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The Baked Alaska was more successful than the lamb. Nedra had piped the meringue in a neat spiral, then dusted it with brown sugar and burned it with real conviction. Inside, the strawberry ice cream was hard and delicious, and the chocolate cake was steeped in some sharp but tasty liqueur. They all cleaned their plates. In absolute desperation, Minnie got up from the table and went into the kitchen, where she insisted upon helping Nedra with the dishes.

When the dishes were done, the kitchen had been sterilized, and Nedra finally shooed her away, Minnie went back into the living room. The girls had gone upstairs; Andy had switched from whiskey to brandy. Frank’s hands were on his knees, and he was gazing steadily at his wife, who was holding her drink in one hand and her cigarette in the other. The ash was an inch long and ready to fall on the carpet. Lillian and Arthur were sitting on the couch, thigh to thigh, arm to arm, shoulder to shoulder. When Minnie came in, they looked up at the same time. Andy was saying, “I’m talking general principles only. Nothing personal. But now that we know how chimps operate, we could structure our families like chimp families. Lillian, Lois, and I would have a group house, and we’d stay in there with the children. It would be warm, so we could go everywhere without shirts or bras, and the babies would cling to us, and take breast milk whenever they wanted to, until they were three years old, and then we would allow Frank, Joe, and Arthur, who had been displaying themselves and hunting together, to impregnate us, and then, when those babies were born, the earlier ones would give us a hand with them. That maybe could solve all of civilization’s problems.” She was slurring her “s”s and her “t”s. Frank glanced at Minnie. Minnie sat down and said, “What’s the control?”

“Everyone else is the control,” said Andy. “The whole fucking civilization.”

Minnie didn’t think she had ever heard that word in a living room before.

Arthur turned to Lillian and said, “I thought we did rear the kids like that. We were certainly trying to.” Lillian smiled. Andy tossed off what was left in her glass, and let her head drop against the back of the chair. Arthur said, “At least Rosanna believes that we stuck to those principles.”

“I’m for nature over nurture, myself,” said Minnie. “You see that line of Dugans pass through your office, and you never believe in nurture again.”

Frank smiled. “My first triumph.”

“Bobby Dugan has not stinted himself on the reproductive side. Closest thing to a litter I ever saw in a homo sapiens.”

Frank said, “Bobby Dugan used to bully us. I set a mousetrap for him in the school outhouse when I was two and a half.”

“Oh, you were seven,” said Minnie. “But it was enterprising. Anyway, he has eleven kids with two wives, and it’s like they’re stamped out by a press. They all have the same dimple in the chin and the same lopsided grin. And they all think they’re going to get away with smoking in exactly the same spot on the high-school grounds.”

“Nothing wrong with smoking.” Andy’s head was still resting on the back of the chair. “A pack of cigarettes is a little treasure, is what I think.”

Frank got up and walked out the front door.

It was Lillian who took her up to bed, laughing and cajoling and talking about plans for tomorrow. Minnie sat with Arthur and waited, even though she would have liked to turn in. She said to Arthur, “You don’t think this is a real Frank Lloyd Wright, do you?”

“Good imitation,” said Arthur. “Wright, but you can actually live in it.” He glanced up the stairs. Minnie saw that Lillian was in charge now. It was a poignant thought.

When Lillian came down, she said, “Minnie, you must be tired.”

“I could go to bed. I suppose the girls are all right?”

Arthur said, “Tina may be giving Annie a tattoo.”

“A tattoo!”

“Oh, you know. With markers. I have one.” He pulled up his trouser leg to reveal a psychedelic snowflake on his knee. “This is from an earlier collection — say, two weeks ago. Now she’s into snails.”

Lillian said, “I’m waiting for flowers, but she says they’re too ‘static.’ ”

Both parents smiled fondly. Lillian said, “You should see her room. San Francisco by way of the French Riviera.”

“How’s Debbie?”

“Strict,” said Arthur.

“She will graduate cum laude, I am sure. You know she is at Mount Holyoke, right?” said Lillian. “The boyfriend disappeared.”

“As he was destined to do,” said Arthur. “You could tell that he wasn’t quite formed yet. I think she’s going to go for an older man myself, preferably married.”

Lillian shook her head, but affectionately.

“It’s the Freudian thing to do,” said Arthur.

“Speaking of that,” said Lillian, leaning forward, “this psychiatrist of Andy’s has a terrible reputation. Frank is beside himself. They have spent tens of thousands of dollars on this guy, and as you can see…”

Minnie knew that back home, at just about this point, someone would say, “I just don’t understand those Easterners.”

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Early Warning
Early Warning

From the Pulitzer Prize winner: a journey through mid-century America, as lived by the extraordinary Langdon family we first met in Some Luck, a national best seller published to rave reviews from coast to coast.Early Warning opens in 1953 with the Langdons at a crossroads. Their stalwart patriarch Walter, who with his wife had sustained their Iowa farm for three decades, has suddenly died, leaving their five children looking to the future. Only one will remain to work the land, while the others scatter to Washington, DC, California, and everywhere in between. As the country moves out of postwar optimism through the Cold War, the social and sexual revolutions of the 1960s and '70s, and then into the unprecedented wealth — for some — of the early '80s, the Langdon children will have children of their own: twin boys who are best friends and vicious rivals; a girl whose rebellious spirit takes her to the notorious Peoples Temple in San Francisco; and a golden boy who drops out of college to fight in Vietnam — leaving behind a secret legacy that will send shockwaves through the Langdon family into the next generation. Capturing an indelible period in America through the lens of richly drawn characters we come to know and love, Early Warning is an engrossing, beautifully told story of the challenges — and rich rewards — of family and home, even in the most turbulent of times.

Джейн Смайли

Современная русская и зарубежная проза

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