Галерея аферистов

1. Агенты и торговцы: продажа предметов искусства до 1700 года

Anderson C. M. The Flemish Merchant of Venice: Daniel Nijs and the Sale of the Gonzaga Art Collection. New Haven: Yale University Press, 2015.

Art Markets in Europe 1400-1800 / Ed. M North, D. Ormrod. Aldershot: Ashgate Publishing, 1998.

Auctions, Agents and Dealers: The Mechanisms of the Art Market, 1660-1830 / Ed. J. Turpin and A. Warren. Oxford: Archeopress, 2007.

Brown J. Kings and Connoisseurs: Collecting Art in Seventeenth-Century Europe. Princeton: Princeton University Press, 1995.

Ewing D. Marketing Art in Antwerp, 1460-1560 // Art Bulletin. December 1990.

Haskell F. Patrons and Painters: A Study in the Relations between Italian Art and Society in the Age of Baroque. New Haven: Yale University Press, 1980.

Lammertse F., Veen J. van der. Uylenburgh & Son, Art and Commerce from Rembrandt to De Lairesse, 1625-1675 / Trans. Y. Rosenberg, M Pearson, L. Richards. Zwolle; Amsterdam: Waanders Publishers/Rembrandt House Museum, 2006.

Marchi N. de, Miegroet H. J. van. Art, Value and Market Practices in the Netherlands // Art Bulletin. September 1994.

Montias J. M. Art Dealers in the Seventeenth-Century Netherlands // Netherlands Quarterly for the History of Art. 1 January 1988.

Pliny the Elder. The Natural History / Trans. J. Bostock, H. T. Riley. Vol. 5. London: George Bell and Sons, 1855-1857.

Stourton J., Sebag-Montefiore C. The British as Art Collectors from the Tudors to the Present. London: Scala Publishers, 2012.

2. Обманщики и ценители: XVIII век

Auctions, Agents and Dealers: The Mechanisms of the Art Market, 1660-1830 / Ed. J. Turpin, A. Warren. Oxford: Archeopress, 2007.

Farington J. The Farington Diary. 8 vols. London: Hutchinson & Co., 1922-1928.

Foote S. The Works of Samuel Foote, Esq. London: G. Robinson & Co., 1799.

Lewis L. Connoisseurs and Secret Agents in Eighteenth-Century Rome. London: Chatto & Windus, 1961.

Lippincott L. Selling Art in Georgian London: The Rise of Arthur Pond. New Haven: Yale University Press, 1983.

Mattick P. Art in its Time: Theories and Practices of Modern Aesthetics. London: Routledge, 2003.

McClellan A. Edme Gersaint and the Marketing of Art in Eighteenth-Century Paris // Art Bulletin. September 1996.

Pears I. The Discovery of Painting: The Growth of Interest in the Arts in England, 1680-1768. New Haven: Yale University Press, 1988.

SmentekK. Mariette and the Science of the Connoisseur in Eighteenth-Century Europe. Farnham: Ashgate Publishing, 2014.

Solkin D. Painting for Money: The Visual Arts and the Public Sphere in Eighteenth-Century England. New Haven: Yale University Press, 1993.

Stourton J., Sebag-Montefiore C. The British as Art Collectors from the Tudors to the Present. London: Scala Publishers, 2012.

The Development of the Art Market in England: Money as Muse, 1730-1900 / Ed. T. M Bayer, J. R. Page. London: Pickering and Chatto, 2011.

The Life and Letters of Gavin Hamilton / Ed. B. Cassidy. London; Turnhout: Brepols/Harvey Miller, 2011.

Vigee-Le Brun E. The Memoirs of Elisabeth Vigee-Le Brun / Trans. S. Evans. London: Camden Press, 1989.

Walpole H. Anecdotes of Painting in England. London: G. G. and J. Robinson, 1798.

3. Искусство спекуляции: Уильям Бьюкенен

Auctions, Agents and Dealers: The Mechanisms of the Art Market, 1660-1830 / Ed. J. Turpin, A. Warren. Oxford: Archeopress, 2007.

Buchanan W. Memoirs of Painting. London: R. Ackerman, 1824.

Farington J. The Farington Diary. 8 vols. London: Hutchinson & Co., 1922-1928.

Reitlinger G. The Economics of Taste: The Rise and Fall of Picture Prices, 1760-1960. London: Barrie and Rockliff, 1961. Sebag-Montefiore C. A Dynasty of Dealers: John Smith and successors, 1801-1924, a study of the art market in nineteenth-century London. Arundel: The Roxburghe Club, 2013.

Watson P. From Manet to Manhattan: the Rise of the Modern Art Market. London: Random House Publishing Group, 1992. William Buchanan and the Nineteenth-Century Art Trade: 100 Letters to his Agents in London and Italy / Ed. H Brigstocke. London: Paul Mellon Centre for Studies in British Art, 1982.

4. Эрнест Гамбар и рост популярности викторианского искусства

A Victorian Canvas: The Memoirs of W. P. Frith, RA / Ed. N. Wallis. London: Geoffrey Bles, 1957.

Flaubert G. L’Éducation Sentimentale. Paris: Michel Lévy, 1869.

Hamilton J. A Strange Business: Making Art and Money in Nineteenth-Century Britain. London: Atlantic, 2014.