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“She says that he took LSD; she just pretended. It was a tiny yellow pill, and she pushed it under the radiator for any passing mouse. Arthur told me his agency is crawling with people who took LSD and lived to tell the tale. No one is impressed by LSD anymore, Minnie.” Then he said, “But that’s what I mean! Look at her. She’s healthy as an ox, and looks about thirty-five! She has no vocation and no outlet, and the house has central heating, so what’s there to do with herself?” Frank had expressed none of this stuff, ever, especially not to Andy. Of course, he was hardly ever alone with Andy, since the door between their rooms was always locked.

“She said that you play golf.”

“Golf is infinitely boring.” He reached out and took her hand. It was cold. He said, “What do you do?”

“For fun?”

“Of course.”

“I can’t think of anything.”

“Oh, Min!”

She said, “Now I feel backward. Let’s see. Lois and I have a lot of flowers in the garden. They’re all perennials, though. We ponder them and discuss them. And we smell them — jonquils, lilies of the valley. Your mother’s lilacs are amazing. I guess you never come out during lilac season, but it’s like a canopy. You can smell them at our house. I clean things. Take stuff to the church and the Salvation Army. I listen to kids talk. Kids are funny. These days, my student teachers are like kids to me, so they’re funny, too. I read books. Joe and your mom watch TV, but Lois doesn’t have time, and I’m not that interested.” Her eyebrows lifted. She said, “Listen to me. I do nothing for fun!”

And then he kissed her again. This time he kissed for real, because he suddenly, after all these years — was it forty-five now? — appreciated her. And she felt it. She didn’t slip away. There was no alarm. It was a nice kiss, an appreciative kiss. When it was over, she put her arm around his waist and laid her head briefly on his shoulder; then she kissed him on the cheek and went into her room.

FRANK SAT UP and looked at the clock. It was almost three. He had dropped off once, and dreamt of, not the real Lydia, but a short woman in heels whom he identified as Lydia. She was walking down the street — a street in London, not New York. That was all he could remember. He was hot. He threw off the covers, then got up to take a piss.

Wide awake. There was something disquieting about having Minnie, Andy, and Lydia in the same house. He reached for a Kleenex from the box on the lower shelf of his bedside table and blew his nose.

Frank sensed a presence when he pushed on the swinging door, but whoever was sitting at the kitchen table hadn’t even turned on the light above the range. Frank paused. It was Arthur. His chair pushed back from the table, Arthur was resting his forearms on his thighs and looking straight ahead, neither up nor down. His head didn’t turn when Frank came in. Frank assumed he was on some sort of drug. He said, “Arthur.” Frank’s eyes now adjusted completely to the darkness. He said, “Can I do something for you?”

“Not that I know of,” murmured Arthur.

“Are you all right? Is Lillian all right?”

Arthur didn’t answer. Frank pulled out a chair and sat down. The fact was, he almost never came into his own kitchen; Nedra served every meal, in either the dining room or the breakfast room. If Arthur were to ask him for something, he would be hard put to find it. Frank cleared his throat, then said, “You’ll like what I did all last week. I watched a couple of guys shoot projectiles of various shapes into tanks of water. They were testing their calculations of how quickly the projectiles slowed and stopped. I enjoyed it. They asked me to estimate, and I was always wrong. Water is a brick wall, if you’re a projectile.”

Arthur said nothing.

Frank got comfortable, and said, “Theoretically, they told me that you could shape the tip of the projectile so that it created a vacuum just in front of it as it moved. Theoretically, it could get faster and faster.” He didn’t ask whether Arthur already knew this. The rumor was that the Soviets were quite advanced on this very project; he half expected Arthur to nod, or to let his gaze flicker some acknowledgment, but again there was nothing. He said, “Supersonic.”

Finally, Arthur yawned and looked at Frank. In the day he looked fine, but right now, in this light, he looked cadaverous. How old was he? thought Frank. Frank said, “Arthur, you’re making me think about dead people.”

And Arthur laughed.

As always, his laugh was contagious, and so Frank laughed, too.

“Sorry,” said Arthur. “I was half asleep. I know it didn’t look like it. It never does, but I cultivated that skill in boarding school. It’s been a valuable trick.”

“Spoken like a bureaucrat,” said Frank, “but why did you get up?”

“Why did you get up?”

“Too many women in the house. Makes me nervous.”

“Six women under one roof is fine with me,” said Arthur. “By the way, I like what you’ve done with the entry. The slate floor. It’s appropriate to the style of the house. The chandelier is interesting.”

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Early Warning
Early Warning

From the Pulitzer Prize winner: a journey through mid-century America, as lived by the extraordinary Langdon family we first met in Some Luck, a national best seller published to rave reviews from coast to coast.Early Warning opens in 1953 with the Langdons at a crossroads. Their stalwart patriarch Walter, who with his wife had sustained their Iowa farm for three decades, has suddenly died, leaving their five children looking to the future. Only one will remain to work the land, while the others scatter to Washington, DC, California, and everywhere in between. As the country moves out of postwar optimism through the Cold War, the social and sexual revolutions of the 1960s and '70s, and then into the unprecedented wealth — for some — of the early '80s, the Langdon children will have children of their own: twin boys who are best friends and vicious rivals; a girl whose rebellious spirit takes her to the notorious Peoples Temple in San Francisco; and a golden boy who drops out of college to fight in Vietnam — leaving behind a secret legacy that will send shockwaves through the Langdon family into the next generation. Capturing an indelible period in America through the lens of richly drawn characters we come to know and love, Early Warning is an engrossing, beautifully told story of the challenges — and rich rewards — of family and home, even in the most turbulent of times.

Джейн Смайли

Современная русская и зарубежная проза

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