An ornately carved, incredibly tall skyscraper on the corner of a bustling street—the Woolworth Building.
Newt and Tina hurry along Broadway toward this building, Tina almost dragging Newt by his coat sleeve.
TINA
Come on.
NEWT
Er—sorry, but I do have things to do, actually.
TINA
Well, you’ll have to rearrange them!
Tina forcefully guides Newt through the busy traffic.
TINA
What are you doing in New York anyway?
NEWT
I came to buy a birthday present.
TINA
Couldn’t you have done that in London?
They have arrived outside the Woolworth Building. Workers move in and out of a large revolving door.
NEWT
No, there’s only one breeder of Appaloosa Puffskeins in the world and he lives in New York, so no . . .
Tina moves Newt toward a side door, guarded by a man in a cloaked uniform.
TINA
(to the guard)
I got a Section 3A.
The guard immediately opens the door.
SCENE 19INT. WOOLWORTH BUILDING RECEPTION—DAYA normal 1920s office atrium, people milling around and chatting.
TINA (O.S.)
Hey. By the way, we closed that guy down a year ago. We don’t allow the breeding of magical creatures in New York.
We pan around and watch Tina come through the door with Newt. As they enter, the whole entrance magically transforms from the Woolworth Building to the Magical Congress of the United States of America (MACUSA).
SCENE 20INT. MACUSA LOBBY—DAYNEWT’S POV—They move up a wide staircase and enter the main lobby—a vast, impressive space with impossibly high vaulted ceilings.
High up—a gigantic dial with many cogs and faces emblazoned with the legend: MAGICAL EXPOSURE THREAT LEVEL. The hand on the dial points to SEVERE: UNEXPLAINED ACTIVITY. Behind it hangs an imposing portrait of a majestic-looking witch: Seraphina Picquery, MACUSA president.
Owls circulate, witches and wizards in 1920s dress are hard at work. Tina guides an impressed-looking Newt through the bustle. They pass several wizards sitting in a line, waiting to have their wands shined by a house-elf who operates a complex contraption of feathers.
Newt and Tina reach an elevator. The doors open to reveal Red, a goblin bellboy.
RED
Hey, Goldstein.
TINA
Hey, Red.
Tina pushes Newt inside.
SCENE 21INT. ELEVATOR—DAYTINA
(to Red)
Major Investigation Department.
RED
I thought you was—
TINA
Major Investigation Department! I got a Section 3A!
Red uses a long clawed stick to reach an elevator button above his head. The elevator descends.
SCENE 22INT. MAJOR INVESTIGATION DEPARTMENT—DAYCLOSE ON A NEWSPAPER—The New York Ghost, with the headline MAGICAL DISTURBANCES RISK WIZARDING EXPOSURE.