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I am indebted to a number of people who helped with research for this book: Dónal and Libby Ward, for their hospitality, for sharing their knowledge of the history, folklore, and music of their home county, and for introducing me to some of the wonderful, hidden corners of southwest Donegal; Jill Cooper of the Minneapolis Rowing Club; Hannah Texler of the Minnesota Department of Natural Resources, Tim Whitfeld and Anita Cholewa of the Bell Museum/University of Minnesota Herbarium, Doug Mensing of the Minnesota Native Plant Society, Jennifer Doubt of the Canadian Museum of Nature / Musée canadien de la nature, and Dr. Carol C. Baskin of the Department of Biology at the University of Kentucky, for details on Floerkea proserpinacoides (false mermaid); Kathleen J. Craft, Ph.D., for information on population genetics and its application to the world of forensic botany; Ann Marie Gross of the DNA Section at the Minnesota Bureau of Criminal Apprehension, for information on DNA analysis and BCA procedure; Sergeant Mary Nash and Detective Jane Laurence of the Saint Paul Police Department for help with police procedure and background (and to fellow writers Kent Krueger and Lori Lake for sharing law enforcement contacts); Patrick J. Cleary of the Garda Síochána (retired), for assistance with Irish police procedure; flute player and physician Dr. Frank Claudy, and Jean Cleary, RN, for help with information on PTSD, emergency room procedure, and hospital admissions; fiddle player Randall Bays for background on Useless Bay in Washington State. I am indebted to my friend, artist Virginia McBride, for her creative support, and to her son and fellow artist, Owen Platt, who created the wonderful map of my fictional location Port na Rón. And I am grateful to Dáithí Sproule for his invaluable help with Irish language translation, and to singer Mairéad Ní Mhaonaigh of Altan, whose beautiful rendition of “An Mhaighdean Mhara” helped inspire this story. The help of all these individuals undoubtedly prevented many errors; they are not responsible for the literary license I have taken, and any faults that remain are mine alone. Thanks also to my wonderful editors, Susanne Kirk and Samantha Martin at Scribner, and my peerless agent, Sally Wofford-Girand. And to the countless people who offered encouragement—not to mention a bit of gentle nudging—fans, neighbors, and friends (especially Lisa McDaniel, Karen Mueller, Lori Hindbjorgen, Elizabeth Childs, Pat McMorrow, and all the Widening Gyre writers); my beloved family; and my incredible, inspiring husband, Paddy—go raibh mile maith agaibh.

<p><image l:href="#_2.jpg"/></p><p>ABOUT THE AUTHOR</p><p><image l:href="#_2.jpg"/></p>

Erin Hart is a Minnesota theater critic and former administrator at the Minnesota State Arts Board. A lifelong interest in Irish traditional music led her to cofound Minnesota’s Irish Music and Dance Association. A theater major from St. Olaf College, she has an M.A. in English and Creative Writing from the University of Minnesota, Minneapolis. She and her husband, musician Paddy O’Brien, live in Saint Paul and frequently visit Ireland. Erin Hart was nominated for Agatha and Anthony awards for her debut novel Haunted Ground, which won the Friends of American Writers Award in 2004. Her second novel, Lake of Sorrows, was a 2004 Minnesota Book Award finalist. Visit her website at www.erinhart.com.

<p>Also by Erin Hart</p>

Lake of Sorrows

Haunted Ground

<p>Copyright</p>Scribner

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This book is a work of fiction. Names, characters, places, and incidents either are products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.

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Library of Congress Control Number: 2009037969

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False Mermaid
False Mermaid

AWARD-WINNING AUTHOR ERIN HART DELIVERS A SEARING NEW NOVEL OF SUSPENSE, BRILLIANTLY MELDING MODERN FORENSICS AND IRISH MYTH AND MYSTERY IN THIS CHARGED THRILLER.American pathologist Nora Gavin fled to Ireland three years ago, hoping that distance from home would bring her peace. Though she threw herself into the study of bog bodies and the mysteries of their circumstances, she was ultimately led back to the one mystery she was unable to solve: the murder of her sister, Tríona. Nora can't move forward until she goes back—back to her home, to the scene of the crime, to the source of her nightmares and her deepest regrets.Determined to put her sister's case to rest and anxious about her eleven-year-old niece, Elizabeth, Nora returns to Saint Paul, Minnesota, to find that her brother-in-law, Peter Hallett, is about to remarry and has plans to leave the country with his new bride. Nora has long suspected Hallett in Tríona's murder, though there has never been any proof of his involvement, and now she believes that his new wife and Elizabeth may both be in danger. Time is short, and as Nora begins reinvestigating her sister's death, missed clues and ever-more disturbing details come to light. What is the significance of the "false mermaid" seeds found on Tríona's body? Why was her behavior so erratic in the days before her murder?Is there a link between Tríona's death and that of another young woman?Nora's search for answers takes her from the banks of the Mississippi to the cliffs of Ireland, where the eerie story of a fisherman's wife who vanished more than a century ago offers up uncanny parallels. As painful secrets come to light, Nora is drawn deeper into a past that still threatens to engulf her and must determine how much she is prepared to sacrifice to put one tragedy to rest… and to make sure that history doesn't repeat itself.

Эрин Харт

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— Адель, милая, у нас тут проблема: другу надо настроение поднять. Невеста укатила без обратного билета, — Михаил отрывается от телефона и обращается к приятелям: — Брюнетку или блондинку?— Брюнетку! - требует Степан. — Или блондинку. А двоих можно?— Ади, у нас глаза разбежались. Что-то бы особенное для лучшего друга. О! А такие бывают?Михаил возвращается к гостям:— У них есть студентка юрфака, отличница. Чиста как слеза, в глазах ум, попа орех. Занималась балетом. Либо она, либо две блондинки. В паре девственница не работает. Стесняется, — ржет громко.— Петь, ты лучше всего Артёма знаешь. Целку или двух?— Студентку, — Петр делает движение рукой, дескать, гори всё огнем.— Мы выбрали девицу, Ади. Там перевяжи ее бантом или в коробку посади, — хохот. — Да-да, подарочек же.

Агата Рат , Арина Теплова , Елена Михайловна Бурунова , Михаил Еремович Погосов , Ольга Вечная

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