1965.

Thiry, Paul and Mary. Eskimo Artifacts: Designed for Use. Seattle: Superior Publishing Co., 1977.

Valladares, Clarival and do Prado. Artesanato brasileiro. Rio de Janeiro: Edicao Funarte, 1980.

Vazquez, Ramirez. Mexico: The National Museum of Anthropology. Lausanne: Helvetica Press, 1968.

Viezzer, Moema. Si mepermiten hablar… Bolivia: underground pamphlet, 1977.

Wagley Charles. Welcome of Tears: The Tapirape Indians of Central Brazil. New York; Oxford University Press, 1977.

Watts, Alan R. Beat Zen, Square Zen and Zen. San Francisco: City Lights, 1959-

___. The Joyous Cosmology. New York: Pantheon Books, 1962.

___. Nature, Man and Woman. New York: Pantheon Books, 1958.

Wichmann, Siegfried. Japonisme. New York: Harmony Books, 1981.

Wyman, Leland C. (ed.).Beautyway: ANavajo Ceremonial. Princeton, New Jersey: Bollingen Series, Princeton University Press, 1957.

Yee, Chiang. The Chinese Eye. New York: Norton, 1950.

__. Chinese Calligraphy. London: Methuen, 1954.

Yoshida, Mitsukuni, et al. Japan Style. Tokyo: Kondansha, 1981.

Книги и публикации дизайнеров и других авторов

Akerman, Nordal. Kan Vi Krympa Sverige? Stockholm: Raben & Sjogren, 1980.

Brecht, Bertolt. Gesammelte Werke. Frankfurt, Germany: Suhrkamp Verlag, 1967.

Cleaver, Eldridge. Sou! on Ice. London: Jonathan Cape, 1969.

___. Eldridge Cleaver: Post-Prison Writings and Speeches. London: Jonathan Cape, 1969.

Debray, Regis. Revolution in the Revolution. Middlesex: Penguin, 1968.

Deshusses, Jerome. The Eighth Night of Creation. New York: The Dial Press, 1982.

Dow, Alden B. Reflections. Midland, Michigan: Northwood Institute, 1970.

Fanon, Frantz. The Wretched of the Earth. Middlesex: Penguin, 1967.

Fischer, Ernst. The Necessity of Art: A Marxist Approach. Middlesex: Pelican, 1964.

Freire, Paulo. Cultural Action for Freedom. Middlesex: Penguin, 1972.

___. Educacao como Prdtica da Liberdade. Sao Paulo: P. P. C, 1967.

___. Pedagogy of the Oppressed. Middlesex: Penguin, 1972.