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Frank said, “Okay, fellas, here’s the course. You start here, at the bookcase, and then you run to the green chair — that’s the green chair — turn right — this way”—he demonstrated right—“and then run straight into the kitchen and go around the chair, and come back to this spot.” With his toe, he pointed out the threshold between the dining room and the living room. He said, “Let’s try it.”

Still grasping the boys, he led Michael and half dragged Richie over to the bookcase. Then he trotted them (slowly) toward the center of the room, turned right at the green chair, and trotted them (even more slowly) through the dining room into the kitchen. Michael stumbled as they went around that chair, but regained his feet right away. Frank exclaimed, “Come on, boys! This is the home stretch! Put on some speed!” He dropped their hands, and they half ran across the “finish line.”

“Okay!” said Frank. “That was the warm-up!”

He walked them back to the base of the bookcase and stood them about a foot apart, both facing ahead. Now he whispered in Michael’s ear, “Keep your feet — you can beat him easy! Got me?” He backed away, made eye contact, and stared at Michael until Michael nodded. Then he whispered in Richie’s ear, “If he stumbles, Rich, you just keep going. Slow and steady wins the race. You listening?” Richie nodded.

Frank stepped back and held out his arm, then he said, “Ready? Set? Go!” He dropped his arm, and the two boys took off. Richie understood the course better than Michael — he did make the right turn and head into the dining room while Michael was still wondering what to do — but then Michael spun around and overtook him at the chair in the kitchen, and, in fact, poked him in the side with his elbow, causing Richie to stumble. When they got to the finish line, they were about a step apart, Michael in the lead. Frank stood in the middle of the living room, scowling and shaking his head. He said, “What a pair of slowpokes! This race is going to have three heats. That was number one. Go back to the start.” He pointed to the bookcase.

He sent them off again. This time, Michael had learned something — he turned at the proper spot and headed for the kitchen with Richie on his heels. But Richie had learned something, too, and when they came to the chair, he turned his hip and popped Michael, sending him sprawling. He crossed the threshold by himself, grinning, and said, “I won! I won!”

“You did!” said Frank. “You won! Can you beat him again?”

Richie nodded emphatically.

Frank said, “Okay, then. You each had one win. Richard, you go stand by the bookcase and wait.”

He went into the kitchen, where Michael was sitting on the floor, his face hot and flushed. Frank squatted down and said, “Michael? You mad?”

Michael nodded.

“Are you really, really mad?”

Michael nodded again.

Frank said, “Okay, then, you go beat him. You are faster, and you can do it. You got that?”

Michael nodded and clambered to his feet. When he arrived at the bookcase, he stuck his tongue out at Richie, who responded in kind. Frank said, “Save it, boys. Just run fast!” Then, “Ready? Set? Go!” This time, the squabbling commenced almost immediately — Michael bounced Richie into the green chair, but Richie kept his feet, followed Michael, and grabbed his shirt. Frank said nothing. Michael smacked Richie on the arm and then pushed him, but they both kept running through the dining room and into the kitchen. At the kitchen chair, Richie did a smart thing — he pushed the chair a couple of inches, so that Michael had to duck to one side to avoid it. In the meantime, Richie, having shortened his own course, was two steps into the dining room while Michael was still going around the chair. But Michael was faster, and when he caught up to Richie, he reached out and grabbed his hair and pulled him down. Frank barked out a single laugh. He had to give Richie credit, though — instead of crying, he crawled forward as fast as he could and grabbed Michael’s pant leg and brought him down. Then he crawled over the finish line first. Frank now laughed out loud, and both boys turned and stared up at him. Frank said, “I guess Richie wins. Richie wins by a neck.” Richie started laughing, too, but Michael’s face began to crumple, so Frank said, “What’s the prize, boys? What does the winner get?” Both boys looked at him. He said, “The winner gets tickled!” He fell upon Richie and played his fingers over the tiny ribs until Richie was squirming away and laughing. After a moment, Frank stood them up. He wiped tears off Richie’s face with the tail of his shirt — he didn’t want Andy to see those — and then he got a Kleenex and wiped both their noses. “You boys tough?”

Both boys nodded.

“Are you really tough?”

They nodded again.

“All right!”

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Early Warning
Early Warning

From the Pulitzer Prize winner: a journey through mid-century America, as lived by the extraordinary Langdon family we first met in Some Luck, a national best seller published to rave reviews from coast to coast.Early Warning opens in 1953 with the Langdons at a crossroads. Their stalwart patriarch Walter, who with his wife had sustained their Iowa farm for three decades, has suddenly died, leaving their five children looking to the future. Only one will remain to work the land, while the others scatter to Washington, DC, California, and everywhere in between. As the country moves out of postwar optimism through the Cold War, the social and sexual revolutions of the 1960s and '70s, and then into the unprecedented wealth — for some — of the early '80s, the Langdon children will have children of their own: twin boys who are best friends and vicious rivals; a girl whose rebellious spirit takes her to the notorious Peoples Temple in San Francisco; and a golden boy who drops out of college to fight in Vietnam — leaving behind a secret legacy that will send shockwaves through the Langdon family into the next generation. Capturing an indelible period in America through the lens of richly drawn characters we come to know and love, Early Warning is an engrossing, beautifully told story of the challenges — and rich rewards — of family and home, even in the most turbulent of times.

Джейн Смайли

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