Дизайн для реального мира

McLuhan, Marshall. Culture is Our Business. New York: McGraw-Hill, 1970.

___. The Gutenberg Galaxy. London: Routledge & Kegan Paul, 1962.

___. The Mechanical Bride. London: Routledge & Kegan Paul, 1967.398 Библиография

___. Understanding Media. London: Routledge & Kegan Paul, 1964

___. and Carpenter, Edmund. Explorations in Communication. London: Jonathan Cape, 1970.

___. and Watson, Wilfred. From Cliche to Archetype. New York: Viking 1

___. and Fiore, Quentin. The Medium Is the Message. Middlesex: Penguin, 1971.

___. and Parker, Harley. Through the Vanishing Point. New York: Harper & Row, 1968.

___. and Papanek, Victor). Verbi-Voco-Visual Explorations. New York: Something Else Press, 1967.

___. and Fiore, Quentin. War and Peace in the Global Village. New York: Bantam, 1968.

Mannheim, Karl. Ideology and Utopia. London: Routledge & Kegan Paul, 1966.

Mehling, Harold. The Great Time Killer. New York: World, 1962.

Mesthene, Emmanuel G. Technological Change. Cambridge, Massachusetts: Harvard University Press, 1970.

Molnar, Thomas. The Decline of the Intellectual. New York: Meridian, 1961.

Myrdal, Jan and Kessle, Gun. Angkor: An Essay on Art and Imperialism. London: Chatto & Windus, 1971.

O'Brian, Edward J. The Dance of the Machines. New York: Macaulay, 1929.

Packard, Vance. The Hidden Persuaders. Middlesex: Penguin, 1970.

___. The Status Seekers. Middlesex: Penguin, 1971.

___. The Wastemakers. Middlesex: Penguin, 1970.

Palm, Goran. As Others See Us. Indianapolis: Bobbs-Merrill, 1968.

Reich, Charles A. The Greening of America. Middlesex: Penguin, 1972.

Repo, Satu (ed.). This Book is About Schools. New York: Pantheon Books, 1970.

Riesman, David. Faces in the Crowd. New Haven, Connecticut: Yale University Press, 1952.

___. Individualism Reconsidered. New York: Free Press, 1954.

___. The Lonely Crowd, rev. ed. New Haven, Connecticut: Yale University Press, 1950.

Rosenberg, Bernard, and White, David M. Mass Culture. New York: Free Press, 1957.

Roszak, Theodore. The Making of a Counter Culture. London: Faber, 1971.

Ryan, Willima. Blaming the Victim. Orbach & Chambers, 1971.

Snow, C.P. The Two Cultures: And a Second Look.

Cambridge: Cambridge University Press, 1963.

Thomson, Denys. Discrimination and Popular Culture. Middlex: Pengiun, 1970.

Toffler, Alvin. The Culture Consumers. New York: St. Martin’s, 1964.

Veblen, Thorstein. The Theory of the Leisure Class. London: Alien & Unwin, 1971.

Wagner, Geoffrey. Parade of Pleasure: A Study of Popular Iconography in the USA. London: Derek & Verschoyle, 1954.

Walker, Edward L., and Heyns, Roger W. An Anatomy for Conformity. London: Brooks-Cole, 1968.

Warshow, Robert. The Immediate Experience. New York: Doubleday, 1963.

Yong, Wayland. Eros Denied: Sex in Western Society. London: Corgi, 1968.

Дизайн и различные культуры

Austin, Robert, and Ueda, Koichiro. Bamboo. Tokyo: Weatherhill, 1978.

Belo, Jane. Traditional Balinese Culture. New York: Columbia University Press, 1970.

Benrimo, Dorothy. Camposantos. Fort Worth, Texas: Amon Carter Museum, 1966.

Beurdeley, Jean-Michel. Thai Forms. Freiburg. Office du Livre, 1979.

Bhagwati, Jagdish. The Economics of Underdeveloped Countries. London: Weidenfeld & Nicholson, 1966.

Carpenter, Edmund. Eskimo. Toronto: University of Toronto Press, 1959.

Cavarrubias, Miguel. Bait. New York: Knopf, 1940.

___. Mexico South. New York: Knopf, 1946.

Cordry, Donald, and Cordry, Dorothy. Mexican Indian Costumes. Austin: University of Texas Press, 1968.

Gushing, Frank Hamilton. Zuni Fetishes. Flagstaff, Arizona: KG Editions, 1966.

de Bermudez, Graciela Samper (ed.). Artesanias de Colombia. Bogota: Litografia Arco, 1978.

Dennis, Wayne. The Hopi Child. New York: Science Editions, 1965

DePoncins, Contran. Eskimos. New York: Hastings House, 1949.

Eliade, Mircea. Shamanism: Archaic Techniques of Ecstasy. London: Routledge & Kegan Paul, 1964.