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As she entered the library, Nora was aware of the gaunt, bearded man leaving by the opposite door. He was dressed in telltale layers of clothing, including a scruffy trench coat, despite the heat. Their eyes met briefly, and Nora tried not to stare. Not having seen Harry Shaughnessy for nearly five years, she couldn’t be sure this was the same man. When the police questioned him, Shaughnessy had seemed remarkably lucid at first, explaining that he went to the Central Library every morning to read the New York Times. He had been adamant about seeing Tríona on the day in question, and positive about the date. He even remembered something he’d read in the paper that day, which checked out. Then he told Frank Cordova that it was the same day he’d seen the angel Gabriel driving a flaming chariot down Market Street. So Harry Shaughnessy couldn’t be counted upon as a credible witness in court. But what if they had discounted everything he said because part of it was unreliable? What if Harry Shaughnessy’s disconnection from reality was not complete, and he had seen Tríona that day?

As it was, even with the parking ticket, and even counting Harry’s statement placing Tríona at the library, they had never discovered what she was doing there. The library computer system showed no books checked out on her card that day, no returns. But the timing of the visit was important. Why would Tríona have taken the trouble to visit the library in those last hours, when her life seemed to be spiraling out of control?

Nora climbed the stairs to the second-floor reference room, a lofty space at the heart of the building. The smell of a library was instantly recognizable and distinct. Glancing up at the arched windows and polychromed ceiling beams, she was transported back to the time when she and Tríona used to come here every summer afternoon, escaping the scorching heat outside, spending languorous days in bookish coolness.

Much had changed since then, of course. The library had been remodeled; banks of computer terminals had replaced the dark oak card catalogs. It was possible that Tríona had been searching for something in the stacks or online, but library policy had put up an unexpected roadblock—call slips and computer logs were routinely shredded by librarians concerned about government bootprints on the Bill of Rights. Nora understood why it had to be so. Still, she had felt incredibly frustrated when all the luck seemed to run in Peter Hallett’s favor. If only she could figure out what Tríona had been searching for.

The occupant of the nearest computer station seemed on the verge of vacating, so Nora moved closer, waiting for an opportunity. When he was a proper distance away, she dropped her bag on the floor under the desk and slid into the still-warm chair. She stared at the anonymous screen, and it blinked back at her, asking for a name, keyword, subject, author’s name, title. She let her fingers rest on the keyboard, waiting. What were you looking for? she asked silently. Why were you here? No vibration stirred. She laid a hand on the table’s wood surface, imagining beneath her fingers the faint tracery of a hundred different pens on paper. Why could she sense so much in the presence of the cailín rua, the red-haired stranger she had never known, and yet feel nothing here from her own flesh and blood?

She suddenly felt foolish, and pushed the chair back. Hunches and intuition were fine, as long as they led to concrete evidence that would stand up in court. Did she really imagine that she could find such evidence here? There was nothing of Tríona in this place.

From the reference room, Nora ventured through the atrium stairwell to the nonfiction reading section. She remembered the moment of childhood discovery, when she’d found that the library had hidden places, flights of stairs to rooms that didn’t seem to exist from the outside. The nonfiction stacks occupied just such an invisible place, down a half flight of stairs from the reading room. This was where she and Tríona had actually spent most of their time. The floor was carpeted, the atmosphere still and studious, and while there were no windows in this limbo between floors, the books themselves offered glimpses into all sorts of strange places concealed within the real world.

While Nora had worked her way methodically through the natural history collection, Tríona had found her own place in these stacks—a far, quiet corner where she was surrounded by books about gods and monsters, elves and mermaids, a whole universe of shape-shifters. Nora remembered all the times she’d tried to needle her sister, wondering aloud how books about otherworldly creatures came to be shelved in nonfiction. Tríona’s only reply was a tiny, knowing smile. When they left the library in the late afternoons, Tríona would turn the spine of her current favorite book inward, a trick that made it easier to find the next time.

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False Mermaid
False Mermaid

AWARD-WINNING AUTHOR ERIN HART DELIVERS A SEARING NEW NOVEL OF SUSPENSE, BRILLIANTLY MELDING MODERN FORENSICS AND IRISH MYTH AND MYSTERY IN THIS CHARGED THRILLER.American pathologist Nora Gavin fled to Ireland three years ago, hoping that distance from home would bring her peace. Though she threw herself into the study of bog bodies and the mysteries of their circumstances, she was ultimately led back to the one mystery she was unable to solve: the murder of her sister, Tríona. Nora can't move forward until she goes back—back to her home, to the scene of the crime, to the source of her nightmares and her deepest regrets.Determined to put her sister's case to rest and anxious about her eleven-year-old niece, Elizabeth, Nora returns to Saint Paul, Minnesota, to find that her brother-in-law, Peter Hallett, is about to remarry and has plans to leave the country with his new bride. Nora has long suspected Hallett in Tríona's murder, though there has never been any proof of his involvement, and now she believes that his new wife and Elizabeth may both be in danger. Time is short, and as Nora begins reinvestigating her sister's death, missed clues and ever-more disturbing details come to light. What is the significance of the "false mermaid" seeds found on Tríona's body? Why was her behavior so erratic in the days before her murder?Is there a link between Tríona's death and that of another young woman?Nora's search for answers takes her from the banks of the Mississippi to the cliffs of Ireland, where the eerie story of a fisherman's wife who vanished more than a century ago offers up uncanny parallels. As painful secrets come to light, Nora is drawn deeper into a past that still threatens to engulf her and must determine how much she is prepared to sacrifice to put one tragedy to rest… and to make sure that history doesn't repeat itself.

Эрин Харт

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Эскортница
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— Адель, милая, у нас тут проблема: другу надо настроение поднять. Невеста укатила без обратного билета, — Михаил отрывается от телефона и обращается к приятелям: — Брюнетку или блондинку?— Брюнетку! - требует Степан. — Или блондинку. А двоих можно?— Ади, у нас глаза разбежались. Что-то бы особенное для лучшего друга. О! А такие бывают?Михаил возвращается к гостям:— У них есть студентка юрфака, отличница. Чиста как слеза, в глазах ум, попа орех. Занималась балетом. Либо она, либо две блондинки. В паре девственница не работает. Стесняется, — ржет громко.— Петь, ты лучше всего Артёма знаешь. Целку или двух?— Студентку, — Петр делает движение рукой, дескать, гори всё огнем.— Мы выбрали девицу, Ади. Там перевяжи ее бантом или в коробку посади, — хохот. — Да-да, подарочек же.

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