“No, my good Japp, I supplied the curtain from my brain. Without it, the drama is not reasonable. And always one must be reasonable. But tell me, did they not send for a doctor?”
“At once, of course. But there was nothing to be done. Death must have been instantaneous.”
Poirot nodded rather impatiently.
“Yes, yes, I understand. This doctor gave evidence at the inquest?”
“Yes.”
“Did he say nothing of any unusual symptom — was there nothing about the appearance of the body which struck him as being abnormal?”
Japp stared hard at the little man.
“Yes, Monsieur Poirot. I don’t know what you’re getting at, but he did mention that there was a tension and stiffness about the limbs which he was quite at a loss to account for.”
“Aha!” said Poirot. “Aha!
I saw that it had certainly not given Japp to think.
“If you’re thinking of poison, Monsieur, who on earth would poison a man first and then stick a knife into him?”
“In truth that would be ridiculous,” agreed Poirot placidly.
“Now is there anything you want to see, Monsieur? If you’d like to examine the room where the body was found—”
Poirot waved his hand.
“Not in the least. You have told me the only thing that interests me — Lord Cronshaw’s views on the subject of drug-taking.”
“Then there’s nothing you want to see?”
“Just one thing.”
“What is that?”
“The set of china figures from which the costumes were copied.”
Japp stared.
“Well, you’re a funny one!”
“You can manage that for me?”
“Come round to Berkeley Square now if you like. Mr. Beltane — or His Lordship, as I should say now — won’t object.”
We set off at once in a taxi. The new Lord Cronshaw was not at home, but at Japp’s request we were shown into the “China room,” where the gems of the collection were kept. Japp looked round him rather helplessly.
“I don’t see how you’ll ever find the ones you want, Monsieur.”
But Poirot had already drawn a chair in front of the mantelpiece and was hopping up upon it like a nimble robin. Above the mirror, on a small shelf all to themselves, stood six china figures. Poirot examined them minutely, making a few comments to us as he did so.
“
He replaced the figures carefully, and jumped down.
Japp looked unsatisfied, but as Poirot had clearly no intention of explaining anything, the detective put the best face he could upon the matter. As we were preparing to leave, the master of the house came in, and Japp performed the necessary introductions.
The sixth Viscount Cronshaw was a man of about 50, suave in manner, with a handsome, dissolute face. Evidently an elderly roué, with the languid manner of a poseur. I took an instant dislike to him. He greeted us graciously enough, declaring he had heard great accounts of Poirot’s skill, and placing himself at our disposal in every way.
“The police are doing all they can, I know,” he said. “But I much fear the mystery of my nephew’s death will never be cleared up. The whole thing seems utterly mysterious.”
Poirot was watching him keenly. “Your nephew had no enemies that you know of?”
“None whatever. I am sure of that.” He paused, and then went on: “If there are any questions you would like to ask—”
“Only one.” Poirot’s voice was serious. “The costumes — they were reproduced
“To the smallest detail.”
“Thank you, milor’. That is all I wanted to be sure of. I wish you good day.”
“And what next?” inquired Japp as we hurried down the street. “I’ve got to report at the Yard, you know.”
“
“Yes?”
“The case will be complete.”
“What? You don’t mean it! You know who killed Lord Cronshaw?”
“Who was it? Eustace Beltane?”
“Ah!
“That’s fair enough,” said Japp. “That is, if the
He strode off down the street, and Poirot hailed a passing taxi.
“Where are we going now?” I asked in lively curiosity.
“To Chelsea to see the Davidsons.”
He gave the address to the driver. “What do you think of the new Lord Cronshaw?” I asked.
“What says my good friend Hastings?”
“I distrust him instinctively.”
“You think he is the ‘wicked uncle’ of the story books, eh?”
“Don’t you?”