Farewell Summer

He looked at the ceiling. Nothing. He looked at the windows. Nothing. Only the night breeze fluttered the pale curtains.

"Who's there?" he whispered.

Nothing.

"Someone's here," he whispered.

And at last he asked again, "Who," he said, "is there?"

Here, something murmured.

"What?"

Me, something spoke in the night.

"Who's me?"

Here, was the quiet answer.

"Where?"

Here, quietly.

"Where?"

And Douglas looked all around and then down.

"There?"

Yes, oh,jes.

Down along his body, below his chest, below his navel, between his two hipbones, where his legs joined. There it was.

"Who are you?" he whispered.

You'll find out.

"Where did you come from?"

A billionj ears past A billionjearsjet to come.

"That's no answer."

It's the only one.

What?

"Were you down in that tent today?"

What?

"Inside. In those glass jars. Were you?"

"What do you mean, 'in a way'?"

Yes.

"I don't understand."

You will, when we get to know each other. "What's your name?"

Give me one. We always have names. Every boy names us. Every man says that name ten thousand times in his life.

"I don't…"

Understand? Just lie there. You have two hearts now. Feel the pulse. One in your chest. And one below. Yes? "Yes."

Do you actually feel the two hearts? "Yes. Oh, yes!" Go to sleep then.

"Will you be here when I wake up?" Waiting for you. Awake long before you. Good night, friend. “Are we? Friends?" The best you ever had. For life.

There was a soft rabbit running. Something hit the bed, something burrowed beneath the blankets.

"Yeah," said the voice from under the covers. "Can I sleep here tonight? Please!"

"Why, Tom?"

"I dunno. I just had this awful feeling tomorrow morning we'd find you gone or dead or both."

"I'm not going to die, Tom."

"Someday you will."

"Well…"

"Okay."

"Hold my hand, Doug. Hold on tight."

"Why?"

"You ever think the Earth's spinning at twenty-five thousand miles per hour or something? It could throw you right off if you shut your eyes and forget to hold on."

"Give me your hand. There. Is that better?"

"Yeah. I can sleep now. You had me scared there

A moment of silence, breath going in and out.

"Tom?"

"Yeah?"

"You see? I didn't ditch you, after all."

"Thank gosh, Doug, oh, thank gosh."

A wind came up outside and shook all the trees and

every leaf, every last one fell off and blew across the

lawn.

Tom listened.

"Summer's done. Here comes autumn."

"Halloween."

"Boy, think of that!" "I'm thinking." They thought, they slept. The town clock struck four.

And Grandma sat up in the dark and named the season just now over and done and past.

AFTERWORD

THE IMPORTANCE OF BEING STARTLED

The way I write my novels can best be described as imagining that I'm going into the kitchen to fry a couple of eggs and then find myself cooking up a banquet. Starting with very simple things, they then word-associate themselves with further things until I'm up and running and eager to find out the next surprise, the next hour, the next day or the next week.

Farewell Summer began roughly fifty-five years ago when I was very young and had no knowledge of novels and no hope of creating a novel that was sensible. I had to wait for years for material to accumulate and take me, unaware, so that as I sat at my typewriter quite suddenly there would be bursts of surprise, resulting in short stories or longer narratives that I then connected together.

The main action of the novel takes place in a ravine that cut across my life. I lived on a short street in Waukegan, Illinois, and the ravine was immediately east of my home and ran on for several miles in two directions and then circled around to the north and to the south, and finally to the west. So, in effect, I lived on an island where I could, at any time, plunge into the ravine and have adventures.

There I imagined myself in Africa or on the planet Mars. That being so, and my going through the ravine every day on my way to school, and skating and sledding there in winter, this ravine remained central to my life and so it was natural that it would become the center of this novel, with all of my friends on both sides of the ravine and the old people who were curious time-pieces in my life.

I've always been fascinated by elderly people. They came and went in my life and I followed them and questioned them and learned from them, and that is children and old people who are peculiar Time Machines.