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She set the camera down and glanced through the windshield, startled to see Miranda Staunton standing not twenty yards in front of the car, apparently loosening up for a run. This might be her only chance to speak to Miranda. It was now or never.

After jogging in place for a few seconds, Miranda checked her watch and took off. Nora got out of the car and followed on foot, staying about fifty yards behind, and relieved that she happened to be wearing decent shoes. They traveled through the light and shadow of the streetlamps, under the graffiti-covered bridge at Ford Parkway. Miranda’s pace wasn’t killer, but it never slowed. She finally turned in at the north entrance to Hidden Falls. At the bottom of the ravine, she cut across the parking areas, headed toward the path that traced the river’s edge south of the boat landing. It was time to seize the moment.

Nora put on a spurt and called out: “Miranda—wait!”

Miranda stopped and whirled around. There was a brief pause as she put together the voice, the face of the person who issued the hail. “Nora? What are you doing here?”

“I need to talk to you.”

Miranda eyed her suspiciously. “What about?”

“Just to say—” Nora was out of breath, panting. She watched Miranda’s expression harden. “To tell you it’s not too late. You can still back out—”

Miranda cut her off. “You know, Peter warned me. He said you’d come around one day, making crazy accusations—”

“They’re not crazy, Miranda. Look at what happened to Tríona when she tried to leave. When she found out what he was. Please, listen—”

Miranda was trembling. “How dare you? Flinging around those sorry old lies. Peter had nothing to do with your sister’s death. Why can’t you get that through your head?”

Nora lowered her voice, hoping to find another way in. “Maybe you don’t know yet what I’m talking about. Maybe he’s been good to you. He was that way with Tríona as well, at first. I can’t just stand by and let you—”

Miranda’s voice turned cold. “You can’t let me? Just who the hell do you think you are?” She held up her left hand, flashing a large diamond and thick gold band. “And just for the record—we’re already married. We went to the courthouse before we left Seattle.”

“Miranda, you don’t know what he’s done—”

“I know exactly what he’s done. Nothing. You know, Nora, I pity you. You’re a bitter, mixed-up person who can’t stand anybody else getting something you can’t have. I don’t blame my brother for walking away. Your whole family is so screwed up. You know nothing about Peter. You have no right coming here, twisting the facts, trying to ruin everything. You need to stay away from us.”

Nora swallowed hard. “Please, Miranda—please think about what I’ve said.” She fumbled in her pocket for a card. “Here’s my number—”

Miranda batted the card away and it fluttered to the ground. She stamped on it, grinding it into the blacktop with the heel of her running shoe. “Now get the hell away from me—before I call the police.”

Nora held up both hands and backed away slowly. But the confrontation had evidently put Miranda off her evening run; she turned and headed back up to the river road.

Nora had plenty of time to berate herself as she walked back to where she’d left the car. What a disaster. A whole-scale, head-on debacle. Why had she imagined that Miranda would listen to her? Everything she said and did managed to make her look completely off balance. If Miranda had been experiencing any second thoughts, she had managed to quash them completely, coming on like some addled, street-corner prophet. Stop it, said the voice in her head. Stop it. You had to take the chance. Two days gone now. Miranda and Peter would soon be on the plane to Dublin. The one consolation was that Elizabeth was safely away from her father.

Nora opened her car door, realizing with a flash of annoyance that she’d left it unlocked. Fortunately, nothing seemed disturbed—not even the camera she’d inadvertently left on the passenger seat. She headed south along the river road, ticking through the day’s events. No word from Frank on the results from Tríona’s bloodstained clothing. Maybe she ought to try finding Harry Shaughnessy. She hoped the fisherman would have something useful for her in the morning. If he had recognized Peter from the picture, and could say that he’d spotted him at the river—

Caught up in her thoughts, Nora sailed along the river road. She tapped on the brake as she approached a curve, and wondered why it was so slow to respond—the bloody car was brand new, for God’s sake. And in a flash, she knew. It wasn’t a slow response; the pedal was stuck. She had no brakes at all.

Time seemed to slow as the car rocketed forward and left the road. The last thing Nora perceived was leafy branches whipping against the windshield as the car plummeted through underbrush, and finally came to rest, battered and steaming, against two trees at the bottom of the ravine.

BOOK FOUR

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False Mermaid
False Mermaid

AWARD-WINNING AUTHOR ERIN HART DELIVERS A SEARING NEW NOVEL OF SUSPENSE, BRILLIANTLY MELDING MODERN FORENSICS AND IRISH MYTH AND MYSTERY IN THIS CHARGED THRILLER.American pathologist Nora Gavin fled to Ireland three years ago, hoping that distance from home would bring her peace. Though she threw herself into the study of bog bodies and the mysteries of their circumstances, she was ultimately led back to the one mystery she was unable to solve: the murder of her sister, Tríona. Nora can't move forward until she goes back—back to her home, to the scene of the crime, to the source of her nightmares and her deepest regrets.Determined to put her sister's case to rest and anxious about her eleven-year-old niece, Elizabeth, Nora returns to Saint Paul, Minnesota, to find that her brother-in-law, Peter Hallett, is about to remarry and has plans to leave the country with his new bride. Nora has long suspected Hallett in Tríona's murder, though there has never been any proof of his involvement, and now she believes that his new wife and Elizabeth may both be in danger. Time is short, and as Nora begins reinvestigating her sister's death, missed clues and ever-more disturbing details come to light. What is the significance of the "false mermaid" seeds found on Tríona's body? Why was her behavior so erratic in the days before her murder?Is there a link between Tríona's death and that of another young woman?Nora's search for answers takes her from the banks of the Mississippi to the cliffs of Ireland, where the eerie story of a fisherman's wife who vanished more than a century ago offers up uncanny parallels. As painful secrets come to light, Nora is drawn deeper into a past that still threatens to engulf her and must determine how much she is prepared to sacrifice to put one tragedy to rest… and to make sure that history doesn't repeat itself.

Эрин Харт

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