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Nora climbed down to the beach and kept walking, not stopping to remove shoes or clothes, but striding straight out into waves until she was up to her hips, and within ten yards of the seal. It swam closer, only an arm’s length now, its whiskered face raised out of the water. She could see how the features on one side of its face were scarred from some ancient injury. The same face as in the portrait, she was sure of it. How could that be? She reached out a hand to touch its fur, and the creature allowed her. It felt sleek, warm beneath the wetness. She remembered the words of the charm:

A part of thee on ocean-whales,A part of thee on meadow-beasts,A part of thee on fenny swamps,A part of thee on cotton-grass moors,A part of thee on the great surging sea—She herself has best means to carryThe great surging sea.

The seal regarded her for a few seconds with an air of infinite compassion, before opening its mouth to offer a single rounded vowel of a bark. Was it a greeting or a valediction? As if in answer, the animal twisted away with a flourish of its tail, and sank once more into the sea. Nora took a deep breath, and plunged straight down. She felt compelled to follow. What was it Tríona had seen that day she had been rescued from drowning?

Nora swam forward, eyes wide open, when all at once someone or something caught her by the waist and lifted her clear of the water. Setting her upright in the shallows, Cormac took her face between his hands. “I can’t let you do it, Nora—”

All at once it occurred to her what he must have imagined, following her, watching her walk out into the sea. “Oh, Cormac, I wasn’t trying to—”

“Weren’t you?”

“No—I don’t know what I was doing. But it wasn’t that, truly—I swear.”

“You walked straight into the water, with all your clothes on—”

She looked him up and down. “So did you.”

“But I was only going after you—” He stopped and sighed, resting his forehead against hers. “Why are we doing this to ourselves? You’ve been running from me for nearly two years, Nora. Why do you keep running?”

“I don’t know, Cormac. I can’t—”

“Can’t what? Do you really believe Tríona would want you to suffer as you have? I know you could go on punishing yourself forever—but when will it ever be enough? You wanted to know the name of the tune I sent—I’ll tell you. It’s ‘My Love Is in America.’ Do you understand? Can you not see that I love you? Stop running, Nora. Stay with me. Be with me.”

She looked into his eyes, and felt deep within them—and deep within herself—an immense, eternal pulse, calling up the words of that ancient, mysterious charm: She herself has best means to carry. When she offered Cormac her answer, it did not come in words.

As daylight broke over the headland, the mist slowly disappeared, and the surf began to churn around them with the incoming tide. The rising sun threw golden shafts on gulls and choughs as they took wing, and on the wet, curious faces of three young seals cavorting in the waves beyond the harbor rocks. High above the headland, almost out of sight, a lone sea eagle soared aloft.

<p><image l:href="#_2.jpg"/></p><p>ACKNOWLEDGMENTS</p><p><image l:href="#_2.jpg"/></p>
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False Mermaid
False Mermaid

AWARD-WINNING AUTHOR ERIN HART DELIVERS A SEARING NEW NOVEL OF SUSPENSE, BRILLIANTLY MELDING MODERN FORENSICS AND IRISH MYTH AND MYSTERY IN THIS CHARGED THRILLER.American pathologist Nora Gavin fled to Ireland three years ago, hoping that distance from home would bring her peace. Though she threw herself into the study of bog bodies and the mysteries of their circumstances, she was ultimately led back to the one mystery she was unable to solve: the murder of her sister, Tríona. Nora can't move forward until she goes back—back to her home, to the scene of the crime, to the source of her nightmares and her deepest regrets.Determined to put her sister's case to rest and anxious about her eleven-year-old niece, Elizabeth, Nora returns to Saint Paul, Minnesota, to find that her brother-in-law, Peter Hallett, is about to remarry and has plans to leave the country with his new bride. Nora has long suspected Hallett in Tríona's murder, though there has never been any proof of his involvement, and now she believes that his new wife and Elizabeth may both be in danger. Time is short, and as Nora begins reinvestigating her sister's death, missed clues and ever-more disturbing details come to light. What is the significance of the "false mermaid" seeds found on Tríona's body? Why was her behavior so erratic in the days before her murder?Is there a link between Tríona's death and that of another young woman?Nora's search for answers takes her from the banks of the Mississippi to the cliffs of Ireland, where the eerie story of a fisherman's wife who vanished more than a century ago offers up uncanny parallels. As painful secrets come to light, Nora is drawn deeper into a past that still threatens to engulf her and must determine how much she is prepared to sacrifice to put one tragedy to rest… and to make sure that history doesn't repeat itself.

Эрин Харт

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Эскортница
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— Адель, милая, у нас тут проблема: другу надо настроение поднять. Невеста укатила без обратного билета, — Михаил отрывается от телефона и обращается к приятелям: — Брюнетку или блондинку?— Брюнетку! - требует Степан. — Или блондинку. А двоих можно?— Ади, у нас глаза разбежались. Что-то бы особенное для лучшего друга. О! А такие бывают?Михаил возвращается к гостям:— У них есть студентка юрфака, отличница. Чиста как слеза, в глазах ум, попа орех. Занималась балетом. Либо она, либо две блондинки. В паре девственница не работает. Стесняется, — ржет громко.— Петь, ты лучше всего Артёма знаешь. Целку или двух?— Студентку, — Петр делает движение рукой, дескать, гори всё огнем.— Мы выбрали девицу, Ади. Там перевяжи ее бантом или в коробку посади, — хохот. — Да-да, подарочек же.

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