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After a moment, in the toughest voice he could come up with, Tim said, “Well, get out, then.” His plan was to grab his duffel bag and hit this guy behind the knees as he was heading up the walk. If the guy had a gun, and made Tim go in front, then Tim would stop suddenly and throw the duffel at the guy’s head. His heart started to pound. The guy opened his door and stepped onto the curb — not right under the streetlight, but well lit all the same. Tim eased out behind him. The guy’s hand slipped into his pocket, and Tim stepped backward, his hand on the rim of the truck bed, until he was out of the light. He reached for his duffel and pulled it toward him, then moved around the corner of the truck bed. He bent his knees and straightened them, bent them again, poised to spring. The man banged suddenly on the hood of the truck with both hands, and Tim jumped. The man laughed derisively. He jerked himself back into the cab of the truck and shouted, “Just putting you on, kid!” The girl sped away, leaving Tim standing in the street with his duffel in his arms. He trembled for two solid minutes, maybe from fear and maybe from readiness. Afterward, he remembered it as the first time he had ever been afraid for his life.

FOR SOME REASON, Tim thought there would be fighting as soon as the plane landed in Vietnam. It would be like that movie he’d seen years ago, Pork Chop Hill—lines of armed men in helmets, crawling from one ditch to another, only straightening up for half a second to fire their weapons at the unseen enemy. But the first thing he saw was air-force guys with their shirts off, walking around in the sunshine. The first thing he smelled, since it was morning, was shit disposal, a powerful combination of what was in the latrines and the diesel fuel they lit to burn it. The air was hot and humid, like Virginia on the worst day of the summer, but the light was bright and oceanic. There was sand everywhere. He realized he had landed at a tropical beach. The second thing he smelled was something sharp, yet floral: incense. That was the smell that told him he was far from home.

He handed in his paperwork, and twenty-four hours later, still foggy from the long trip, he was sent to the 101st, at Phu Bai, a flat, humid spot near the ocean, though no breeze seemed to blow — it was more like Maryland than California.

Their hootch was sixteen feet wide and thirty-two long, with a plywood floor. The walls were one sheet of plywood high, and above that, screen. The corrugated tin roof was weighted down with sandbags, and sandbags were also piled around the walls. Every time a rocket hit outside the hootch, shrapnel flew into the sandbags or over where Tim was lying in his cot, which was eighteen inches off the floor. The other principal feature of his hootch was clouds of mosquitoes.

Two weeks after Tim arrived, a rocket managed to make its way through the open door of another hootch. The roof was blown off, and five soldiers were killed. About ten days after that, a rocket hit a fully loaded helicopter on the airfield in just the right spot to blow up all the armaments it was carrying, in a spectacular explosion that jolted the helicopter into a nearby JP-4 that was holding five thousand gallons of rocket fuel. When that went up, the ground shook. Ten soldiers were medevaced out that evening, but then it was quiet. As the units pushed, day by day, farther into the hills, unbearably hot and much more humid even than Virginia, rocket attacks got less frequent.

He got used to his job, which had two parts. One was to drive his captain in the jeep out of the base to check on the signalmen. Some of these men were no more than ten minutes away but, depending on circumstances, could seem to be on the other side of the world. His other job was to get in a helicopter and fly out to the firebases. Tim was to make sure his guys had supplies, but the mortician’s job was to take the body bags and pick up the bodies. At first, Tim could not help watching. There weren’t too many casualties — a body every few days at the most. The creepiest part was not death, even gruesome rocket-attack death — it was the way the mortician took the dead soldier’s dog tags from around his neck, slipped them between the corpse’s two front teeth, then whacked them with the butt of his weapon to jam them into the gums.

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Early Warning
Early Warning

From the Pulitzer Prize winner: a journey through mid-century America, as lived by the extraordinary Langdon family we first met in Some Luck, a national best seller published to rave reviews from coast to coast.Early Warning opens in 1953 with the Langdons at a crossroads. Their stalwart patriarch Walter, who with his wife had sustained their Iowa farm for three decades, has suddenly died, leaving their five children looking to the future. Only one will remain to work the land, while the others scatter to Washington, DC, California, and everywhere in between. As the country moves out of postwar optimism through the Cold War, the social and sexual revolutions of the 1960s and '70s, and then into the unprecedented wealth — for some — of the early '80s, the Langdon children will have children of their own: twin boys who are best friends and vicious rivals; a girl whose rebellious spirit takes her to the notorious Peoples Temple in San Francisco; and a golden boy who drops out of college to fight in Vietnam — leaving behind a secret legacy that will send shockwaves through the Langdon family into the next generation. Capturing an indelible period in America through the lens of richly drawn characters we come to know and love, Early Warning is an engrossing, beautifully told story of the challenges — and rich rewards — of family and home, even in the most turbulent of times.

Джейн Смайли

Современная русская и зарубежная проза

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