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The ghost of a little girl, Lillian thought, even a toddler, would be completely formed and full of individuality. She would have a way of reaching upward and opening and closing her fist when she wanted something. She would have a rhyme that she asked for again and again — this little piggy went to market — and she would smile and nod when you pronounced it. She would have a characteristic way of balancing herself on her little feet, a precipitous style of walking so that every step was a dare accepted. She would plop down on her little bottom and throw her arms in the air, laughing. She would drag her rag-rabbit around by the ear, and chew meditatively on one of his feet, no matter how often her mother took it gently out of her mouth and said, “No, dirty.” The ghost of a little girl would stand by her baby sister’s cradle and stare at her, never touching her, but wondering about her, about how she came to be, whom she belonged to. The ghost of a little girl would not necessarily be wise — she might spend her ghostly existence lost in confusion.

Lillian knew that there was no ghost of Mary Elizabeth, but now that she had conceived of her, she closed her eyes and invited her to come closer, step by step. She opened her hand that was resting on the arm of the chair, and she invited the child to take it. Then she said, “Thank you.”

It was Jesse who found her. He was home for the weekend, walking back from tracking a flock of turkeys. He was carrying a rifle, but he hadn’t fired it — he just wanted to practice getting close to them. He saw the car in the driveway, and the front door ajar. Lillian must have dozed off; she woke up when he said, “Hello?” He was a tall, graceful boy, slender but broad-shouldered. She said, “Jesse, it’s me, don’t shoot!” and then they laughed. She only thought of Mary Elizabeth again when they were going down the steps. But it was true, she felt calmer, and much more ready to listen to Lois, Joe, and Minnie divvy up the contents of the house. “Are you sure you don’t want some of the furniture?” Lois said, “There isn’t much of interest. The dishes are so plain. I can put them in the shop. Min, you should ask Henry if you can take his books to the school library. There are some nice ones there.” And so on. But, really, Lillian only wanted the yarn remnants for Debbie, the afghan for herself, and the shelf of old books in her pink bedroom for the new baby.

ALREADY BEFORE NOON, it was so hot that you had to tiptoe across the concrete to get to the edge of their swimming pool or you would burn your feet. Claire had put a shirt on Gray even though she had slathered him twice with the sunscreen Paul insisted the boys use. A mist seemed to hang in the air, and the pool wasn’t refreshing. Claire took a sip of her Coke. Paul kept glancing at Gray playing with the float in the shallow end. He was a good swimmer, though — they had taken both boys to the Y from the age of five, and Gray, ten, had been on a swim team there all the previous winter. Brad was inside. Claire was thinking she would make sandwiches for lunch from the leftover baked chicken. Paul was sitting up on the chaise longue, watching Gray. He said, “That land is worth twenty-five hundred dollars per acre, which is over two million bucks.”

“What does that mean to me?” said Claire, pushing her sunglasses up on her nose and consciously pulling her chin downward so as not to inflame Paul further. She had been half an hour late to pick up Gray and Brad at day camp the previous Tuesday, and, not reaching Claire at home, the school had called Paul’s office. He and she had shown up just at the same time, and it didn’t help that, upon seeing both of them, Brad burst into tears.

“Some of that is yours. Joe can get a loan and buy you out. The banks are crazy to lend these days. A hundred grand — I could put it in the stock market.” He rattled his glass and ate a piece of ice.

“They’re crazy to lend? Rusty Burke told me that getting their loan was horrible. Anyway, interest rates are seven and a half percent. Why would I ask Joe to pay five hundred dollars a month or more so that you can play the stock market? Five hundred dollars is more than our mortgage payment.” Minnie had told her on Monday that Joe, Frank, and Gary, the last Vogel cousin interested in farming, were already tiptoeing around this issue of who owned what and what would be done with it; Claire did not want to get involved. However, every time Paul thought of that two million bucks, he decided not to investigate where she had been at four o’clock Tuesday afternoon, and why, when he saw her, her hair was uncombed. In fact, she had overslept her nap, but she was too annoyed with him to confess.

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Early Warning
Early Warning

From the Pulitzer Prize winner: a journey through mid-century America, as lived by the extraordinary Langdon family we first met in Some Luck, a national best seller published to rave reviews from coast to coast.Early Warning opens in 1953 with the Langdons at a crossroads. Their stalwart patriarch Walter, who with his wife had sustained their Iowa farm for three decades, has suddenly died, leaving their five children looking to the future. Only one will remain to work the land, while the others scatter to Washington, DC, California, and everywhere in between. As the country moves out of postwar optimism through the Cold War, the social and sexual revolutions of the 1960s and '70s, and then into the unprecedented wealth — for some — of the early '80s, the Langdon children will have children of their own: twin boys who are best friends and vicious rivals; a girl whose rebellious spirit takes her to the notorious Peoples Temple in San Francisco; and a golden boy who drops out of college to fight in Vietnam — leaving behind a secret legacy that will send shockwaves through the Langdon family into the next generation. Capturing an indelible period in America through the lens of richly drawn characters we come to know and love, Early Warning is an engrossing, beautifully told story of the challenges — and rich rewards — of family and home, even in the most turbulent of times.

Джейн Смайли

Современная русская и зарубежная проза

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