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An insult to the brain, the doctors kept calling it, as if mere effrontery could trigger physical disaster. But his father was in no immediate danger, they said, and could leave the hospital once he could breathe on his own, provided he had adequate care at home. Adequate care. The blithe assumption in those words struck him, and Cormac suddenly felt short of breath. He turned and made his way to the ward entrance, past the nurse’s station and the visitors’ lounge, the canteen area with vending machines for tea and biscuits. He pushed open the lobby door and felt the cool, damp air hit him in the face. The flight from Shannon to New York left in less than twelve hours. He could leave now, not tell anyone where he was going; he could still make it—

A voice at his elbow brought him back to reality: “I thought I saw you headed out here,” the nurse said, the same one who’d been taking his father’s temperature. “You can go in to him if you like. Just for a few minutes. Some say it doesn’t help, but I think they know you’re there, even if they can’t say. Go on, speak to him. You’ve nothing to lose.”

Gazing into the woman’s kind brown eyes, Cormac felt his prospect of escape collapse like a sail suddenly robbed of wind. He walked slowly back to the ward and slid into the chair beside his father’s bed. Speak to him? He hadn’t even figured out how to address the man. Calling him “Da,” or “Father”—anything remotely along those lines—seemed ridiculous at this stage. And using his given name seemed even more preposterous. Easier just to sidestep the whole issue. Call him nothing at all.

Cormac had long ago realized that the word father, whatever it conjured up for other people, held no association at all for him, unless it was a void, an absence. As a child, he had built a sturdy box around that void and buried it, tried to concentrate on filling his life with other things. But absence was something he understood, at least. It was his father’s sudden presence that was so bewildering. Cormac let his gaze wander across the man in the bed: the ropelike veins in the backs of the hands, the broken blood vessels visible through the papery skin at the temples, the unruly shock of white hair. This man looked so small, so insignificant, Cormac thought, for someone who had cast such a looming shadow. In dreams, Joseph Maguire had taken up a great deal more space.

He had no recollection of his father leaving, but they must have been living in Dublin at the time. There was only a vague memory of arriving in Clare, first to stay with his grandparents, then eventually settling, just himself and his mother, in the house along the sea road. No one ever talked about his father in those days—not to him at least. Over the next ten years, all he’d ever learned had to be gleaned from the few bits of conversation he might overhear after a letter arrived in the post. They came only sporadically—once, sometimes twice a year—but he’d felt the eyes of the village upon him for days after each delivery. In a small place like Kilgarvan, his family’s circumstances accounted for at least half the local scandal. Once the postmistress spotted a foreign stamp, the news spread, passed along in whispers and glances, and everyone in the town would know about his father’s letter before it ever arrived at their house. Cormac had felt the excitement each letter generated in the air around him—a volatile compound of curiosity, pity, and envy. At first he’d been unable to fathom the envy, but gradually realized that most of it came from schoolmates whose fathers were all too present, loading them with work, and ready with the strap if they dared shirk or disobey. Because his father was absent, they no doubt imagined him as free from all that—free to be coddled and cosseted by his mammy, with no manly interference.

He remembered watching the subtle change in his mother’s face when the post came bearing one of those striped air mail envelopes. She would retreat to her room, appearing still and composed when she emerged an hour or so later, but her eyes were always red. No one said the letters were from his father, but they didn’t have to—he knew. There was never a separate note for him, no word of greeting or even a postscript. After the third or fourth one, he had tried very hard not to care. At one point, he’d tried hating his father, focusing all his energy steadily on that one thing for a few weeks. But he found that loathing required a certain depth of feeling, which he had difficulty mustering against someone who barely existed. Eventually, he began to let people believe that his father was dead. It seemed true enough.

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False Mermaid
False Mermaid

AWARD-WINNING AUTHOR ERIN HART DELIVERS A SEARING NEW NOVEL OF SUSPENSE, BRILLIANTLY MELDING MODERN FORENSICS AND IRISH MYTH AND MYSTERY IN THIS CHARGED THRILLER.American pathologist Nora Gavin fled to Ireland three years ago, hoping that distance from home would bring her peace. Though she threw herself into the study of bog bodies and the mysteries of their circumstances, she was ultimately led back to the one mystery she was unable to solve: the murder of her sister, Tríona. Nora can't move forward until she goes back—back to her home, to the scene of the crime, to the source of her nightmares and her deepest regrets.Determined to put her sister's case to rest and anxious about her eleven-year-old niece, Elizabeth, Nora returns to Saint Paul, Minnesota, to find that her brother-in-law, Peter Hallett, is about to remarry and has plans to leave the country with his new bride. Nora has long suspected Hallett in Tríona's murder, though there has never been any proof of his involvement, and now she believes that his new wife and Elizabeth may both be in danger. Time is short, and as Nora begins reinvestigating her sister's death, missed clues and ever-more disturbing details come to light. What is the significance of the "false mermaid" seeds found on Tríona's body? Why was her behavior so erratic in the days before her murder?Is there a link between Tríona's death and that of another young woman?Nora's search for answers takes her from the banks of the Mississippi to the cliffs of Ireland, where the eerie story of a fisherman's wife who vanished more than a century ago offers up uncanny parallels. As painful secrets come to light, Nora is drawn deeper into a past that still threatens to engulf her and must determine how much she is prepared to sacrifice to put one tragedy to rest… and to make sure that history doesn't repeat itself.

Эрин Харт

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Эскортница
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— Адель, милая, у нас тут проблема: другу надо настроение поднять. Невеста укатила без обратного билета, — Михаил отрывается от телефона и обращается к приятелям: — Брюнетку или блондинку?— Брюнетку! - требует Степан. — Или блондинку. А двоих можно?— Ади, у нас глаза разбежались. Что-то бы особенное для лучшего друга. О! А такие бывают?Михаил возвращается к гостям:— У них есть студентка юрфака, отличница. Чиста как слеза, в глазах ум, попа орех. Занималась балетом. Либо она, либо две блондинки. В паре девственница не работает. Стесняется, — ржет громко.— Петь, ты лучше всего Артёма знаешь. Целку или двух?— Студентку, — Петр делает движение рукой, дескать, гори всё огнем.— Мы выбрали девицу, Ади. Там перевяжи ее бантом или в коробку посади, — хохот. — Да-да, подарочек же.

Агата Рат , Арина Теплова , Елена Михайловна Бурунова , Михаил Еремович Погосов , Ольга Вечная

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