Dolores Claiborne

    “Come on,” I says. “Come on over here and sit down with me. We've had enough rammin from one side of this boat to the other to last us awhile, haven't we?”

    We went over to the bench by the aft companionway with our arms around each other, shufflin like a pair of invalids. I don't know if Selena felt like an invalid or not, but I sure did. I was only leakin from the eyes a little, but Selena was cryin s'hard it sounded like she'd pull her guts loose from their moorins if she didn't quit pretty soon. I was glad to hear her cry that way, though. It wasn't until I heard her sobbin and seen the tears rollin down her cheeks that I realized how much of her feelins had gone away, too, like the light in her eyes and the shape inside her clothes. I would have liked hearin her laugh one frig of a lot better'n I liked hearin her cry” but I was willin to take what I could get.

    We sat down on the bench and I let her cry awhile longer. When it finally started to ease off a little, I gave her the hanky from my purse. She didn't even use it at first. She just looked at me, her cheeks all wet and deep brown hollows under her eyes, and she says, “You don't hate me, Mommy? You really don't?”

    “No,” I says. “Not now, not never. I promise on my heart. But I want to get this straight. I want you to tell me the whole thing, all the way through. I see on your face that you don't think you can do that, but I know you can. And remember this-you'll never have to tell it again, not even to your own husband, if you don't want to. It will be like drawin a splinter. I promise that on my heart, too. Do you understand?”

    “Yes, Mommy, but he said if I ever told… sometimes you get so mad, he said… like the night you hit him with the cream-pot… he said if I ever felt like telling I'd better remember the hatchet.

    and

    “No, that's not the way,” I says. “You need to start at the beginning and go right through her. But I want to be sure I got one thing straight from the word go. Your Dad's been at you, hasn't he?”

    She just hung her head and didn't say nothing. It was all the answer I needed, but I think she needed to hear herself sayin it right out loud.

    I put my finger under her chin and lifted her head until we were lookin each other right in the eye. “Hasn't he?”

    “Yes,” she said, and broke out sobbin again. This time it didn't last so long nor go so deep, though. I let her go on awhile just the same because it took me awhile to see how I should go on. I couldn't ask “What's he done to you?” because I thought the chances were pretty good she wouldn't know for sure. For a little while the only thing I could think of was “Has he fucked you?” but I thought she might not know for sure even if I put it just that way, that crude. And the sound of it was so damned ugly in my head.

    At last I said, “Has he had his penis into you, Selena? Has he had it in your pussy?”

    She shook her head. “I haven't let him. “ She swallowed back a sob. “Not yet, anyway.”

    Well, we were both able to relax a little after that-with each other, anyway. What I felt inside was pure rage. It was like I had an eye inside, one I never knew about before that day, and all I could see with it was Joe's long, horsey face, with his lips always cracked and his dentures always kind of yellow and his cheeks always chapped and red high up on the cheekbones. I saw his face pretty near all the time after that, that eye wouldn't close even when my other two did and I was asleep, and I began to know it wouldn't close until he was dead. It was like bein in love, only inside out.

    Meantime, Selena was tellin her story, from beginnin to end. I listened and didn't interrupt even once, and accourse it started with the night I hit Joe with the creamer and Selena come to the door in time to see him with his hand over his bleedin ear and me holdin the hatchet over him like I really did intend to cut his head off with it. All I wanted to do was make him stop, Andy, and I risked my life to do it, but she didn't see none of that. Everything she saw stacked up on his side of the ledger. The road to hell's paved with good intentions, they say, and I know it's true. I know it from bitter experience. What I don't know is why-why it is that tryin to do good so often leads to ill. That's for wider heads than mine, I guess.

    I ain't gonna tell that whole story here, not out of respect to Selena, but because it's too long and it hurts too much, even now. But I'll tell you the first thing she said. I'll never forget it, because I was struck again by what a difference there is between how things look and how they really are between the outside and the inside.