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From the porch, Nora returned to the front hall and took the stairs two at a time, feeling familiar creaks underfoot like strange music. Everywhere she looked were ghostly images: Tríona cross-legged on the landing, engrossed in dolls or a game of solitaire; her mother putting away folded towels and linens in the hall; the sound of her father slowly climbing the stairs after checking the locks each night—the tiny, random slices of their lives here, all the seemingly insignificant moments that added up to earthly existence.

Passing the bathroom door conjured up the ritual of taming Tríona’s unruly hair. Why that task had fallen to her, she couldn’t recall; all that remained was an imprint of their daily battle of wills. She slid open the top drawer and found a limp circle of elastic strung with faux pearls and glass beads. Tríona’s favorite—there had been a time when she insisted upon wearing it every day.

Nora set the hair band back in the drawer, and went out into the hallway. At one end was her parents’ room; at the other end were two smaller bedrooms, hers and Tríona’s. The door to Tríona’s room was closed. She opened it, not sure what to expect. The air had a distinctive closed-up smell, a sign that the door was kept shut, perhaps a vain attempt to trap any ghosts that might dwell here. The room was now, just as it had always been during Tríona’s lifetime, in a state of chaos: stacks of books everywhere, theater scripts wedged at every conceivable angle into the bookcases. In stark contrast to her own room, with its orderly shelves full of field guides and plant presses and specimen jars, Tríona’s room had always been a realm of make-believe. She remembered believing that her sister must have been adopted, since she clearly wasn’t related to the rest of the family.

Opening the closet door, Nora recognized a sun-faded denim shirt their father had worn for gardening until Tríona appropriated it and started wearing the thing around the house. Whenever she put it on, she also assumed their father’s voice and mannerisms—the seeds of her acting career. Each of Tríona’s transformations was tied to some item of clothing, whether this chambray shirt or a character costume—as though the act of changing clothes could alter who you were.

Nora took the faded shirt from its hanger and slipped it on over her own clothes, catching the ghost of a musky scent. Though Tríona had worn this shirt for ages, their father’s essence still seemed embedded in it as well. She caught a glimpse of herself in the dressing table mirror. The low glass cut her head off; without it, she might easily be mistaken for her sister. She turned away, the sun-blanched cotton on her shoulders heavy as another skin.

Nora checked her watch again. After six, and still no one home. She sat down at the edge of the bed and started flipping through Tríona’s collection of old audiocassettes. Most were homemade, compilations of favorite songs. She opened the cassette player and found an unlabeled tape inside. Popping it back in the machine, she pressed Play, and after a few rustling noises, heard her own voice—noticeably younger and higher—spilling from the small speakers.

Then something extraordinary happened. A second voice joined with hers—close in character, but not identical—blending at first in unison, and then diverging in an eerie harmony through the strange words of the refrain. There was so much she had forgotten. Like the steamy August night more than twenty years ago, when she had crept down into the musty cellar, intent on making this tape to capture a song that had been plaguing her. The prospect was exciting and terrifying, but the need to pour her own voice into the mysterious shape of that melody had driven her past fear. When Tríona joined in from the darkness at the top of the stairs, she had been startled and a little angry at first—and then too intrigued to stop. She had come home from Ireland carrying that song in her head, daring to sing it aloud only in moments when she was certain to be quite alone. But Tríona must have been there all the time, secretly listening. When the song ended, she began again, and they had sung it over and over, invisible to each other, but closer in spirit than they had ever been. Watching the tiny reels of the cassette rotate slowly in tandem, she bowed her head and let the hot tears sting her eyes—for the lonely sea maid upon the waves, for Tríona, and for herself.

When the song finally came to an end, Nora lifted her head, and turned to see her father standing in the doorway, supporting himself on the door frame with both arms. His hair had gone completely white since she had last seen him, and his face, so much older than she remembered, seemed drained of blood. She had never seen him shed a tear, not even in the terrible days immediately following Tríona’s death. He did not weep now, but she could read distress in the deep hollows of his eyes.

“I thought you were—” Suddenly the words seemed to choke him.

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False Mermaid
False Mermaid

AWARD-WINNING AUTHOR ERIN HART DELIVERS A SEARING NEW NOVEL OF SUSPENSE, BRILLIANTLY MELDING MODERN FORENSICS AND IRISH MYTH AND MYSTERY IN THIS CHARGED THRILLER.American pathologist Nora Gavin fled to Ireland three years ago, hoping that distance from home would bring her peace. Though she threw herself into the study of bog bodies and the mysteries of their circumstances, she was ultimately led back to the one mystery she was unable to solve: the murder of her sister, Tríona. Nora can't move forward until she goes back—back to her home, to the scene of the crime, to the source of her nightmares and her deepest regrets.Determined to put her sister's case to rest and anxious about her eleven-year-old niece, Elizabeth, Nora returns to Saint Paul, Minnesota, to find that her brother-in-law, Peter Hallett, is about to remarry and has plans to leave the country with his new bride. Nora has long suspected Hallett in Tríona's murder, though there has never been any proof of his involvement, and now she believes that his new wife and Elizabeth may both be in danger. Time is short, and as Nora begins reinvestigating her sister's death, missed clues and ever-more disturbing details come to light. What is the significance of the "false mermaid" seeds found on Tríona's body? Why was her behavior so erratic in the days before her murder?Is there a link between Tríona's death and that of another young woman?Nora's search for answers takes her from the banks of the Mississippi to the cliffs of Ireland, where the eerie story of a fisherman's wife who vanished more than a century ago offers up uncanny parallels. As painful secrets come to light, Nora is drawn deeper into a past that still threatens to engulf her and must determine how much she is prepared to sacrifice to put one tragedy to rest… and to make sure that history doesn't repeat itself.

Эрин Харт

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Эскортница
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— Адель, милая, у нас тут проблема: другу надо настроение поднять. Невеста укатила без обратного билета, — Михаил отрывается от телефона и обращается к приятелям: — Брюнетку или блондинку?— Брюнетку! - требует Степан. — Или блондинку. А двоих можно?— Ади, у нас глаза разбежались. Что-то бы особенное для лучшего друга. О! А такие бывают?Михаил возвращается к гостям:— У них есть студентка юрфака, отличница. Чиста как слеза, в глазах ум, попа орех. Занималась балетом. Либо она, либо две блондинки. В паре девственница не работает. Стесняется, — ржет громко.— Петь, ты лучше всего Артёма знаешь. Целку или двух?— Студентку, — Петр делает движение рукой, дескать, гори всё огнем.— Мы выбрали девицу, Ади. Там перевяжи ее бантом или в коробку посади, — хохот. — Да-да, подарочек же.

Агата Рат , Арина Теплова , Елена Михайловна Бурунова , Михаил Еремович Погосов , Ольга Вечная

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