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“It’s Frank Cordova. I wanted to thank you for coming to the visitation the other night. I saw you come in as I was leaving. Sorry I couldn’t stay.”

“That’s okay—I happened to see the notice in the paper. Thought I’d pay my respects. I’m sorry—”

“Thanks.” Frank felt his chest constrict, and braced himself for the stabbing pain, but it never came. “Does that offer of a free rowing lesson still stand?” He closed his eyes and pictured the two of them out on the water, pulling in the same direction, her turning to him with those eyes the color of the river in sunlight.

“Anytime. If you wanted to drop by after practice tomorrow—”

“I’ll be there.”

“You might not believe this, but when you called, I had just picked up the phone to call you. I’m organizing a kind of a memorial for Natalie. She wasn’t religious—neither am I, really—but I thought a few of us could meet down at the river some evening next week, maybe go out on the water for a while. A sort of remembrance. I can tell you more about it tomorrow.”

“That sounds good. See you then.”

As Frank passed through the station’s front lobby a few minutes later, the duty sergeant waved him over, indicating a figure slumped in one of the plastic chairs beside the front door. Truman Stark sat with his hands clasped before him, staring at the floor between his feet, both legs jigging to some internal rhythm.

“Somebody to see you, Detective. Wouldn’t give a name. Says he’s got information for you on an accidental death.”

In the interview room, Truman Stark once again avoided eye contact. And once again, Frank waited. The kid asked to see him. Maybe his hunch had been right; maybe Stark hadn’t spilled everything. A bit of a childhood prayer ran through Frank’s head: Ruega por nosotros pecadores. Pray for us sinners. Ahora y en la hora de nuestra muerte—now and at the hour of our death.

He leaned back in his chair, trying to put the kid at ease. “When you were here before, you said if you told the truth, I wouldn’t believe. Why don’t you try me?”

It was clear that Truman Stark had made up his mind to tell what he knew. He just had no idea how to begin.

“The duty officer said you mentioned an accidental death—” Frank prompted.

Stark nodded. “Five years ago, in the Sturgis Building.”

“Didn’t happen to be a guy named Nick Mosher—the guy who fell down the elevator shaft?”

“I was there—” The kid looked as if he might choke.

“Relax, Truman. We’re in no hurry here.”

Stark nodded, and settled his shoulders. “I followed the redhead to the Sturgis Building that day. She met up with this guy on the fourth floor. He was wearing dark glasses.”

“Nick Mosher.”

“That was the last time I saw her, I swear.”

“Did she seem happy to see Mosher?”

The memory clearly pained him. “She kissed him.”

“Just a friendly kiss, or something more?”

“I don’t know—why are you asking me? She kissed him, and handed over a coffee she’d brought him from downstairs.”

“And then?”

“I hit the elevator button. I wasn’t going to stick around. I had to get back to work.”

An image began to form in the back of Frank’s brain. The flowers, the jilted lover. He kept quiet—the kid might clam up. “So you don’t know what Tríona Hallett was doing on the fourth floor of the Sturgis Building that day?”

Stark shook his head.

“But you had some idea?”

“I knew she was married. I thought maybe she was fooling around.”

“And you wanted to get your feet wet as a private eye, was that it?”

“No—no. I just wanted to find out why she was always looking over her shoulder. I saw the blonde following her a couple of days before. I thought maybe the blonde was a private eye the husband sent to check up on things.”

“You didn’t know who the redhead’s husband was?”

“Not then, no. I saw his picture in the paper, after—”

“Let’s get back to that day. You go back to work, you put in your shift, until what time?”

“Nine. I might have left the ramp around nine-fifteen.”

“And then—”

“I went back to the Sturgis Building.”

“Why?”

“I don’t know—”

“To see if the redhead was still there?”

“I told you, I don’t know why.” Stark was getting agitated. “I got in the elevator—it was the old-fashioned kind, with the gate that comes down—”

“A freight elevator.”

“I didn’t see anybody around, so I opened the gate on the fourth floor and got off. Then somebody upstairs must have called the elevator, ’cause it took off.”

“With the gate still open?”

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False Mermaid
False Mermaid

AWARD-WINNING AUTHOR ERIN HART DELIVERS A SEARING NEW NOVEL OF SUSPENSE, BRILLIANTLY MELDING MODERN FORENSICS AND IRISH MYTH AND MYSTERY IN THIS CHARGED THRILLER.American pathologist Nora Gavin fled to Ireland three years ago, hoping that distance from home would bring her peace. Though she threw herself into the study of bog bodies and the mysteries of their circumstances, she was ultimately led back to the one mystery she was unable to solve: the murder of her sister, Tríona. Nora can't move forward until she goes back—back to her home, to the scene of the crime, to the source of her nightmares and her deepest regrets.Determined to put her sister's case to rest and anxious about her eleven-year-old niece, Elizabeth, Nora returns to Saint Paul, Minnesota, to find that her brother-in-law, Peter Hallett, is about to remarry and has plans to leave the country with his new bride. Nora has long suspected Hallett in Tríona's murder, though there has never been any proof of his involvement, and now she believes that his new wife and Elizabeth may both be in danger. Time is short, and as Nora begins reinvestigating her sister's death, missed clues and ever-more disturbing details come to light. What is the significance of the "false mermaid" seeds found on Tríona's body? Why was her behavior so erratic in the days before her murder?Is there a link between Tríona's death and that of another young woman?Nora's search for answers takes her from the banks of the Mississippi to the cliffs of Ireland, where the eerie story of a fisherman's wife who vanished more than a century ago offers up uncanny parallels. As painful secrets come to light, Nora is drawn deeper into a past that still threatens to engulf her and must determine how much she is prepared to sacrifice to put one tragedy to rest… and to make sure that history doesn't repeat itself.

Эрин Харт

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Эскортница
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— Адель, милая, у нас тут проблема: другу надо настроение поднять. Невеста укатила без обратного билета, — Михаил отрывается от телефона и обращается к приятелям: — Брюнетку или блондинку?— Брюнетку! - требует Степан. — Или блондинку. А двоих можно?— Ади, у нас глаза разбежались. Что-то бы особенное для лучшего друга. О! А такие бывают?Михаил возвращается к гостям:— У них есть студентка юрфака, отличница. Чиста как слеза, в глазах ум, попа орех. Занималась балетом. Либо она, либо две блондинки. В паре девственница не работает. Стесняется, — ржет громко.— Петь, ты лучше всего Артёма знаешь. Целку или двух?— Студентку, — Петр делает движение рукой, дескать, гори всё огнем.— Мы выбрали девицу, Ади. Там перевяжи ее бантом или в коробку посади, — хохот. — Да-да, подарочек же.

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