Голос техники. Переход советского кино к звуку. 1928–1935

Ryabchikova 2014 – Ryabchikova N. ARRK and the Soviet Transition to Sound II Sound, Speech, Music in Soviet and Post-Soviet Cinema / Ed. by L. Kaganovsky, M. Salazkina. Bloomington: Indiana University Press, 2014. P. 81–99.

Ryabchikova 2016 – Ryabchikova N. The Flying Fish: Sergei Eisenstein Abroad, 1929–1932. Ph. D. dissertation at University of Pittsburgh, 2016.

Sargeant 2000 – Sargeant A. Vsevolod Pudovkin: Classic Films of the Soviet Avant-Garde. London: I. B. Tauris, 2000.

Silverman 1988 – Silverman K. The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema. Bloomington: Indiana University Press, 1988.

Slezkine 1994 – Slezkine Y. The USSR as a Communal Apartment, or How a Socialist State Promoted Ethnic Particularism // Slavic Review. 1994. Vol. 52, № 2. Summer. P. 414–452.

Smirnov 2011 – Smirnov A. Graphical Sounds. URL: http://asmir.info/graphical_sound.htm (дата обращения: 14.04.2021).

Smirnov 2013 – Smirnov A. Sound in Z: Experiments in Sound and Electronic Music in Early 20th Century Russia. London: Koenig Books, 2013.

Smith 1998 – Smith M. G. Language and Power in the Creation of the USSR, 1917–1953. Berlin & New York: Mouton de Gruyter, 1998.

Spadoni 2007 – Spadoni R. Uncanny Bodies: The Coming of Sound Film and the Origins of the Horror Genre. Berkeley: University of California Press, 2007.

Sponable 1947 – Sponable E. I. Historical Development of Sound Films // Journal of the Society of Motion Picture Engineers. 1947. Vol. 48. № 4–5.

Stiegler Bernard 1996 – Stiegler B. La Technique et le Temps. T. 2. La deso-rientation. Paris: Galilee, 1996.

Stiegler Bernd 2009 – Stiegler B. When a Photograph of Trees Is Almost like a Crime (Rodchenko, Vertov, Kalatozov) / Transl. by J. Gussen // Etudes photographiques. 2009 (mai). № 23. URL: https://journals.openedition.org/etudesphotographiques/3422 (дата обращения: 11.05.2021).

Stollery 2006 – Stollery M. Three Songs About Lenin // Encyclopedia of the Documentary Film I Ed. by I. Aitken. New York: Routledge, 2006. P. 1319–1321.

Taylor 1983 – Taylor R. «А Cinema for the Millions»: Soviet Socialist Realism and the Problem of Film Comedy // Journal of Contemporary History. 1983. Vol. 18, № 3. July. P. 439–461.

Taylor 1986 – Taylor R. Boris Shumyatsky and the Soviet Cinema in the 1930s: Ideology as Mass Entertainment H Historical Journal of Film, Radio and Television. 1986. Vol. 6. № 1. P. 43–64.

Taylor 1999 – Taylor R. Singing on the Steppes for Stalin: Ivan Pyr’ev and the Kolkhoz Musical in Soviet Cinema // Slavic Review. 1999. Vol. 58. № 1 Spring. P. 143–159.

Taylor, Christie 1994 – The Film Factory: Russian and Soviet Cinema in Documents 1896–1939 / Ed. by R. Taylor, I. Christie. London and New York: Routledge, 1994.

Thompson 1980 – Thompson K. Early Sound Counterpoint // Yale French Studies. 1980. № 60. P. 115–140.

Titus 2014 – Titus J. Silents, Sound, and Modernism in Dmitry Shostakovich’s Score to «The New Babylon» // Sound, Speech, Music in Russian and Soviet Cinema I Ed. by L. Kaganovsky, M. Salazkina. Bloomington: Indiana University Press, 2014. P. 38–59.

Titus 2016 – Titus J. The Early Film Music of Dmitry Shostakovich. Oxford: Oxford University Press, 2016.

Tsivian 1991 – Tsivian Y. Early Cinema in Russia and its Cultural Reception. Chicago: The University of Chicago Press, 1991.

Turovskaya 1993 – Turovskaya M. The 1930s and 1940s: Cinema in Context II Stalinism and Soviet Cinema / Ed. by R. Taylor, D. Spring. New York: Routledge, 1993. P. 34–53.

Widdis 2003 – Widdis E. Visions of a New Land. New Haven: Yale University Press, 2003.

Widdis 2014 – Widdis E. Making Sense without Speech: The Use of Silence in Early Soviet Sound Film // Sound, Speech, Music in Soviet and Post-Soviet Cinema / Ed. by L. Kaganovsky, M. Salazkina. Bloomington: Indiana University Press, 2014. P. 100–118.

Widdis 2017 – Widdis E. Socialist Senses: Film, Feeling and the Soviet Subject. Bloomington: Indiana University Press, 2017.

Williams 1991 – Williams L. Film Bodies: Gender, Genre, and Excess //Film Quarterly. 1991. Vol. 44. № 4. P. 2–13.

Williams 1992 – Williams A. Historical and Theoretical Issues in the Coming of Recorded Sound to the Cinema // Sound Theory / Sound Practice / ed. by R. Altman. New York: Routledge, 1992. P. 126–137.

Winter 1941 – Winter M. H. The Function of Music in Sound Film // The Musical Quarterly. 1941. Vol. 27. № 2. P. 146–164.

Yampolsky 1991 – Yampolsky M. Reality at Second Hand // Historical Journal of Film, Radio and Television. 1991. Vol. 11. № 2. P. 161–171.

Yekelchuk 2004 – Yekelchuk S. Stalins Empire of Memory: Russian Ukrainian Relations in the Soviet Imagination. Toronto: University of Toronto Press, 2004.

Young 2000 – Young D. Review: Three Songs About Lenin // Variety. 2000. August 21. URL: http://variety.com/2000/film/reviews/three-songs-about-lenin-1200463721/ (дата обращения: 26.04.2021).